attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
4
Joseph Mallord William Turner, 1775–1851
Waterfall of Lodore, Cumberland
undated
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
6
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
7
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
8
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
9
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
10
Sir George Howland Beaumont seventh Baronet, 1753–1827
Between Llangollen and Oswestry
1790
11
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
12
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
13
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
14
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
15
unknown artist
Gloucester Cathedral
ca. 1795
16
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Stables
1790
18
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevations of Stables
1790
19
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
20
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
21
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
22
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
23
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
24
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
25
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
28
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
29
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
30
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
31
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
33
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
35
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
36
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
37
James Moore, 1762–1799
Leiston Abbey, Suffolk, England
1790
38
James Moore, 1762–1799
Wingfield Castle
1790
39
James Moore, 1762–1799
Rumburgh Priory Church, Suffolk, England
1790
40
James Moore, 1762–1799
Mettingham Castle, Suffolk, England
1790
41
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
42
James Moore, 1762–1799
Castle Acre Priory, Norfolk, England
1790
43
James Moore, 1762–1799
Refectory of Walsingham
1790
44
James Moore, 1762–1799
Thetford Priory, Norfolk, England
1790
45
James Moore, 1762–1799
Binham Priory, Norfolk, England
1790
46
James Moore, 1762–1799
Ely Cathedral
1790
47
James Moore, 1762–1799
Leiston Abbey, Suffolk England
1790
48
James Moore, 1762–1799
Bungay Castle
1790
49
James Moore, 1762–1799
Wingfield Castle
1790
50
James Moore, 1762–1799
Walsingham Priory, Norfolk, England
1790
51
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
52
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
53
William Alfred Delamotte, 1775–1863
Christ Church, Canon's Garden, Oxford
undated
54
Thomas Girtin, 1775–1802
Eton College from Datchet Road
1790
55
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
56
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
57
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
58
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
59
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
60
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
61
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
62
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
63
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
64
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
65
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
66
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west