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Collection
Prints and Drawings
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46
Creator
Girtin, Thomas, 1775–1802
13
Moore, James, 1762–1799
11
Ellis, William, 1747–1810
8
Johnson, Joseph, 1738–1809
6
Witton, P. H. Jr., Active 1792
6
Farington, Joseph, 1747–1821
3
Smith, John, 1749–1831
2
Thirtle, John, 1777–1839
2
Turner, J. M. W. (Joseph Mallord William), 1775–1851
2
Alken, Samuel, 1756–1815
1
Bartolozzi, Francesco, 1727–1815
1
Boydell, John, 1720–1804
1
Carter, John, 1748–1817
1
Nash, John, 1752–1835
1
Parish, Henry William, active 1792
1
Repton, John Adey, 1775–1860
1
Wheatley, Francis, 1747–1801
1
White Abbott, John, 1763–1851
1
Date
1796
331
1814
134
1785
103
1800
94
1827
89
1960
83
1791
79
1795
73
1790
70
1834
68
1825
64
1818
60
1799
50
1830
47
1831
47
1772
46
1792
[remove]
46
1793
46
1812
45
1815
45
1820
45
1810
40
1811
40
1823
40
1835
38
1806
37
1817
36
1859
36
1797
35
1775
34
1789
32
1836
31
1740
30
1794
30
1798
30
1829
30
1832
30
1912
30
1784
29
1804
29
1807
28
1813
28
1819
28
1770
27
1822
27
1700
26
1805
26
1821
26
1842
25
1755
24
1808
24
1860
24
1746
23
1833
23
1761
22
1845
21
1754
20
1782
20
1816
20
1863
19
1809
18
1824
18
1776
17
1786
17
1828
17
1826
16
1837
16
1887
16
1759
15
1801
15
1802
15
1850
15
1890
15
1751
14
1767
14
1780
14
1787
14
1839
14
1778
13
1788
13
1865
13
1762
12
1765
12
1803
12
1864
12
1871
12
1965
12
1717
11
1774
11
1779
11
1843
11
1773
10
1840
10
1861
10
1736
9
1760
9
1777
9
1874
9
1877
9
1880
9
On-site Access
Accessible by appointment in the Study Room
46
Image Use
Free to Use
46
Image Available
Available
45
Unavailable
1
Classification
Drawings & Watercolors
35
Prints
10
Drawing & Watercolors-Architectural
1
Creator Gender
male
46
Collective Title
Two Volumes of 187 Drawings and Manuscripts, Including, 4 Etchings
11
Views of the Ruins of the Principal Houses Destroyed During the Riots at Birmingham
6
Vues des ruines des principaux batiments qui ont souffert dans les emeutes de Birmingham
6
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
1
Period
18th century
43
18th century-19th century
2
19th century
1
Materials & Techniques
graphite
34
wove paper
30
laid paper
16
watercolor
15
aquatint
8
etching (printing process)
8
brown ink
6
pen
6
black ink
4
gray wash
2
colored ink
1
drypoint
1
letterpress printing
1
stipple engraving
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
8
to
53
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
16
to
67
Work Type
drawing
36
watercolor
17
intaglio print
9
relief print
1
Genre
architectural subject
30
landscape
20
genre subject
7
cityscape
5
marine art
5
animal art
2
portrait
1
sporting art
1
Subject Terms
architectural subject
30
landscape
25
trees
21
ruins
11
buildings
9
stone
9
men
8
hats
7
house
7
park (grounds)
7
river
7
boats
6
costume
6
cityscape
5
country house
5
garden
5
genre subject
5
marine art
5
church
4
windows
4
more
Subject Terms
»
Associated Places
England
46
United Kingdom
35
Europe
21
Northumberland
7
Birmingham
6
Devon
6
Greater London
3
London
3
Berkshire
2
Bristol
2
Cumbria
2
Dartmouth
2
Hertfordshire
2
Holy Island
2
Kent
2
Kingswear
2
Lake District
2
Lindisfarne
2
Showell Green
2
St. Albans
2
more
Associated Places
»
Associated People
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Exhibition History
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
13
Thomas Girtin and the Art of Watercolour (Tate Britain, 2002-07-04 - 2002-09-29)
5
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
4
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
3
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Art of a Changing Society - British Watercolors & Drawings 1775-1950 (Wichita Art Museum, 1983-10-23 - 1983-12-04)
1
British Architectural Drawings (Yale Center for British Art) (Yale Center for British Art, 1982-04-21 - 1982-05-30)
1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
1
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)
1
Papermaking and The Art of Watercolor in Eighteenth-Century Britain: Paul Sandby's "View of…Mr. Whatman's Turkey Mill" (Yale Center for British Art, 2006-02-22 - 2006-06-04)
1
Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)
1
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
1
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
45
Yale Center for British Art, Paul Mellon Fund
1
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1
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
2
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
3
Thomas Girtin, 1775–1802
The Guildhall, Exeter
ca. 1797
4
follower of John Thirtle, 1777–1839
Richmond Castle, Yorkshire
undated
5
Henry William Parish, active 1792
Madiera, South East Extremity, 10 October
1792
6
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
7
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
8
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
9
William Ellis, 1747–1810
Beddington
1792
10
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
11
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
12
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
13
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
14
William Ellis, 1747–1810
The New Meeting
1792
15
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
16
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
17
Thomas Girtin, 1775–1802
Lyme Regis, Dorset
ca. 1797
18
Thomas Girtin, 1775–1802
Estuary on the River Taw, Devon
ca. 1797
19
Thomas Girtin, 1775–1802
Christ Church, Blackfriars, London
between 1792 and 1794
20
Thomas Girtin, 1775–1802
Sharpham, near Totnes, Devon
ca. 1797
21
Thomas Girtin, 1775–1802
Cottage near Newcastle, Northumberland
ca. 1797
22
Thomas Girtin, 1775–1802
View of Kingswear, from Dartmouth, Devon
ca. 1797
23
Thomas Girtin, 1775–1802
St. Mary Redcliff, Bristol
ca. 1797
24
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
25
Thomas Girtin, 1775–1802
St. Alban's Cathedral, Hertfordshire
ca. 1797
26
Thomas Girtin, 1775–1802
Bristol: Sketch of Boats and Buildings
ca. 1797
27
John Thirtle, 1777–1839
View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold
undated
28
John Warwick Smith, 1749–1831
Ullswater, Looking toward Patterdale
1792
29
John Warwick Smith, 1749–1831
Village of Stonethwaite and Eagle Cragg, Borrowdale
1792
30
Thomas Girtin, 1775–1802
Kingswear Seen from Dartmouth, Devon
ca. 1797
31
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
32
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
33
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
34
James Moore, 1762–1799
Bamburgh Castle, Northumberland
1792
35
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
36
James Moore, 1762–1799
Coupland Castle, Northumberland
1792
37
James Moore, 1762–1799
Gateshead Abbey
1792
38
James Moore, 1762–1799
Ouse Bridge, York
1792
39
James Moore, 1762–1799
The Abbey of St. Mary, Yorkshire, England
1792
40
James Moore, 1762–1799
East End of Tynemouth Priory
1792
41
James Moore, 1762–1799
Warkworth Castle, Northumberland
1792
42
James Moore, 1762–1799
Bothal Castle, Northumberland
1792
43
Joseph Farington, 1747–1821
Cookham on the Thames, Berkshire
1792
44
Joseph Farington, 1747–1821
View of Taplow and Maidenhead from Cliveden
1792
45
John White Abbott, 1763–1851
Slate Quarry at Widecombe, Devon
1792
46
Print made by William Ellis, 1747–1810
Clapham
1792