We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
3
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
4
James Gillray, 1756–1815
A Morning Ride
1804
5
James Gillray, 1756–1815
Evacuation Before Resignation
1782
6
James Gillray, 1756–1815
A Man of Importance
1799
7
James Gillray, 1756–1815
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
8
James Gillray, 1756–1815
A Uniform Whig ---
1791
9
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
10
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
11
James Gillray, 1756–1815
The Royal Academy
1786
12
James Gillray, 1756–1815
Gloria Mundi, or - The Devil Addressing the Sun
1782
13
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
14
James Gillray, 1756–1815
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
15
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
16
James Gillray, 1756–1815
The Fall of the Wolsey of the Woolsack
1792
17
James Gillray, 1756–1815
The Friendly Agent
1787
18
James Gillray, 1756–1815
Jack A Both Sides!
1783
19
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
20
James Gillray, 1756–1815
The Prince at Grass --- The Prince in Clover
1787
21
James Gillray, 1756–1815
The Soliloquy
1782
22
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
23
James Gillray, 1756–1815
The Legacy
1786
24
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
25
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
26
Print made by James Gillray, 1756–1815
The Dutch Divisions
1787
27
Print made by James Gillray, 1756–1815
The Sick Prince
1787
28
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
29
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
30
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
31
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
32
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
33
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
34
James Gillray, 1756–1815
The Republican - Attack
1795
35
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
36
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
37
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
38
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
39
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
40
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
41
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
42
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
43
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
44
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
45
James Gillray, 1756–1815
Committee of Grievances and Apprehensions
1792
46
James Gillray, 1756–1815
The Bubbles of Opposition
1788
47
James Gillray, 1756–1815
A New Administration, or - The State Quacks Administring
1783
48
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
49
James Gillray, 1756–1815
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
50
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
51
James Gillray, 1756–1815
John Bull Triumphant
1780
52
James Gillray, 1756–1815
The Triumphant Britons
1780
53
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
54
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
55
James Gillray, 1756–1815
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
56
James Gillray, 1756–1815
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
57
James Gillray, 1756–1815
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
58
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
59
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
60
Print made by James Gillray, 1756–1815
A Coalition of Parties, Give Justice Her Claims
1783
61
Print made by James Gillray, 1756–1815
The Minister In - The Minister Out
1782
62
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
63
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
64
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
65
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
66
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
67
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
68
James Gillray, 1756–1815
The Tottering Pyramid
1784
69
Print made by James Gillray, 1756–1815
Scene Le Vrog House
1782
70
Print made by James Gillray, 1756–1815
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam
1791
71
James Gillray, 1756–1815
The English Regency
1789
72
James Gillray, 1756–1815
The Battle of Bow-Street
1788
73
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
74
Print made by James Gillray, 1756–1815
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
75
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
76
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
77
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
78
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
79
James Gillray, 1756–1815
Destruction of the French Collossus
1798
80
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
81
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
82
James Gillray, 1756–1815
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
83
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
84
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
85
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
86
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
87
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
88
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
89
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
90
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
91
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
92
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
93
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
94
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
95
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
96
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
97
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
98
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
99
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..