'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
2
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
3
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
4
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
5
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
6
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
7
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
8
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
9
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
10
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
11
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
12
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
13
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
14
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
15
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
16
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
17
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
18
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
19
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
20
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
21
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
22
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
23
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
24
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
25
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
26
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
27
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
28
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
29
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
30
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
31
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
32
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
33
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
34
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
35
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
36
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
37
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
38
Print made by Dame Elisabeth Frink, 1930–1993
Chanticleer and Pertelote
1970
39
Lewis Morley, 1925–2013
Front of House, Saint Joan of the Stockyards
1960s
40
Print made by Thomas Park, ca. 1760–1834
Ella, or the Sweets of Constancy
1786
41
Print made by Edward Fisher, 1722–1785
Garrick Between Tragedy and Comedy
undated
42
Print made by Giuseppe Marchi, ca. 1735–1808
Dr. Goldsmith
1770
43
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
44
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
45
Giuseppe Marchi, ca. 1735–1808
Samuel Dyer
1773
46
Charles Howard Hodges, 1764–1837
Reverend Thomas Warton
1786
47
Prints made by Luigi Schiavonetti, 1765–1810
The Grave, A Poem, by Robert Blair
1808
48
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
49
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
50
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
51
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
52
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
54
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
55
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
56
Francesco Bartolozzi, 1728–1815
Pospero Disarming Ferdinand from The Tempest, Act I, Scene II