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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Prints and Drawings
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3
Creator
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Easling, J. C., fl.1788–1815
1
Heath, Charles, 1785–1848
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Middiman, Samuel, ca. 1750–1831
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Pye, John, 1782–1874
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1834
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On-site Access
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3
Classification
Prints
3
Creator Gender
male
3
Collective Title
Liber Studiorum
2
Period
19th century
3
Materials & Techniques
etching (printing process)
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wove paper
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brown ink
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mezzotint
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line engraving
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intaglio print
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frontispiece
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architectural subject
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cityscape
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landscape
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marine art
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still life
1
Subject Terms
architectural subject
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basket
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fish
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frame (furnishing)
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painting (visual work)
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peacock
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still life
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Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
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3
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
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Prints and Drawings
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1812
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Exhibition History
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
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1
Etched by Joseph Mallord William Turner, 1775–1851
Frontispiece to the 'Liber Studiorum'
1812
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
3
Etched by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1812