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Collection
Prints and Drawings
[remove]
70
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
30
Say, William, 1768–1834
6
Unknown artist
6
Reynolds, Joshua, Sir, 1723–1792
5
Bartolozzi, Francesco, 1727–1815
4
COPE, Charles, 1782–1827
4
Cooke, William Bernard, 1778–1855
4
Havell, Daniel, 1785–1826
4
Havell, Robert, 1769–1832
4
Cook, Henry R., active 1802–1849
3
Crome, John, 1768–1821
3
Dawe, Henry E., 1790–1848
3
Freeman, Samuel, 1773–1857
3
Hoppner, John, 1758–1810
3
Turner, Charles, 1774–1857
3
Ackermann, Rudolph, 1764–1834
2
Beechey, William, Sir, 1753–1839
2
Dawson, Robert Kearsley, 1798–1861
2
Lupton, Thomas Goff, 1791–1873
2
Scriven, Edward, 1775–1841
2
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Date
1834
507
1835
277
1833
260
1546
247
1800
235
1827
230
1782
228
1830
212
1836
203
1630
181
1793
164
1808
147
1802
140
1792
132
1837
132
1795
128
1799
128
1832
123
1794
122
1797
120
1803
115
1789
114
1828
114
1812
112
1780
111
1818
111
1859
109
1814
108
1811
107
1820
104
1807
103
1788
101
1816
99
1999
97
2000
93
1779
91
1850
91
1776
90
1825
90
1831
90
1745
89
1810
89
1784
86
1785
86
1790
86
1674
85
1826
83
1700
82
1775
82
1796
82
1823
82
1838
82
1783
80
1791
80
1809
80
1773
77
1778
76
1786
76
0
74
1819
74
1787
73
1772
72
1781
70
1813
[remove]
70
1739
69
1824
69
1667
68
1821
68
1762
67
1801
67
1755
66
1771
66
1550
65
1770
65
1806
65
1896
65
1750
62
1769
62
1822
62
1738
61
1777
61
1675
60
1798
57
1839
57
1765
56
1925
54
1990
54
1804
53
1829
53
1916
53
1754
50
1897
48
1805
47
1680
46
1719
46
1774
46
1743
43
1735
42
1760
42
1767
42
On-site Access
Accessible by appointment in the Study Room
70
Image Use
Free to Use
69
Under Certain Circumstances
1
Image Available
Available
64
Unavailable
6
Classification
Prints
70
Creator Gender
male
69
unknown
6
Collective Title
Liber Studiorum
24
Iconographie Anglaise par Reynolds et Autres
9
Cooke's Picturesque Views of the Southern Coast of England
4
Picturesque Views of the Antiquities of Pola in Istria
1
Selections of the Ancient Costume of Great Britain and Ireland
1
The British Gallery of Contemporary Portraits
1
Period
19th century
70
Materials & Techniques
wove paper
49
etching (printing process)
44
brown ink
24
mezzotint
23
laid paper
13
line engraving
11
aquatint
9
stipple engraving
9
hand coloring
5
chine collé
4
colored ink
4
engraving (printing process)
2
graphite
2
Asian paper
1
Engraving
1
watercolor
1
Height [cm]
Height [cm] range begin
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0
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72
Width [cm]
Width [cm] range begin
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0
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60
Work Type
intaglio print
[remove]
70
Genre
landscape
25
architectural subject
23
portrait
21
genre subject
13
religious and mythological subject
10
marine art
8
military art
5
literary theme
4
still life
3
historical subject
1
Subject Terms
trees
13
architectural subject
12
portrait
10
religious and mythological subject
8
field
6
genre subject
6
landscape
6
river
5
channel (water body component)
4
country house
4
garden
4
house
4
man
4
manor house
4
marine art
4
men
4
park (grounds)
4
road
4
rocks (landforms)
4
tower (building division)
4
more
Subject Terms
»
Associated Places
England
13
United Kingdom
11
Europe
9
Crofton
4
English Channel
4
Wakefield
4
Yorkshire
4
Cornwall
2
Dorset
2
Mount's Bay
2
Norfolk
2
Norwich
2
Saint Michael's Mount
2
Weymouth
2
Weymouth Bay
2
Bewdley
1
City of Westminster
1
Hereford and Worcester
1
London
1
Palace of Westminster
1
more
Associated Places
»
Associated People
Glaucus
3
Scylla
3
Cupid
1
Lennox, Charlotte (1730/31?–1804), novelist and writer
1
Mason, William (1725–1797), religious official, poet and garden designer
1
Noah
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
3
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
2
American Artists Abroad (Nassau County Museum of Fine Art, 1985-06-02 - 1985-09-02)
1
Deluge (Yale Center for British Art, 2018-12-18 - 2019-03-24)
1
Peterloo and Protest (Yale Center for British Art, 2019-08-16 - 2019-12-01)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
1
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)
1
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
54
Yale Center for British Art, Gift of Herman W. Liebert
4
Yale Center for British Art; Yale University Art Gallery Collection
3
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art, Paul Mellon Fund
2
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
1
Yale Center for British Art, Gift of Lisa Thornell-Gargiulo
1
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection
1
Yale Center for British Art, transfer from the Yale University Art Gallery Collection
1
Yale Center for British Art; Gift of Mr. J. Richardson Dilworth
1
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Search Results
1
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
2
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
4
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
5
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
6
Print made by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
7
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
8
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
9
Etched by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
10
Print made by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
11
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
12
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
13
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
14
Print made by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
15
Print made by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
16
Print made by Joseph Mallord William Turner, 1775–1851
Crowhurst
between 1813 and 1823
17
Print made by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
18
Attributed to Joseph Mallord William Turner, 1775–1851
Via Mala
between 1813 and 1823
19
Print made by Joseph Mallord William Turner, 1775–1851
The Temple of Jupiter in the Island of Aegina
between 1813 and 1823
20
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
21
Print made by Joseph Mallord William Turner, 1775–1851
Flounder Fishing, Battersea
between 1813 and 1823
22
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
23
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
between 1813 and 1823
24
Etched by Joseph Mallord William Turner, 1775–1851
Dumbarton Rock
between 1813 and 1823
25
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
26
William Skelton, 1763–1848
The Right Honourable Spencer Perceval
1813
27
? William Say, 1768–1834
Admiral Rt. Hon. Sir C. Cockburn, G.C.B
c.1813
28
Print made by George Cuitt, 1779–1854
Presented by the Officers
after 1813
29
John Bluck, active 1791–1831
Ackerman's Library for Works of Art
1813
30
Print made by Robert Kearsley Dawson, 1798–1861
Map of Bewdley from the Ordnance Survey
undated
31
Print made by Robert Kearsley Dawson, 1798–1861
Map of Worcestershire Showing Western and Eastern Divisions
undated
32
Print made by Henry R. Cook, active 1802–1849
Mrs. Lenox
1813
33
William Ward, 1766–1826
The Durham White Ox / Of the improved Tees Water Breed, / by John Nesham, Esqr. / Bred and fed / of Houghton le Spring, Durham
1813
34
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
35
Henry R. Cook, active 1802–1849
Sir Thomas Graham, 1st Baron Lynedoch
1813
36
Print made by John Crome, 1768–1821
Front of the New Mills
1813
37
Print made by John Crome, 1768–1821
Road Scene, Trowse Hall, near Norwich
1813
38
Henry Hoppner Meyer, ca. 1782–1847
John Scott, 1st Earl of Eldon
1813
39
Henry R. Cook, active 1802–1849
Lieutenant General, Henry Paget, the Earl of Uxbridge
1813
40
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
41
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
42
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1813
43
Print made by William Bernard Cooke, 1778–1855
Weymouth, Dorsetshire
1813
44
Print made by William Bernard Cooke, 1778–1855
St. Michael's Mount, Cornwall
1813
45
William Wise, Active 1823–1876
South View of London Street, Dockhead
1813
46
Edward Scriven, 1775–1841
George Colman, The Elder
1813
47
Print made by Charles Turner, 1774–1857
William Spencer, Duke of Devonshire
1813
48
unknown artist
Dudley Ryder, 1st Earl of Harrowby
1813
49
Print made by unknown artist
John Willett Payne
1813
50
unknown artist
John Willitt Payne, Esq
1813
51
unknown artist
John Willitt Payne Esq
1813
52
Print made by William Say, 1768–1834
Love
c.1813
53
Print made by George Cooke, 1781–1834
Antiquities at Pola, Frontispiece
ca. 1818
54
Samuel Freeman, 1773–1857
Samuel Johnson
1813
55
Charles Williams, active 1796–1830
The Delicate Investigation or Secrets of - Time Three o' Clock in the Morning!!!
1813
56
Print made by William Ward, 1766–1826
George Marquess of Buckingham
after 1813
57
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
58
Robert Havell, 1769–1832
Crofton
1813
59
Robert Havell, 1769–1832
Crofton
1813
60
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
61
John Scott, 1774–1828
Samuel Johnson
1813
62
Samuel Freeman, 1773–1857
Samuel Johnson
1813
63
Print made by Samuel Prout, 1783–1852
Rudiments of Landscape in Progressive Studies, Plate 46
1813
64
Print made by Isaac Cruikshank, 1764–1811
New River Head, Islington
1813
65
Print made by John Crome, 1768–1821
Composition: Sandy Road through Woodland
1813
66
Edward Scriven, 1775–1841
Reverend. William Mason
1813
67
Print made by Samuel Freeman, 1773–1857
Samuel Johnson
1813
68
Print made by William Bond, active 1772–1831, died 1842
General Sir George Augustus Eliott, K.B
1813
69
Print made by Thomas Rowlandson, 1756–1827
Dr. Syntax Returned from His Tour
1813
70
Print made by Joseph Jeakes, active 1796– ca. 1829
His Majesty's Frigate the Shannon
1813