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Collection Prints and Drawings

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Date 1792

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Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner North East View of Grantham Church, Lincolnshire
Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake The Complaint, and the Consolation; or, Night Thoughts
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Romney The Witches' Cavern
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
Lieutenant James Hunter Tipu Sultan's Summer Palace
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
John Thirtle Fye Bridge, Norwich
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
J. S. Barth River Scene with Waterfall and High Trees
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
Joseph Constantine Stadler The Farm House
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
Gangaram Chintaman Tambat Two Jeyties Wrestling
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
John Thirtle Near the Ferry going to Gott's, Leeds
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
John Thirtle A Church Porch
John Thirtle, 1777–1839
A Church Porch
undated
John Thirtle A View of Waltham Abbey, Herts, Essex
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
Sir Robert Ker Porter Near Mallwyd on the Dovey
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
Andrew Robertson Lady Bective
Andrew Robertson, 1777–1845
Lady Bective
undated
Rev. William Henry Barnard The River at Dusk, Oxford
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
Rev. William Henry Barnard The Coal Wharf, Oxford
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
John Nash Corsham Court, Wiltshire: Elevation of the North Front
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
George Morland A Man Lifting a Trunk, Two studies on one sheet
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
John Bogle Robert Graham of Gartmore, later Cunninghame Graham
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
John Thirtle Castle Acre Priory
John Thirtle, 1777–1839
Castle Acre Priory
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
James Wales Krishna and Radha
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
Gangaram Chintaman Tambat Two Jeyties
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
Gangaram Chintaman Tambat View on the River Bhima at Deval Gaun, 28 Miles East of Poona
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
John Glover River with Fishermen
John Glover, 1767–1849
River with Fishermen
1792
John Raphael Smith His Royal Highness George, Prince of Wales
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
Francesco Bartolozzi Andrew Kippis
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
Francesco Bartolozzi The Freeing of Amoret
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
John Raphael Smith Eloisa
John Raphael Smith, 1752–1812
Eloisa
1792
Francesco Bartolozzi Thais
Francesco Bartolozzi, 1728–1815
Thais
1792
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
William Ellis The House of William Russell, Esq., Showell Green: English and French Text
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
William Ellis The New Meeting
William Ellis, 1747–1810
The New Meeting
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
William Ellis Beddington
William Ellis, 1747–1810
Beddington
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
Francesco Bartolozzi Ticket for the Benefit of Mr. Dragonetti
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
William Ellis The House of George Humphrys, Esq., Spark Brook
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Margaret, Lady Elyot
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
Isaac Cruikshank Mad Tom's First Practical Essay on the Rights of Man
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
Isaac Cruikshank A Hint for an Escape at the Next Spring Meeting
Isaac Cruikshank, 1764–1811
A Hint for an Escape at the Next Spring Meeting
1792
unknown artist The Unitarian Arms
unknown artist
The Unitarian Arms
1792
Isaac Cruikshank The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
Isaac Cruikshank The Maid of Bath, or 'Mac' in her Teens
Isaac Cruikshank, 1764–1811
The Maid of Bath, or 'Mac' in her Teens
1792
Isaac Cruikshank Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
Isaac Cruikshank, 1764–1811
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
1792
James Gillray The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe.
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
A. Birrell Caractacus at the Tribunal
A. Birrell, ca.1770–ca. 1820
Caractacus at the Tribunal
1792
Isaac Cruikshank A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
Isaac Cruikshank, 1764–1811
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend
1792