Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
21
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
22
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
23
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
24
George Romney, 1734–1802
Sketch for Canidia and the Youth
undated
25
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
undated
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
34
George Romney, 1734–1802
Tempest, Version A
undated
35
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
36
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
37
George Romney, 1734–1802
Daphnis and Chloe
undated
38
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
39
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
40
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
41
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
42
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
43
George Romney, 1734–1802
The Banquet Scene
ca. 1792
44
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
45
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
46
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
47
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
48
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
49
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
50
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
51
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
52
George Romney, 1734–1802
Unidentified Subjects
undated
53
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
54
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
55
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
56
Theodor von Holst, 1810–1844
Faust and Margaret
undated
57
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
58
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
59
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
60
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
61
Robert Smirke, 1752–1845
Katherina and Grumio
1821
62
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
63
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
64
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
65
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
66
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
67
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
68
Robert Smirke, 1752–1845
Oberon and Puck
1825
69
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
70
Alfred Thompson, ca. 1833–1895
Costume Design for two Morris Dancers
undated
71
Robert Smirke, 1752–1845
Claudio and Isabella
1823
72
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
73
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
74
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
75
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
76
Robert Smirke, 1752–1845
Viola and Olivia
1822
77
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
78
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
79
Robert Smirke, 1752–1845
Prospero and Ariel
1821
80
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
81
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
82
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
83
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
84
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
85
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
86
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
87
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
88
George Augustus Sala, 1828–1895
Mefistofile II
1880
89
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
90
Robert Smirke, 1752–1845
Anne Page and Slender
1821
91
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
92
unknown artist
The Death of Cordelia
undated
93
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
94
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
95
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
96
Theodor von Holst, 1810–1844
Sheet of Sketches
undated
97
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
98
unknown artist
Infant Shakespeare, wih Comedy and Tragedy
undated
99
unknown artist
Scene from the Inferno
undated
100
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion