The Birmingham Priest - and Flaming Patriots inflamed at Birmingham, or An apology for not being at the (Crown) and Anchor
1791
105
Print made by William Dent, active 1784–1793
L'Assemble Nationale
1791
106
unknown artist
Capture of the Royal Fugitives
1791
107
unknown artist
Santon Barsisa and The Devil-Vide Burke's Speech
1791
108
William Dent, active 1784–1793
The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers
1791
109
unknown artist
Doing Business on Libels or Both in One Mind on Constitutional Matters (from: Caricature, vol. 7)
1791
110
unknown artist
Rosamond's Pond
1791
111
William Ellis, 1747–1810
Hackney
1791
112
Thomas Prattent, active 1780–1810
Newcastle House, Clerkenwell Close
1791
113
unknown artist
Sir Paul Pindar's Lodge...
1791
114
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
115
unknown artist
Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
116
Joseph Grozer, ca. 1755–1798
William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
1791
117
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
118
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
119
Francesco Bartolozzi, 1728–1815
St. Paul
1791
120
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
121
unknown artist
A Curious Pump
1791
122
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
123
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
124
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
125
George Keating, 1762–1842
The Deserter, 29 July 1791
1791
126
unknown artist
London Stone in Cannon Street
1791
127
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
128
Francesco Bartolozzi, 1728–1815
Contemplation
1791
129
Francesco Bartolozzi, 1728–1815
Hebe
1791
130
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
131
unknown artist
A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
132
unknown artist
London Stone in Cannon Street
1791
133
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
134
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
135
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
136
William Dent, active 1784–1793
Present State of the Nation, Or, What's Saved at the Spiggot Let Out at the Bunghole
1791
137
William Dent, active 1784–1793
The Battle of Whigs, or, The Meal-tub Plot discovered
1791
138
William Dent, active 1784–1793
The Disappointment, or, The King's Evidence treated with the caution he deserves
1791
139
unknown artist
The Northern Bugga Bo
1791
140
Print made by William Dent, active 1784–1793
A Warlike Minister
1791
141
Print made by William Dent, active 1784–1793
The Effect of French Wine and French Spirits at a Revolution Drinking bout
1791
142
William Dent, active 1784–1793
Floating Batteries or, an Attempt to Enter the Baltic
1791
143
William Dent, active 1784–1793
Rare News from India, or, Things going on Swimmingly in the East
1791
144
William Dent, active 1784–1793
Story of *Nell's Coach made good by the Cunning Man. Addressed to the Ducal Conjurer and Dutchess of [chamber pot] *in The Devil to Pay
1791
145
Richard Newton, 1777–1798
Meditations on a Jordan
1791
146
unknown artist
Lady Carmine in her New Gig
1791
147
unknown artist
A Bungling Disguise; or, a French Discovery
1791
148
Richard Newton, 1777–1798
An Escape A La Francois!
1791
149
Richard Newton, 1777–1798
French Discernment; or, a Bumling Discovery!
1791
150
unknown artist
Absolution
1791
151
Attributed to George Townshend, 1724–1807
The Quarrel between the Political Builders, Or, Opinions Diametrically Opposite
1791
152
Richard Newton, 1777–1798
A Visit to the R---l Cole Pit
1791
153
unknown artist
A Race on the Sands at Weymouth
1791
154
Isaac Cruikshank, 1764–1811
Modern Marriage A La Mode Sweet Fruits of the Third Honey Moon!!
ca. 1796
155
Print made by unknown artist
Ride for Ride - A Concise Answer to Burke's Pamphlet
1791
156
Print made by Thomas Rowlandson, 1756–1827
An Imperial Stride!
1791
157
unknown artist
An English Hobby Horse; or, Who Pays the Piper?
1791
158
unknown artist
The Russian Bear and her Invincible Rider Encountering the British Legion
1791
159
Attributed to Isaac Cruikshank, 1764–1811
Saint Catharine and St. George
1791
160
Isaac Cruikshank, 1764–1811
Symptoms of Affection, Or - A Specimen of Martial Prowess
1791
161
unknown artist
Liberty in Utopia - Liberty in France
1791
162
Isaac Cruikshank, 1764–1811
The First Interview, or the Presentation of the Prussian Pearl
1791
163
Isaac Cruikshank, 1764–1811
How to Gain a Compleat Victory. and. Say. You. Got. Safe. Out. Of. The. Enemy's. Reach
1791
164
Print made by Frederick George Byron, 1764–1794
The Volcano of Opposition
1791
165
Print made by John Raphael Smith, 1752–1812
African Hospitality
1791
166
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
167
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
168
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
169
Thomas Rowlandson, 1756–1827
Bardolph Badger'd Or the Portland Hunt
1791
170
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
171
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
172
James Gillray, 1756–1815
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
173
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
174
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
175
James Gillray, 1756–1815
Les Trois Magots
1791
176
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
177
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
178
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
179
James Gillray, 1756–1815
The Introduction
1791
180
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
181
James Gillray, 1756–1815
The Finishing Touch
1791
182
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
183
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
184
unknown artist
In St. Mary Overie's or St. Saviour's, Southwark
1791
185
unknown artist
Memorial to Theodore King of Corsica in St. Ann, Westminster
1791
186
unknown artist
Stowe's Monument in St. Andrew, Undershaft
1791
187
John Jones, ca. 1745–1797
Mrs. Jordan in the Character of Hypolita
1791
188
William Ellis, 1747–1810
Hornsey
1791
189
unknown artist
Samuel Cooper's Monument in St. Pancras Church
1791
190
unknown artist
William, Earl of Craven
1791
191
George Isham Parkyns, 1749/50–c.1820
Gateway of the Old Palace at Richmond
1791
192
unknown artist
Monmouth House, Soho Square
1791
193
unknown artist
A Curious House at Stepney
1791
194
unknown artist
A Specimen of Ancient Building (Old houses in King Street)
1791
195
unknown artist
Pye Corner, Smithfield
1791
196
Francis Jukes, 1747–1812
North End, Hampstead
1791
197
Print made by Francesco Bartolozzi, 1728–1815
Portrait of Joseph Haydn
1791
198
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church