Collection: Prints and Drawings / Date: 1837 - YCBA Collections Search Search Results

101. Coaching: The Taglioni !!!!

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/2in. (40 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Coaching: The Taglioni Windsor Coach

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored (figure of Taglioni, the dancer, etched in center of title)
Dimensions:: Sheet: 13 7/16 x 17 1/2in. (34.1 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Jorrock's Sporting Lecture. Plate 1. Warranted just the thing.

Creator:: T. J. Rawlins, active 1837–1840
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Four Prize Wethers

Creator:: Print made by John West Giles, active 1827–1865
Date:: 1837
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 x 22 3/4 inches (45.7 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 5/16 inches (34 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Graphite, watercolor, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: garphite, pen and black, brown and red ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Oare Church

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 5/16 × 13 1/2 inches (44 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, graphite, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Graphite, watercolor, pen and brown ink, and red ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/16 × 13 5/8 inches (43.3 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 x 13 1/2in. (17.8 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 1/8 inches (34.3 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: brown ink, graphite, watercolor
Dimensions:: Sheet: 13 1/2 × 17 1/4 inches (34.3 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Oare Village

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 15/16 × 17 5/16 inches (35.4 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: watercolor, pen and brown ink, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 5/16 inches (34.3 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Image: 17 1/8 × 13 5/8 inches (43.5 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Crickieth Castle, North Wales

Creator:: Print made by S. Fisher, active 1831–1844
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 inches (25.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Whitehaven, Cumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Lowestoffe, Suffolk

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Keswick Lake, Cumberland

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1837
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 × 14 15/16 inches (26.8 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Winander-Mere, Westmoreland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Kidwelly Castle, South Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1837
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 7/8 inches (27.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Llangollen, North Wales

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Racing: "Phosophorus", Rode by George Edwards, Winner of the Derby Stakes at Epsom, 1837

Creator:: Charles Hunt, 1803–1877
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored with varnish over the color on horse
Dimensions:: Sheet: 14 15/16 x 19 3/8in. (37.9 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Summer Eve, the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Sinai's Thunder

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. The Andes Coast

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching with graphite, white chalk, and scraping; touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. A Swiss Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Lochiel's Warning

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. O'Connor's Child

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Gertrude of Wyoming - The Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Gertrude of Wyoming - The Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Beech Tree's Petition

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Valley of the Dhoon

Creator:: Print made by W. Floyd, active 1845
Date:: 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. O'Connor's Child

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Lochiel's Warning

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Battle of the Baltic

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Hohenlinden

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. Hohenlinden

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Lord Ullin's Daughter

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Gertrude of Wyoming - The Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. The Last Man

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Rolandseck

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Gertrude of Wyoming - The Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Soldier's Dream

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Summer Eve, the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving, with letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. The Andes Coast

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving, with letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. A Swiss Valley

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. O'Connor's Child

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Gertrude of Wyoming - The Waterfall

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Rolandseck

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching, line engraving, and letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Knowle Park, the Seat of the Earl of Plymouth

Creator:: John Graham, 1754–1817
Date:: 1837
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 3/16 inches (14.9 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. The Bruce Passing the Peveril Coach and Manchester Mail

Creator:: Print made by Robert Havell II, 1793–1878
Date:: 1837
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 8 1/8 x 11 1/8in. (20.6 x 28.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Jorrock's Sporting Lecture. Plate 2. Ah! Mon Ami! Prenez garde!

Creator:: T. J. Rawlins, active 1837–1840
Date:: undated
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 12 1/4 x 9in. (31.1 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

Creator:: John Harris, 1811–1865
Date:: 1837
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 7/8 x 27in. (45.4 x 68.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Ehrenbreitstein

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The Death Boat of Heligoland

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Dead Eagle, Oran

Creator:: Print made by William Miller, 1796–1882
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Ehrenbreitstein

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (c)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Camp Hill, Hastings

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Etching and line engraving; engraver's proof (b)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Panoramic View of Venice

Creator:: Robert Havell, 1769–1832
Date:: 1837
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Oliver plucks up a spirit

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

177. Oliver Escapes being Bound Apprentice to the Sweep

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

178. Oliver Asking for More

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

179. Athelstane's Escape from the Dungeon

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

180. Master Bates Explains a Professional Technicality

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

181. Oliver's Reception by Fagin and the Boys

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1837
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

182. Front and Back View of Cassolette made from the Mulberry Tree planted by Shakespeare.

Creator:: Charles John Smith, 1803–1838
Date:: 1837
Materials & Techniques:: Print
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

183. Cow Shed

Date:: 1837
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

184. Horses and Chickens

Date:: 1837
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

185. Mr. Winkle's Situation When the Door Blew To

Creator:: Print made by Hablot Knight Browne, 1815–1882
Date:: 1837
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

186. Hotel de Ville de New York

Creator:: after Louis Jules Arnout, 1814–1867
Date:: 1837
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

187. Trees in a Landscape

Creator:: Charles Reginald Aston, 1832–1908
Date:: ca. 1842 - 1980
Materials & Techniques:: Watercolor with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Frame: 18 1/2 × 25 1/2 × 1 inches (47 × 64.8 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert and Pauline Knoll

188. Yoked Horses, No. 32

Date:: 1837
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

189. Cattle at Barnet Fair

Date:: 1837
Materials & Techniques:: Lithograph on thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

190. Dunster, September 13, 1837

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 17 3/16 × 13 9/16 inches (43.7 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Lady Chapel facing West, Gloucester Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 3 1/2 × 2 1/4 inches (8.9 × 5.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

192. Central Nave, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

193. Nave Looking towards High Altar, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

194. Sanctuary Tombs, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

195. North Transept, Statesmen's Aisle, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

196. Lady Chapel, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

197. St. Peter's College and Victoria Tower

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

198. London Road, Hastings

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

199. South Transept, Westminster Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 4 × 3 1/8 inches (10.2 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

200. Hastings Castle

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Date 1837

Search Results

101. Coaching: The Taglioni !!!!

102. Coaching: The Taglioni Windsor Coach

103. Jorrock's Sporting Lecture. Plate 1. Warranted just the thing.

104. Four Prize Wethers

105. Full Cry

106. [One from] A Volume of Drawings and Prints

107. [One from] A Volume of Drawings and Prints

108. [One from] A Volume of Drawings and Prints

109. [One from] A Volume of Drawings and Prints

110. Oare Church

111. [One from] A Volume of Drawings and Prints

112. [One from] A Volume of Drawings and Prints

113. [One from] A Volume of Drawings and Prints

114. [One from] A Volume of Drawings and Prints

115. [One from] A Volume of Drawings and Prints

116. [One from] A Volume of Drawings and Prints

117. [One from] A Volume of Drawings and Prints

118. Oare Village

119. [One from] A Volume of Drawings and Prints

120. [One from] A Volume of Drawings and Prints

121. [One from] A Volume of Drawings and Prints

122. [One from] A Volume of Drawings and Prints

123. [One from] A Volume of Drawings and Prints

124. Crickieth Castle, North Wales

125. Whitehaven, Cumberland

126. Whitehaven, Cumberland

127. Lowestoffe, Suffolk

128. Keswick Lake, Cumberland

129. Winander-Mere, Westmoreland

130. Kidwelly Castle, South Wales

131. Llangollen, North Wales

132. Racing: "Phosophorus", Rode by George Edwards, Winner of the Derby Stakes at Epsom, 1837

133. Summer Eve, the Rainbow

134. Sinai's Thunder

135. The Andes Coast

136. A Swiss Valley

137. Lochiel's Warning

138. O'Connor's Child

139. Gertrude of Wyoming - The Valley

140. Gertrude of Wyoming - The Waterfall

141. The Beech Tree's Petition

142. Valley of the Dhoon

143. O'Connor's Child

144. Lochiel's Warning

145. Battle of the Baltic

146. Battle of the Baltic

147. Hohenlinden

148. Hohenlinden

149. Lord Ullin's Daughter

150. Gertrude of Wyoming - The Valley

151. The Last Man

152. Rolandseck

153. Gertrude of Wyoming - The Waterfall

154. The Soldier's Dream

155. Summer Eve, the Rainbow

156. The Andes Coast

157. A Swiss Valley

158. O'Connor's Child

159. Gertrude of Wyoming - The Waterfall

160. Rolandseck

161. Yarmouth, Norfolk

162. Knowle Park, the Seat of the Earl of Plymouth

163. The Bruce Passing the Peveril Coach and Manchester Mail

164. Jorrock's Sporting Lecture. Plate 2. Ah! Mon Ami! Prenez garde!

165. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Vexation-The false Start

166. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Anticipation-Who is the Winner?

167. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Approbation-Off in good Style

168. Doncaster Races: Race for the Great St. Leger Stakes, 1836 - Joy & Desperation!-Allover but Settling

169. Ehrenbreitstein

170. Camp Hill, Hastings

171. The Death Boat of Heligoland

172. The Dead Eagle, Oran

173. Ehrenbreitstein

174. Camp Hill, Hastings