Collection: Prints and Drawings / Creator: Allom, Thomas, 1804–1872

1. Kensington Park Estate, Notting Hill

Creator:: Elizabeth Walker, 1800–1876
Materials & Techniques:: Lithograph on thick, smooth, cream wove paper
Dimensions:: Sheet: 20 5/8 × 31 7/16 inches (52.4 × 79.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Burnshead Hall, Westmorland; page 45 (Volume One)

Creator:: Print made by Henry Wallis, 1805–1890
Date:: 1835
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Chip Chase Castle, Northumberland; page 66 (Volume One)

Creator:: Joseph C. Bentley, 1809–1851
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. St. Michael's Church, Stockwell

Creator:: Edward Radclyffe, 1809–1863
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/2 x 7 1/4in. (26.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A View Near Briton Causway

Creator:: Francis Jukes, 1747–1812
Date:: 1785
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 10 5/8in. (22.9 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

Creator:: Thomas Allom, 1804–1872
Date:: 1831
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/8 x 12 11/16in. (20.6 x 32.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Interior of St. Olaves Church, Southwark

Creator:: James H. Kernot, 1802–1858
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 1/4 x 8 5/8in. (18.4 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The National Gallery - Charing Cross

Creator:: Robert Sands, 1792–1855
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 9/16 x 17 3/4in. (24.3 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)

Creator:: William Le Petit, early 1800s
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Court Yard, Chillingham Castle; page 65 (Volume One)

Creator:: W. Taylor, active 1790–1810
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)

Creator:: William Le Petit, early 1800s
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Palace of the Bishop of Durham, at Bishop Auckland; page 96 (Volume One)

Creator:: S. Lacey, active 1830s
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Grims Thorpe Castle, Linolnshire (published by Fisher Son & Company)(Volume Two)

Creator:: unknown artist
Date:: 1836
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Interior of the Hall at the Deepdene

Creator:: M. J. Starling, active 1830
Date:: undated
Materials & Techniques:: Engraving on smooth, thin, white wove paper laid on white wove paper
Dimensions:: Plate: 6 13/16 × 9 1/2 inches (17.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Mansion at the Deepdene. Seat of Henry Thomas Hope, Esq.

Creator:: Edward Radclyffe, 1809–1863
Date:: 1845
Materials & Techniques:: Engraving on India proof paper on medium, smooth, cream wove paper with chine-collé
Dimensions:: Image: 7 1/8 × 4 1/4 inches (18.1 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Deepdene near Dorking

Creator:: Edward Radclyffe, 1809–1863
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Image: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Lincoln from the River Witham

Creator:: Print made by S. T. Davies, active ca. 1835
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 7/8 inches (13.6 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Part of London in 1839

Creator:: Frederick James Havell, 1801–1840
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Stone Bow, Lincoln

Creator:: Frederick James Havell, 1801–1840
Date:: 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Baron's Hall

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1844
Materials & Techniques:: Etching on moderately thick, smooth, beige wove paper
Dimensions:: Plate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Inverlochy Castle, Invernesshire

Creator:: Henry Griffiths, 1835–1849
Date:: 1836
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 11 3/16 inches (21.6 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tynemouth Priory & Castle, Northumberland

Creator:: James Sands, active 1813–1846
Date:: 1833
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Lincoln from the Castle

Creator:: Frederick James Havell, 1801–1840
Date:: ca. 1836
Materials & Techniques:: Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 × 8 3/4 inches (13.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Entrance to Lincoln Cathedral

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1837
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Boston Church and Grand Sluice, Lincolnshire

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 3/4 inches (13.7 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Gothic Bridge of Eudes, Tours

Creator:: Print made by Henry Adlard, active 19th century
Date:: between 1824 and 1848
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

30. Palace of Justice, Rouen

Creator:: after Thomas Allom, 1804–1872
Date:: 1840
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

31. Lac de Gaube, Pyrenees

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

32. Town Hall, Ghent

Creator:: Print made by J. Higham, active ca. 1848
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

33. The Mosque of Santa Sophia, from the Gallery

Creator:: Print made by John Le Keux, 1783–1846
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

34. Mountain of the Grande Chartreuse, from Grenoble

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: undated
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

35. Rouen on the Seine

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: 1845
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

36. Eaux Bonnes, in the Pyrenees

Creator:: Print made by James H. Kernot, 1802–1858
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

37. Grenoble, from the Fortress

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

38. Palace of Justice, Bruges

Creator:: Print made by William Wallis, 1794– active 1830
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 1/8 inches (18.4 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

39. Angers on the Main

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

40. Saint Beat, Upper Garonne

Creator:: Print made by Arthur Willmore, 1814–1888
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

41. Entrance to the Port of Marseilles

Creator:: Print made by Arthur Willmore, 1814–1888
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

42. Fall of Foyers, Invernesshire

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

43. Palace of Justice, with Fine Carved Chimney, Bruges

Creator:: Print made by William Wallis, 1794– active 1830
Date:: ca. 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

44. St. Knighton's Kieve near Boscastle

Creator:: after Thomas Allom, 1804–1872
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

45. Durham Cathedral, from the Nave

Creator:: Print made by Wilson Joseph Lowry, 1803–1879
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

46. Caldron Snout, Teesdale, Durham

Creator:: Print made by William Le Petit, early 1800s
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

47. Mardale Head, Westmorland

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

48. The Circle of Gavarnie, Pyrenees

Creator:: Print made by Joseph C. Bentley, 1809–1851
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

49. Calcutta

Creator:: Print made by Edward Radclyffe, 1809–1863
Date:: ca. 1845
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 10 1/4 inches (16.5 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

50. Thorncroft, near Leatherhead

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 7/8 inches (13 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Theater at Tien-Sin

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Pavilion and Gardens of a Mandarin near Peking

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dinner Party at a Mandarin's House

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Post Office, St. Paul's Cathedral and Bull Mouth Inn

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 3/8 x 16 7/8in. (23.8 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Scrivelsby Hall, Lincolnshire; page 46 (Volume Three)

Creator:: William Deeble, active 1814–1849
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Interior of Sizergh Hall, Westmorland; page 53 (Volume Three)

Creator:: James Tingle, active ca. 1830–1860
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)

Creator:: William Le Petit, early 1800s
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Warkworth Castle, Northumberland; page 86 (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Long View of Nelson Haven in the Tasman's Gulf, New Zealand

Creator:: Thomas Allom, 1804–1872
Date:: 1841
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 1/4 x 20 1/2in. (36.2 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. View of part of the Town of Wellington, New Zealand

Creator:: Thomas Allom, 1804–1872
Date:: 1841
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 1/4 x 20 1/2in. (36.2 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Clermont and the Puy-de-Dôme

Creator:: Print made by Samuel Melton Fisher, 1859–1939
Date:: undated
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

63. National Gallery, Trafalgar Square, London

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 4 1/4 x 6in. (10.8 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

YCBA Collections Search

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Collection Prints and Drawings

Creator Allom, Thomas, 1804–1872

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1. Kensington Park Estate, Notting Hill

2. Burnshead Hall, Westmorland; page 45 (Volume One)

3. Chip Chase Castle, Northumberland; page 66 (Volume One)

4. St. Michael's Church, Stockwell

5. A View Near Briton Causway

6. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

7. Interior of St. Olaves Church, Southwark

8. The National Gallery - Charing Cross

9. Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)

10. The Court Yard, Chillingham Castle; page 65 (Volume One)

11. Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

12. Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)

13. The Palace of the Bishop of Durham, at Bishop Auckland; page 96 (Volume One)

14. Grims Thorpe Castle, Linolnshire (published by Fisher Son & Company)(Volume Two)

15. Interior of the Hall at the Deepdene

16. The Mansion at the Deepdene. Seat of Henry Thomas Hope, Esq.

17. Deepdene near Dorking

18. The Ceremony of Opening London Bridge, August 1, 1831

19. Lincoln from the River Witham

20. Part of London in 1839

21. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

22. The Stone Bow, Lincoln

23. The Baron's Hall

24. Inverlochy Castle, Invernesshire

25. Tynemouth Priory & Castle, Northumberland

26. Lincoln from the Castle

27. Entrance to Lincoln Cathedral

28. Boston Church and Grand Sluice, Lincolnshire

29. The Gothic Bridge of Eudes, Tours

30. Palace of Justice, Rouen

31. Lac de Gaube, Pyrenees

32. Town Hall, Ghent

33. The Mosque of Santa Sophia, from the Gallery

34. Mountain of the Grande Chartreuse, from Grenoble

35. Rouen on the Seine

36. Eaux Bonnes, in the Pyrenees

37. Grenoble, from the Fortress

38. Palace of Justice, Bruges

39. Angers on the Main

40. Saint Beat, Upper Garonne

41. Entrance to the Port of Marseilles

42. Fall of Foyers, Invernesshire

43. Palace of Justice, with Fine Carved Chimney, Bruges

44. St. Knighton's Kieve near Boscastle

45. Durham Cathedral, from the Nave

46. Caldron Snout, Teesdale, Durham

47. Mardale Head, Westmorland

48. The Circle of Gavarnie, Pyrenees

49. Calcutta

50. Thorncroft, near Leatherhead

51. The Theater at Tien-Sin

52. The House of a Chinese Merchant near Canton

53. Pavilion and Gardens of a Mandarin near Peking

54. Dinner Party at a Mandarin's House

55. The Post Office, St. Paul's Cathedral and Bull Mouth Inn

56. Scrivelsby Hall, Lincolnshire; page 46 (Volume Three)

57. Interior of Sizergh Hall, Westmorland; page 53 (Volume Three)

58. Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)

59. Warkworth Castle, Northumberland; page 86 (Volume Three)

60. Long View of Nelson Haven in the Tasman's Gulf, New Zealand

61. View of part of the Town of Wellington, New Zealand

62. Clermont and the Puy-de-Dôme

63. National Gallery, Trafalgar Square, London