'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
6
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
7
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
8
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
9
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
10
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
11
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
12
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
13
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
14
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
15
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
16
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
17
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
18
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
19
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
20
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
21
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
22
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
23
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
24
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
25
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
26
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
27
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
28
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
29
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
30
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
31
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
32
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
33
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
34
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
35
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
36
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
37
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
38
Print made by William Blake, 1757–1827
The Complaint, and the Consolation; or, Night Thoughts
ca. 1797
39
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
40
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
41
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
42
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
43
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
44
Lieutenant James Hunter, died 1792
Tipu Sultan's Summer Palace
1792
45
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
46
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
47
John Thirtle, 1777–1839
Fye Bridge, Norwich
undated
48
J. S. Barth, active 1797–1809
River Scene with Waterfall and High Trees
1792
49
Joseph Constantine Stadler, active 1780–1812
The Farm House
1792
50
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
51
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
52
attributed to John Thirtle, 1777–1839
Near the Ferry going to Gott's, Leeds
undated
53
John Thirtle, 1777–1839
A Church Porch
undated
54
John Thirtle, 1777–1839
A View of Waltham Abbey, Herts, Essex
undated
55
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
56
Andrew Robertson, 1777–1845
Lady Bective
undated
57
Rev. William Henry Barnard, 1767–1818
The River at Dusk, Oxford
1792
58
Rev. William Henry Barnard, 1767–1818
The Coal Wharf, Oxford
1792
59
John Nash, 1752–1835
Corsham Court, Wiltshire: Elevation of the North Front
ca. 1797
60
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
61
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
62
John Bogle, 1746–1804
Robert Graham of Gartmore, later Cunninghame Graham
1792
63
John Thirtle, 1777–1839
Castle Acre Priory
undated
64
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
65
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
66
James Wales, ca.1747–1795
Krishna and Radha
1792 to 1795
67
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
68
Attributed to Gangaram Chintaman Tambat, active 1790s
View on the River Bhima at Deval Gaun, 28 Miles East of Poona
1792 to 1794
69
John Glover, 1767–1849
River with Fishermen
1792
70
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
71
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
72
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
73
John Raphael Smith, 1752–1812
Eloisa
1792
74
Francesco Bartolozzi, 1728–1815
Thais
1792
75
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green
1792
76
William Ellis, 1747–1810
The House of William Russell, Esq., Showell Green: English and French Text
1792
77
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
78
William Ellis, 1747–1810
The New Meeting
1792
79
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
80
William Ellis, 1747–1810
Beddington
1792
81
Francesco Bartolozzi, 1728–1815
Ticket for the Brandenbourg House Masquerade
ca. 1797
82
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Dragonetti
1792
83
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
84
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
85
William Ellis, 1747–1810
The House of George Humphrys, Esq., Spark Brook
1792
86
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
87
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
88
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
89
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
90
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
91
John Eginton, active 1763–1800
The Affectionate Daughter
1792
92
Isaac Cruikshank, 1764–1811
Mad Tom's First Practical Essay on the Rights of Man
1792
93
Isaac Cruikshank, 1764–1811
A Hint for an Escape at the Next Spring Meeting
1792
94
unknown artist
The Unitarian Arms
1792
95
Isaac Cruikshank, 1764–1811
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again
1792
96
Isaac Cruikshank, 1764–1811
The Maid of Bath, or 'Mac' in her Teens
1792
97
Isaac Cruikshank, 1764–1811
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay
1792
98
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
99
A. Birrell, ca.1770–ca. 1820
Caractacus at the Tribunal
1792
100
Isaac Cruikshank, 1764–1811
A German Howl or the Emigrant Princes Bemoaning the Loss of Their Dearest Friend