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Collection Prints and Drawings

Genre literary theme

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "Why wilt thou give to her a Body..." (Plate 12)

Print made by William Blake, 1757–1827

"Why wilt thou give to her a Body..." (Plate 12)

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "One hair nor particle of dust..." (Plate 14)

Print made by William Blake, 1757–1827

"One hair nor particle of dust..." (Plate 14)

1804 to 1820

William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Print made by William Blake, 1757–1827

"And Hand & Hyle rooted into Jerusalem..." (Plate 15)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "From every-one of the Four Regions..." (Plate 18)

Print made by William Blake, 1757–1827

"From every-one of the Four Regions..." (Plate 18)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Print made by William Blake, 1757–1827

Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

1804 to 1820

William Blake "But when they saw Albion fall'n..." (Plate 20)

Print made by William Blake, 1757–1827

"But when they saw Albion fall'n..." (Plate 20)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820

William Blake "What have I said? What have I done?..." (Plate 24)

Print made by William Blake, 1757–1827

"What have I said? What have I done?..." (Plate 24)

1804 to 1820

William Blake "To the Jews..." (Plate 27)

Print made by William Blake, 1757–1827

"To the Jews..." (Plate 27)

1804 to 1820

William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)

1804 to 1820

William Blake "Then the Divine Vision like a silent Sun..." (Plate 29)

Print made by William Blake, 1757–1827

"Then the Divine Vision like a silent Sun..." (Plate 29)

1804 to 1820

William Blake "To the Public. After my three years slumber..." (Plate 3)

Print made by William Blake, 1757–1827

"To the Public. After my three years slumber..." (Plate 3)

1804 to 1820

William Blake "Leaning against the pillars..." (Plate 32)

Print made by William Blake, 1757–1827

"Leaning against the pillars..." (Plate 32)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "To the Christians..." (Plate 77)

Print made by William Blake, 1757–1827

"To the Christians..." (Plate 77)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake "Then the Divine hand found the Two Limits..." (Plate 35)

Print made by William Blake, 1757–1827

"Then the Divine hand found the Two Limits..." (Plate 35)

1804 to 1820

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake 'The thunder if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)

1794

William Blake Songs of Experience, Frontispiece (Plate 32)

Print made by William Blake, 1757–1827

Songs of Experience, Frontispiece (Plate 32)

1794

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

1793

William Blake Title Page, Visions of the Daughters of Albion (Plate 2)

Print made by William Blake, 1757–1827

Title Page, Visions of the Daughters of Albion (Plate 2)

1793

William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Print made by William Blake, 1757–1827

Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

1793

William Blake "And none but Bromian can hear my lamentations..." (Plate 6)

Print made by William Blake, 1757–1827

"And none but Bromian can hear my lamentations..." (Plate 6)

1793

William Blake "But when the morn arose, her lamentation renewd..." (Plate 8)

Print made by William Blake, 1757–1827

"But when the morn arose, her lamentation renewd..." (Plate 8)

1793

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on His Downy Pinion Flies from Woe' (Page 1)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Where sense runs savage broke from reason's chain' (Page 46)

Print made by William Blake, 1757–1827

'Where sense runs savage broke from reason's chain' (Page 46)

ca. 1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

ca. 1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

ca. 1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

ca. 1797

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

ca. 1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

ca. 1797

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

ca. 1797

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

unknown artist Alcibiades and Timon

unknown artist

Alcibiades and Timon

undated

Theodor von Holst Prospero Watching Ferdinand and Miranda

Theodor von Holst, 1810–1844

Prospero Watching Ferdinand and Miranda

ca. 1840

Theodor von Holst Ferdinand Riding the Waves

Theodor von Holst, 1810–1844

Ferdinand Riding the Waves

ca. 1830

Theodor von Holst Faust and Margaret

Theodor von Holst, 1810–1844

Faust and Margaret

undated

Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5

Thomas Carwitham, active 1723

Ceres and Abas: Ovid, Metamorphoses, Book 5

ca. 1723

Alfred Edward Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

Alfred Edward Chalon, 1780–1860

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

ca. 1820

John James Chalon Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

John James Chalon, 1778–1854

Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

Edward Goodall Leaving Home

Print made by Edward Goodall, 1795–1870

Leaving Home

1834