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Collection
Prints and Drawings
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4
Creator
Girtin, Thomas, 1775–1802
2
Beaumont, George Howland, Sir, 1753–1827
1
Harraden, Richard Banks, 1778–1862
1
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1749
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1788
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1790
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1755
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1782
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1797
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1802
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1807
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1828
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1912
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1746
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1783
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1787
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1833
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1852
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1765
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1770
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1794
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1808
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1909
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1914
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1600
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1715
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1742
2
On-site Access
Accessible by appointment in the Study Room
4
Image Use
Free to Use
4
Image Available
Available
4
Classification
Drawings & Watercolors
4
Creator Gender
male
4
Period
18th century
3
18th century-19th century
1
Materials & Techniques
graphite
4
laid paper
2
pen
2
watercolor
2
wove paper
2
black ink
1
brown ink
1
gouache
1
gray ink
1
gray wash
1
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Work Type
drawing
4
watercolor
3
Genre
architectural subject
2
landscape
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genre subject
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Subject Terms
figures
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4
architectural subject
2
clouds
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fence
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landscape
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windows
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bridge (built work)
1
building
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cathedral
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chimney
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college
1
cottages
1
donkey
1
doorway
1
drinking fountain
1
facade
1
genre subject
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grass
1
house
1
man
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Associated Places
England
4
Europe
4
United Kingdom
4
Essex
2
Cambridge University
1
Cambridgeshire
1
Great Dunmow
1
Lichfield
1
Lichfield Cathedral
1
Staffordshire
1
Wimbish
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
2
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
3
Yale Center for British Art, Gift of Charles Rhyne
1
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Collection
Prints and Drawings
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Date
1794
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figures
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1
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
2
Thomas Girtin, 1775–1802
Turver's Farm, Wimbish, Essex
ca. 1799
3
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
4
Sir George Howland Beaumont seventh Baronet, 1753–1827
Dunmow
1794