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Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
Samuel Palmer The Vine
Print made by Samuel Palmer, 1805–1881
The Vine
1852
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
William Hogarth Grotesque Male Head
attributed to William Hogarth, 1697–1764
Grotesque Male Head
undated
William Hogarth Grotesque Female Head
attributed to William Hogarth, 1697–1764
Grotesque Female Head
undated
Edward Lear Toara, 11:15 a.m., January 1, 1867 (9)
Edward Lear, 1812–1888
Toara, 11:15 a.m., January 1, 1867 (9)
1867
Edward Lear Beni Eddeir
Edward Lear, 1812–1888
Beni Eddeir
1867
Edward Lear Thebes
Edward Lear, 1812–1888
Thebes
1854
Edward Lear Gebel Sheikh Embarak
Edward Lear, 1812–1888
Gebel Sheikh Embarak
1867
Edward Lear Sharaone
Edward Lear, 1812–1888
Sharaone
1867
Edward Lear Opposite Abu Girgeh
Edward Lear, 1812–1888
Opposite Abu Girgeh
1867
Edward Lear Near Eb-bosh
Edward Lear, 1812–1888
Near Eb-bosh
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
Edward Lear Study of an Egyptian Man on a Camel
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
Edward Lear El Areesh
Edward Lear, 1812–1888
El Areesh
1867
Edward Lear Dhoura Island
Edward Lear, 1812–1888
Dhoura Island
1854
Edward Lear Near Aswan
Edward Lear, 1812–1888
Near Aswan
1867
Edward Lear Philae, 6:00-6:15 am, 31 January 1867 (277)
Edward Lear, 1812–1888
Philae, 6:00-6:15 am, 31 January 1867 (277)
1867
Edward Lear Near Benout & Assioot
Edward Lear, 1812–1888
Near Benout & Assioot
1867
Edward Lear Gebel Sheikh Eredi from Gau el Kebir
Edward Lear, 1812–1888
Gebel Sheikh Eredi from Gau el Kebir
1867
Edward Lear Abu Seer, Wady Halfeh
Edward Lear, 1812–1888
Abu Seer, Wady Halfeh
1867
Edward Lear Boat on the Nile
Edward Lear, 1812–1888
Boat on the Nile
1867
Edward Lear Gebel Es Silsilis
Edward Lear, 1812–1888
Gebel Es Silsilis
1867
Edward Lear Between Kalabshee and Tafa, 5:20 pm, 16 February 1867 (502)
Edward Lear, 1812–1888
Between Kalabshee and Tafa, 5:20 pm, 16 February 1867 (502)
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Boats on the Nile
Edward Lear, 1812–1888
Boats on the Nile
1867
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Edward Lear Between Sabooa & Maharraka
Edward Lear, 1812–1888
Between Sabooa & Maharraka
1867
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
Edward Lear Camels
Edward Lear, 1812–1888
Camels
1867
Edward Lear Indian River Landscape
Edward Lear, 1812–1888
Indian River Landscape
1874
Edward Lear Philae
Edward Lear, 1812–1888
Philae
1867
Edward Lear Study of figures and a camel
Edward Lear, 1812–1888
Study of figures and a camel
1867
Edward Lear Lago di Garda
Edward Lear, 1812–1888
Lago di Garda
1867
Edward Lear Lago di Garda
Edward Lear, 1812–1888
Lago di Garda
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888
Egyptian Man
1867
Edward Lear Deir Kadige
Edward Lear, 1812–1888
Deir Kadige
1867
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
ca. 1788
William Blake The Argument. "Man has no notion of moral fitness..." (Plate 2"
Print made by William Blake, 1757–1827
The Argument. "Man has no notion of moral fitness..." (Plate 2"
ca. 1788
William Blake III. "From a perception of only 3 senses..." (Plate 5)
Print made by William Blake, 1757–1827
III. "From a perception of only 3 senses..." (Plate 5)
ca. 1788
William Blake V. "Mans desires are limited by his perceptions..." (Plate 7)
Print made by William Blake, 1757–1827
V. "Mans desires are limited by his perceptions..." (Plate 7)
ca. 1788
William Blake II. "Man by his reasoning power can only compare..." (Plate 4)
Print made by William Blake, 1757–1827
II. "Man by his reasoning power can only compare..." (Plate 4)
ca. 1788
William Blake I. "Man cannot naturally Percieve..."(Plate 3)
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
William Blake IV. "None could have other than natural or organic thoughts..." (Plate 6)
Print made by William Blake, 1757–1827
IV. "None could have other than natural or organic thoughts..." (Plate 6)
ca. 1788
William Blake VI. "The desires & perceptions of man untaught..." (Plate 8)
Print made by William Blake, 1757–1827
VI. "The desires & perceptions of man untaught..." (Plate 8)
ca. 1788
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
Thomas Stothard Back of Naked Figure
Thomas Stothard, 1755–1834
Back of Naked Figure
undated
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
Bradshaw & Blacklock Set of Needle-Box Prints
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
William Finden Domestic Happiness
William Finden, 1787–1852
Domestic Happiness
1834
Samuel Prout A Seated Peasant Woman Seen From Behind
Samuel Prout, 1783–1852
A Seated Peasant Woman Seen From Behind
undated
Samuel Prout A Seated Peasant Woman
Samuel Prout, 1783–1852
A Seated Peasant Woman
before 1841
Jean Clouet Portrait of a Lady
Jean Clouet, ca. 1485–1540/41
Portrait of a Lady
ca. 1530
James Smetham The Last Sleep
James Smetham, 1821–1889
The Last Sleep
1860
Sir Francis Seymour Haden The Holly Field
Sir Francis Seymour Haden, 1818–1910
The Holly Field
1860
Thomas Bewick Fisherman
Print made by Thomas Bewick, 1753–1828
Fisherman
undated
John Thomas Serres St. Maws Castle, Falmouth, East South East
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
John Thomas Serres The Start Point, North East by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
John Thomas Serres Dunmose, West by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
John Thomas Serres The Bolt Head, West North West (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
John Thomas Serres The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
John Thomas Serres The North Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
John Thomas Serres Dover Castle, North East, 1/2 North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
John Thomas Serres The Bill of Portland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
John Thomas Serres The South Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
John Thomas Serres The Needles Bearing East (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
John Thomas Serres Piveral Point (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
John Thomas Serres The Ram Head (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
unknown artist Caricature of Three Men at a Table
unknown artist
Caricature of Three Men at a Table
undated
Joseph Cartwright Profile of Man with Large Nose Wearing Hat
Joseph Cartwright, c.1789–1829
Profile of Man with Large Nose Wearing Hat
undated
Francesco Bartolozzi Ticket: For the Benefit of Mr. Salomon
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
1794
Miles Edmund Cotman River Scene, Aldercar
Print made by Miles Edmund Cotman, 1810–1858
River Scene, Aldercar
ca. 1837
Francesco Bartolozzi Visiting Card of Mrs. Parker
Francesco Bartolozzi, 1728–1815
Visiting Card of Mrs. Parker
1785
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin Fall of a City
Attributed to John Martin, 1789–1854
Fall of a City
undated
John Martin Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
Attributed to John Martin, 1789–1854
Shadrach, Meshack and Abed-Nego before Nebuchadnezzar
undated
John Martin The Baptism of Christ
Attributed to John Martin, 1789–1854
The Baptism of Christ
undated
John Martin The Woman at the Well
Attributed to John Martin, 1789–1854
The Woman at the Well
undated
John Martin Christ with Three Figures
Attributed to John Martin, 1789–1854
Christ with Three Figures
undated
John Martin The Conversion of Saul
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
John Martin Christ Preaching to the Elders in the Temple
Attributed to John Martin, 1789–1854
Christ Preaching to the Elders in the Temple
undated
John Martin Feeding the Five Thousand
Attributed to John Martin, 1789–1854
Feeding the Five Thousand
undated
John Martin The Pool of Bethesda
Attributed to John Martin, 1789–1854
The Pool of Bethesda
undated
John Martin Christ Healing the Palsied Man
Attributed to John Martin, 1789–1854
Christ Healing the Palsied Man
undated
John Martin Christ Stilling the Tempest
Attributed to John Martin, 1789–1854
Christ Stilling the Tempest
undated
John Martin The Miraculous Draught of Fishes
Attributed to John Martin, 1789–1854
The Miraculous Draught of Fishes
undated
John Martin The Stoning of Saint Stephen
Attributed to John Martin, 1789–1854
The Stoning of Saint Stephen
undated
John Martin The Ravens Feeding Elijah
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
John Martin Daniel in the Den of Lions
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
John Martin The Release of Saint Peter from Prison
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
John Martin The Death of Ananias
Attributed to John Martin, 1789–1854
The Death of Ananias
undated
John Martin The Raising of Lazarus
attributed to John Martin, 1789–1854
The Raising of Lazarus
undated
Richard Cosway Portrait of a Gentleman
Richard Cosway, 1742–1821
Portrait of a Gentleman
undated