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Prints and Drawings
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54
Creator
Varley, John, 1778–1842
23
Carter, John, 1748–1817
11
Girtin, Thomas, 1775–1802
7
Harraden, Richard Banks, 1778–1862
3
Turner, J. M. W. (Joseph Mallord William), 1775–1851
3
Unknown artist
3
Alexander, William, 1767–1816
1
Angus, William, 1752–1821
1
Bonnor, Thomas, ca. 1740–ca. 1812
1
Cockburn, James Pattison, 1779–1847
1
Cozens, John Robert, 1752–1797
1
Edwards, Edward, 1738–1806
1
Ellice, Jane Lady, 1813–1864
1
Harley, George, 1791–1871
1
Malton, Thomas, 1726–1801
1
Rowlandson, Thomas, 1756–1827
1
Selwyn, H. C.
1
Smith, Joseph Clarendon, 1778–1810
1
Date
1796
342
1814
165
1960
110
1785
99
1800
96
1827
90
1795
82
1834
74
1825
65
1836
64
1818
61
1790
58
1797
57
1820
57
1793
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54
1799
54
1772
52
1810
49
1815
49
1831
49
1817
46
1830
46
1791
44
1792
44
1812
44
1835
43
1811
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40
1859
39
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38
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38
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37
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35
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34
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34
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1770
26
1833
26
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26
1746
25
1761
25
1755
24
1782
24
1809
24
1802
23
1816
22
1754
20
1824
20
1776
19
1788
19
1801
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1759
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1778
18
1786
18
1845
18
1864
17
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16
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1780
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1803
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1840
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1901
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1767
14
1773
14
1787
14
1751
13
1765
13
1774
13
1828
13
1839
13
1843
13
1865
13
1717
12
1871
12
1887
12
1764
11
1779
11
1863
11
1874
11
1923
11
1777
10
1736
9
1781
9
On-site Access
Accessible by appointment in the Study Room
54
Image Use
Free to Use
54
Image Available
Available
54
Classification
Drawings & Watercolors
52
Prints
2
Creator Gender
male
53
unknown
3
female
1
Collective Title
The Seats of the Nobility and Gentry in Great Britain and Wales in a Collection of Select Views
1
Period
18th century-19th century
28
18th century
26
Materials & Techniques
graphite
44
watercolor
35
wove paper
35
laid paper
20
black ink
11
pens
7
gouache
5
black chalk
3
pen
3
scratching out
3
brown ink
2
etching (printing process)
2
gray wash
2
board
1
card
1
cartridge paper
1
gray ink
1
gum
1
gum arabic
1
line engraving
1
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Materials & Techniques
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Height [cm]
Height [cm] range begin
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Height [cm] range end
Current results range from
7
to
51
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
13
to
71
Work Type
drawing
50
watercolor
36
intaglio print
2
Genre
architectural subject
35
landscape
26
cityscape
6
genre subject
6
marine art
2
figure study
1
Subject Terms
architectural subject
35
trees
29
landscape
26
figures
13
clouds
12
hills
10
river
10
boats
8
buildings
8
castle
7
cityscape
7
houses
7
mountains
7
bridge (built work)
6
rivers
5
ruins
5
sky
5
walking
5
arches
4
church
4
more
Subject Terms
»
Associated Places
United Kingdom
54
England
46
Europe
18
London
15
City of Westminster
12
Palace of Westminster
12
Cymru
7
Wales
7
Thames
5
Cambridge
3
Cambridgeshire
3
Greater London
3
Kent
3
Northumberland
3
York
3
Barnard Castle
2
Battersea
2
Clare College
2
Durham
2
Norwich
2
more
Associated Places
»
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
7
Country Houses in Great Britain - Yale Center for British Art (Yale Center for British Art, 1979-10-10 - 1980-01-29)
2
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
2
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
2
Thomas Girtin: Genius in the North (Harewood House Trust Ltd., 1999-03-09 - 1999-06-13)
2
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Oil on Water - Oil Sketches by British Watercolorists (Yale Center for British Art, 1986-08-26 - 1986-11-09)
1
The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
52
Yale Center for British Art, Bequest of Richard L. Purdy
1
Yale Center for British Art, Paul Mellon Fund
1
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1
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
2
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
3
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
4
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
5
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
6
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
7
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
8
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
9
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
10
John Varley, 1778–1842
View of New Street, near London Bridge
undated
11
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
12
John Varley, 1778–1842
On the Thames
undated
13
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
14
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
15
John Varley, 1778–1842
View of York
undated
16
pupil of John Varley, 1778–1842
On the Thames
undated
17
Joseph Clarendon Smith, 1778–1810
Sand Pits, Hunsdon
undated
18
John Varley, 1778–1842
Millbank
undated
19
John Varley, 1778–1842
Linlithgow Palace
undated
20
John Varley, 1778–1842
Romantic Composition
undated
21
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
22
John Varley, 1778–1842
London from the Thames
undated
23
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
24
John Varley, 1778–1842
Norwich
undated
25
James Pattison Cockburn, 1779–1847
Bishop's Bridge, Norwich
undated
26
John Varley, 1778–1842
Barnard Castle, County Durham
undated
27
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
28
John Varley, 1778–1842
Carnarvon Castle
undated
29
John Varley, 1778–1842
Ouse Bridge, York
undated
30
Print made by William Angus, 1752–1821
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
31
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
32
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
33
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
34
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
36
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
41
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
42
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
43
John Varley, 1778–1842
Ludlow, Shropshire
undated
44
John Varley, 1778–1842
A Welsh Landscape a Lay-in'
undated
45
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1798
46
Thomas Girtin, 1775–1802
Flint Castle
ca. 1798
47
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
48
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
49
Thomas Girtin, 1775–1802
Harewood House, Yorkshire
ca. 1798
50
Thomas Girtin, 1775–1802
A Temple in Harewood Park
ca. 1798
51
Thomas Girtin, 1775–1802
Trees and Pond near Bromley, Kent
ca. 1798
52
William Alexander, 1767–1816
The Dent de Lion, Margate, Kent
ca. 1798
53
Edward Edwards, 1738–1806
Barn Elmes
1793
54
unknown artist
A Barge on the Thames near Fulton
undated