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Collection
Prints and Drawings
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56
Creator
Hogarth, William, 1697–1764
40
Jones, & Co., active 1822–1850
21
Unknown artist
18
Finden, Edward Francis, 1791–1857
7
Nicholson, T. E., active early 19th century
6
Radclyffe, William, 1780–1855
4
Fielding, Anthony Vandyke Copley, 1787–1855
3
John, Tallis & Co, active 1838–1840
3
Longman,, active 1804–1914
3
Stanfield, Clarkson, 1793–1867
3
The, London Printing and Publishing Company
3
Barret, George, 1732–1784
2
Chapman, and Hall
2
Cooke, George, 1781–1834
2
Dawe, Henry E., 1790–1848
2
Gordon, John Watson, Sir, 1788–1864
2
Miller, William, 1796–1882
2
Prout, Samuel, 1783–1852
2
Cooke, Edward William, 1811–1880
1
Delaroche, Paul, 1797–1856
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On-site Access
Accessible by appointment in the Study Room
56
Image Use
Free to Use
56
Image Available
Available
55
Unavailable
1
Classification
Prints
56
Creator Gender
male
56
unknown
18
Collective Title
Marriage A-la Mode
1
Rivers of France
1
The Four Stages of Cruelty
1
Period
19th century
56
Materials & Techniques
wove paper
56
mezzotint
3
line engraving
1
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intaglio print
56
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landscape
1
marine art
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Subject Terms
landscape
1
river
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Associated Places
Europe
1
France
1
Loire
1
Mauves
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Rhône-Alpes
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Credit Line
Yale Center for British Art; Yale University Art Gallery Collection
55
Yale Center for British Art, Paul Mellon Collection
1
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1833
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1
after William Hogarth, 1697–1764
Marriage à la Mode, Plate I, The Contract
1833
2
after William Hogarth, 1697–1764
Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
1833
3
after William Hogarth, 1697–1764
Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
1833
4
after William Hogarth, 1697–1764
Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
1833
5
after William Hogarth, 1697–1764
Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
1833
6
after William Hogarth, 1697–1764
The Distressed Poet
1833
7
after William Hogarth, 1697–1764
None
1833
8
after William Hogarth, 1697–1764
The Invasion, Plate II, England
1833
9
after William Hogarth, 1697–1764
The Invasion, Plate II, England
1833
10
after William Hogarth, 1697–1764
Country Inn Yard
1833
11
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
12
after Paul Delaroche, 1797–1856
Prince Edward in Scotland
1833
13
Print made by Henry Dawe, 1790–1848
John Wilson Esquire
1833
14
Print made by Edward Francis Finden, 1791–1857
Mirkwood Mere, Waiverly
1833
15
Print made by Charles Mottram, 1807–1876
Credulity, Superstition & Fanaticism
1833
16
Print made by W. Floyd, active 1845
Harbour of St. Malo
1833
17
Print made by William Radclyffe, 1780–1855
Gate of Calais, O the Roast Beef of Old England
1833
18
Print made by William Radclyffe, 1780–1855
The Gate of Calais, O the Roast Beef of Old England
1833
19
Print made by William Radclyffe, 1780–1855
Gate of Calais, O the Roast Beef of Old England
1833
20
Print made by William Radclyffe, 1780–1855
Gate of Calais, O the Roast Beef of Old England
1833
21
Print made by T. E. Nicholson, active early 19th century
Humours of an Election Entertainment
1833
22
Print made by T. E. Nicholson, active early 19th century
Chairing the Member
1833
23
Print made by unknown artist
3 Characters, 4 Caricaturas
1833
24
Print made by unknown artist
3 Characters, 4 Caricaturas
1833
25
Print made by unknown artist
The Chorus
1833
26
Print made by unknown artist
The Chorus
1833
27
Print made by unknown artist
The Laughing Audience
1833
28
Print made by unknown artist
The Chorus
1833
29
Print made by unknown artist
The Laughing Audience
1833
30
Print made by unknown artist
The Laughing Audience
1833
31
Print made by unknown artist
The Lecture
1833
32
Print made by unknown artist
Analysis of Beauty, Plate I
1833
33
Print made by unknown artist
Analysis of Beauty, Plate II
1833
34
Print made by unknown artist
Boys Peeping at Nature
1833
35
Print made by unknown artist
Columbus Breaking the Egg
1833
36
Print made by William Henry Worthington, ca. 1790–active 1839
Industry and Idleness, Plate VI, The Industrious 'Prentice out of His Time and Married to His Master's Daughter
1833
37
Print made by Edward Francis Finden, 1791–1857
Solway Firth from Allonby, Cumberland
1833
38
Print made by Edward Francis Finden, 1791–1857
Liege
1833
39
Print made by Edward Francis Finden, 1791–1857
Solway Firth from Allonby, Cumberland
1833
40
Print made by George Cooke, 1781–1834
The Post Office & St. Paul's, from St. Martin's Le Grand
1833
41
Print made by William Miller, 1796–1882
Homeward Bound, Distant View of the Brill
1833
42
Print made by T. E. Nicholson, active early 19th century
Chairing the Member
1833
43
Print made by unknown artist
3 Characters, 4 Caricaturas
1833
44
Print made by unknown artist
3 Characters, 4 Caricaturas
1833
45
Print made by unknown artist
The Laughing Audience
1833
46
Print made by unknown artist
Columbus Breaking the Egg
1833
47
Print made by unknown artist
Columbus Breaking the Egg
1833
48
Print made by Edward Francis Finden, 1791–1857
Solway Firth from Allonby, Cumberland
1833
49
Print made by Edward Francis Finden, 1791–1857
Mirkwood Mere
1833
50
Print made by T. E. Nicholson, active early 19th century
First Stage of Cruelty
1833
51
Print made by T. E. Nicholson, active early 19th century
Humours of an Election Entertainment
1833
52
Print made by T. E. Nicholson, active early 19th century
Chairing the Member
1833
53
Print made by Edward Francis Finden, 1791–1857
Tours
1833
54
Print made by Edward Scriven, 1775–1841
White Lady
1833
55
Print made by George Cooke, 1781–1834
Part of the Old and New London Bridges
1833
56
Print made by Henry Dawe, 1790–1848
John Wilson Esquire
1833