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Collection Prints and Drawings

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Date 1792

Remove constraint Date: 1792

Work Type intaglio print

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William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
William Blake 'And vapid; sense and reason shew the door' (Page 72)
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
William Blake 'The thunder if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder if in that the Almighty dwells' (Page 80)
ca. 1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
ca. 1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake 'Where sense runs savage broke from reason's chain' (Page 46)
Print made by William Blake, 1757–1827
'Where sense runs savage broke from reason's chain' (Page 46)
ca. 1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
ca. 1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
ca. 1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
William Blake 'O treacherous conscience!' (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience!' (Page 27)
ca. 1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
ca. 1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
ca. 1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
ca. 1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
ca. 1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
ca. 1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
ca. 1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
ca. 1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
William Blake Night the Second. On Time, Death and Friendship; Title Page
Print made by William Blake, 1757–1827
Night the Second. On Time, Death and Friendship; Title Page
ca. 1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
ca. 1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
ca. 1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816
"The Indian Emperor" or "The Conquest of Mexico"
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Thomas Ryder The Murder of James I, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James I, King of Scotland
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
William Sharp Niobe
Figures engraved by William Sharp, 1749–1824
Niobe
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815
Thais
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Print made by Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809
"King Lear", Act V, Scene III
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797
Reverend John Moore, Lord Archbishop of Canterbury
1792
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803
Jonathan Shipley, Bishop of St. Asaph
1792
William Byrne Chinese Pavilion in European Landscape
William Byrne, 1743–1805
Chinese Pavilion in European Landscape
1792
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
unknown artist Falstaff Reproved by King Henry
unknown artist
Falstaff Reproved by King Henry
1792
unknown artist Thomas Graves
unknown artist
Thomas Graves
c.1792
John Young Philip Affleck, Esq.
John Young, 1755–1825
Philip Affleck, Esq
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821
Windsor Bridge
1792
unknown artist Arundel House in London 1646
unknown artist
Arundel House in London 1646
1792
unknown artist The Bank
unknown artist
The Bank
1792
Francesco Bartolozzi Meditation
Francesco Bartolozzi, 1728–1815
Meditation
1792
Francesco Bartolozzi Admiration
Francesco Bartolozzi, 1728–1815
Admiration
1792
Francesco Bartolozzi Georgius Johannes Commes, Spencer
Francesco Bartolozzi, 1728–1815
Georgius Johannes Commes, Spencer
1792
Francesco Bartolozzi Thais
Francesco Bartolozzi, 1728–1815
Thais
1792
Francesco Bartolozzi Lodona
Francesco Bartolozzi, 1728–1815
Lodona
1792
Thomas Ryder The Murder of James First, King of Scotland
Thomas Ryder, 1746–1810
The Murder of James First, King of Scotland
1792
Francesco Bartolozzi Andrew Kippis
Francesco Bartolozzi, 1728–1815
Andrew Kippis
1792
John Raphael Smith Eloisa
John Raphael Smith, 1752–1812
Eloisa
1792
John Raphael Smith His Royal Highness George, Prince of Wales
John Raphael Smith, 1752–1812
His Royal Highness George, Prince of Wales
1792
Francesco Bartolozzi The Freeing of Amoret
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35
Marchioness of Townshend and Child
1792
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Francesco Bartolozzi Mrs. Montagu
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Montagu
1792
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835
'The Gamester,' Act V, Scene IV
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1792
unknown artist French Privateers, Cruising in the English Channel
Print made by unknown artist
French Privateers, Cruising in the English Channel
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815
Sir John More
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Margaret, Lady Elyot
Print made by Francesco Bartolozzi, 1728–1815
Margaret, Lady Elyot
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
John Eginton The Affectionate Daughter
John Eginton, active 1763–1800
The Affectionate Daughter
1792
John Eginton Setting out for the Fair
John Eginton, active 1763–1800
Setting out for the Fair
1792
John Eginton The Fairings
John Eginton, active 1763–1800
The Fairings
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815
Jane, Lady Lister
1792
James Fittler The Winter's Tale, Act IV, Scene III
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
Francesco Bartolozzi Britannia Rewarding Music and Literature
Francesco Bartolozzi, 1728–1815
Britannia Rewarding Music and Literature
1792
Francesco Bartolozzi Mrs. Lenox
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Lenox
1792