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Collection
Prints and Drawings
[remove]
307
Creator
Gay, John, 1685–1732
72
Stockdale, John, ca. 1749–1814
71
Blake, William, 1757–1827
59
Unknown artist
39
Wootton, John, approximately 1682–1764
29
Bartolozzi, Francesco, 1727–1815
27
Kent, William, ca.1686–1748
23
Gravelot, Hubert-François, 1699–1773
16
Skelton, William, 1763–1848
15
Cruikshank, Isaac, 1764–1811
14
Hamilton, William, 1751–1801
13
Grainger, W., active 1793
12
Gillray, James, 1756–1815
11
Mazell, Peter, active 1761–1797
9
Reynolds, Joshua, Sir, 1723–1792
9
Schiavonetti, Luigi, 1765–1810
9
Wilson,, active 1793
9
Gilpin, Sawrey, 1733–1807
8
Wheatley, Francis, 1747–1801
8
Malton, Thomas, 1726–1801
7
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Creator
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Date
1800
812
1834
598
1789
416
1802
373
1827
363
1794
349
1835
342
1795
333
1792
318
1793
[remove]
307
1825
306
1830
298
1833
298
1700
293
1797
292
1782
282
1799
280
1803
278
1791
275
1804
268
1808
264
1820
259
1836
259
1546
247
1796
225
1775
222
1798
217
1823
216
1809
213
1780
211
1821
210
1790
209
1801
206
1832
206
1783
195
1824
194
1807
192
1739
191
1812
190
1828
185
1630
181
1811
179
1814
179
1826
179
1788
178
1837
178
1813
177
1784
170
1810
167
1818
164
1816
163
1831
163
1819
148
1786
142
1850
142
1754
140
1787
140
1805
140
1785
139
1822
135
1806
133
1778
131
1745
126
1817
124
1779
122
1838
122
1815
120
1755
117
1781
117
1859
116
1829
115
1776
113
1770
112
2000
111
1989
110
1750
109
0
104
1771
103
1772
102
1999
101
1900
100
1768
99
1839
96
1765
93
1762
91
1674
88
1751
88
1773
88
1777
88
1876
88
1738
87
1855
86
1896
86
1882
84
1897
83
1769
82
1767
81
1758
79
1907
79
1743
76
On-site Access
Accessible by appointment in the Study Room
307
Image Use
Free to Use
300
Under Certain Circumstances
7
Image Available
Available
277
Unavailable
30
Classification
Prints
[remove]
307
Creator Gender
male
289
unknown
39
female
5
Collective Title
Gay's Fables
72
Fables by John Gay, Vol. I
54
For Children: The Gates of Paradise, Copy E
19
America. A Prophecy, Copy M
18
Fables by John Gay, Vol. II
18
Cries of London
7
Visions of the Daughters of Albion, Copy I
7
Iconographie Anglaise par Reynolds et Autres
6
Antiquities of London and Environs
1
Collection of Prints by Notable Dilettanti
1
Europe. A Prophecy, Copy A
1
The Cries of London
1
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century
304
18th century-19th century
2
Materials & Techniques
wove paper
147
etching (printing process)
116
line engraving
103
stipple engraving
39
watercolor
31
relief etching
24
black ink
22
mezzotint
20
color printing
17
laid paper
12
aquatint
9
hand coloring
8
colored ink
6
proofs: prints
2
lithography
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
0
to
72
Unknown
48
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
87
Unknown
48
Work Type
intaglio print
164
relief print
24
watercolor
24
drawing
22
frontispiece
4
planographic print
1
Genre
literary theme
92
animal art
72
genre subject
31
portrait
23
religious and mythological subject
23
historical subject
21
military art
5
architectural subject
4
landscape
4
marine art
3
figure study
1
sporting art
1
Subject Terms
text
39
men
36
nudes
27
women
21
clouds
20
historical subject
20
religious and mythological subject
18
children
17
trees
15
portrait
14
literary theme
12
costume
10
genre subject
9
leaf
9
man
8
beard
7
night
7
snake
7
branches
6
flames
6
more
Subject Terms
»
Associated Places
England
2
United Kingdom
2
Blockley
1
Blockley Church
1
Bradwell Lodge
1
Church of St. Peter and St. Paul
1
Essex
1
Europe
1
Gloucestershire
1
India
1
Mysore
1
Tower of London
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
7
Cornwallis, Charles (1738–1805), lieutenant-general
2
Bacon, Sir Nathaniel (1585–1627), painter
1
Hastings, Francis Rawdon, first marquess of Hastings and second earl of Moira (1754–1826), army officer and politician
1
Jackson, William (fl. 1793), Excise man
1
Louis XV (1710–1774), king of France and of Navarre
1
Louis XVI (1754–1793), king of France
1
Pisani, Alvise, 114th doge of Venice (1505–1523)
1
Reynolds, Sir Joshua (1723–1792), portrait and history painter and art theorist
1
Tipu Sultan of Mysore (1750–1799)
1
Whitefoord, Caleb (1734–1810), wine merchant and diplomatist
1
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
29
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
29
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
25
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
20
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
19
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
6
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
James Ward (Yale Center for British Art, 2004-05-21 - 2004-08-22)
2
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
2
Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (Yale Center for British Art, 2007-09-27 - 2007-12-30)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Prodigal Son Narratives 1480 - 1980 (Yale University Art Gallery, 1995-04-04 - 1995-07-16)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
195
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
72
Yale Center for British Art, Paul Mellon Fund
15
Yale Center for British Art
9
Yale Center for British Art; Gift of Herman W. Liebert
5
Yale Center for British Art; Yale University Art Gallery Collection
5
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth
2
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Doris M. Brixey
2
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn
1
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan
1
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1
Print made by William Blake, 1757–1827
What is Man!, Frontispiece (Plate 1)
1793
2
Print made by William Blake, 1757–1827
Water (Plate 4)
1793
3
Print made by William Blake, 1757–1827
Earth (Plate 5)
1793
4
Print made by William Blake, 1757–1827
Air (Plate 6)
1793
5
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1793
6
Print made by William Blake, 1757–1827
I Want! I Want! (Plate 11)
1793
7
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This? (Plate 14)
1793
8
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
9
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
10
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
11
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
12
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
13
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
14
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
15
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
16
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
17
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
18
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
19
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
20
Print made by William Blake, 1757–1827
Title Page, For Children. The Gates of Paradise (Plate 2)
1793
21
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree (Plate 3)
1793
22
Print made by William Blake, 1757–1827
Fire (Plate 7)
1793
23
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell (Plate 8)
1793
24
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision (Plate 15)
1793
25
Print made by William Blake, 1757–1827
Help! Help! (Plate 12)
1793
26
Print made by William Blake, 1757–1827
My Son! My Son! (Plate 10)
1793
27
Print made by William Blake, 1757–1827
Aged Ignorance (Plate 13)
1793
28
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
29
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening (Plate 16)
1793
30
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
1793
31
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
32
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
33
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
34
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
35
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
36
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
37
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
38
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
39
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
40
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
41
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
42
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
43
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
44
Prints made by William Blake, 1757–1827
For Children. The Gates of Paradise, London, by William Blake
1793
45
Prints made by William Blake, 1757–1827
Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows
1793
46
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
47
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
48
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
49
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
50
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
51
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
52
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
53
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
54
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
55
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
56
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
57
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
58
Isaac Cruikshank, 1764–1811
The Wet Party or the Bogs of Flanders, a New Song
1793
59
Isaac Cruikshank, 1764–1811
A Right Hon(oura)ble, Alias a Sans Culotte, Alias the Man of the People, Alias the Dissipated Patriot....Alias the Protector turned Begger
1793
60
Isaac Cruikshank, 1764–1811
John Bull in a Rage, forcing nic Frog to Fight against his Will
1793
61
Isaac Cruikshank, 1764–1811
Preparing for Action or an English Man of War engaging Two Dutch Doggers
1793
62
Isaac Cruikshank, 1764–1811
The Solicitor General for the French Republic
1793
63
Isaac Cruikshank, 1764–1811
Flannel Coats of Mail against the Cold or the British Ladies Patriotic Presents to the Army
1793
64
Isaac Cruikshank, 1764–1811
Reflections on the French Revolution
1793
65
Isaac Cruikshank, 1764–1811
The Near in Blood, the Nearer Bloody
1793
66
Isaac Cruikshank, 1764–1811
Oh! Dear What can the Matter Be
1793
67
Isaac Cruikshank, 1764–1811
The Murder of Custine, French Gratitude or Republican Rewards for Past Services (from: Caricature, vol. 3)
1793
68
Francis Jukes, 1747–1812
View of Jedburgh Abbey
1793
69
Richard Newton, 1777–1798
A Serious Thought of a Plain Englishman, in 1793
1793
70
Richard Newton, 1777–1798
Prelude to Crim Con and The Finale
1793
71
Thomas Rowlandson, 1756–1827
Reform Advised - Reform Begun - Reform Compleat (Complete)
1793
72
George Moutard Woodward, ca. 1760–1809
In Our Journey through Life may we Live Well on the Road
ca. 1798
73
Thomas Rowlandson, 1756–1827
The Reconciliation, or the Return from Scotland
1793
74
George Moutard Woodward, ca. 1760–1809
May the Eye of Science pierce Through the Mists of Obsurity
ca. 1798
75
after George Moutard Woodward, ca. 1760–1809
The King
ca. 1798
76
after George Moutard Woodward, ca. 1760–1809
The Constitution - Gentlemen
ca. 1798
77
unknown artist
A French Invasion - or the Fashionable Dress of 1798
ca. 1798
78
William Dent, active 1784–1793
Evacuation of Holland, or, Fire and Water Too Much for Dumourier
1793
79
Print made by Isaac Cruikshank, 1764–1811
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water
1793
80
Richard Newton, 1777–1798
The Birth of Billy Bugaboo
1793
81
Richard Newton, 1777–1798
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock
1793
82
Richard Newton, 1777–1798
English Channel/ Both Sides of the Water
1793
83
unknown artist
The Windsor Boar and Sow Driving to Manbey's Market
ca. 1798
84
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
85
John Jones, ca. 1745–1797
William Davidson of Muirhouse
1793
86
Schenecker, active 1791
Edward Progers
1793
87
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches of Penny Primroses, Two Bunches a Penny
1793
88
Robert Dighton, 1752–1814
A Jack in Office
1793
89
Benjamin Green, ca. 1736–ca. 1800
West Front of the Mathematical School, Christ's Hospital
1793
90
Benjamin Green, ca. 1736–ca. 1800
Part of Christ's Hospital from the Steward's Office
1793
91
William Ellis, 1747–1810
Tooting
1793
92
William Ellis, 1747–1810
Streatham House, Surrey
1793
93
unknown artist
North West View of Westminster Abbey
1793
94
unknown artist
Deans Yard
1793
95
unknown artist
Transcept of Westminster Abbey
1793
96
unknown artist
Part of the Sachristary Leading to the Chapel of Henry VII
1793
97
William Ellis, 1747–1810
Tottenham
1793
98
unknown artist
View of the Old Church of Hampstead
1793
99
James Peller Malcolm, 1767–1815
New Church at Paddington
1793
100
Francesco Bartolozzi, 1728–1815
Prospero Disarming Ferdinand, Act I, Scene II
1793
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