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Collection
Prints and Drawings
[remove]
416
Creator
Bruce, James, 1730–1794
149
Heath, James, 1757–1834
146
Blake, William, 1757–1827
54
Bartolozzi, Francesco, 1727–1815
34
Unknown artist
28
Chalon, John, 1738 – 1795
22
Rijn, Rembrandt van, 1606–1669
22
Cozens, John Robert, 1752–1797
14
Rowlandson, Thomas, 1756–1827
14
Morland, George, 1763–1804
13
Reynolds, Joshua, Sir, 1723–1792
12
Gillray, James, 1756–1815
11
Cipriani, Giovanni Battista, 1727–1785
7
Ward, William, 1766–1826
7
Hamilton, William, 1751–1801
6
Sayer, James, 1748–1823
6
Cruikshank, Isaac, 1764–1811
5
Dodd, Robert, 1748–1816
5
Romney, George, 1734–1802
5
Simon, Peter, 1750–1810
5
more
Creator
»
Date
1800
812
1834
598
1789
[remove]
416
1802
373
1827
363
1794
349
1835
342
1795
333
1792
318
1793
307
1825
306
1830
298
1833
298
1700
293
1797
292
1782
282
1799
280
1803
278
1791
275
1804
268
1808
264
1820
259
1836
259
1546
247
1796
225
1775
222
1798
217
1823
216
1809
213
1780
211
1821
210
1790
209
1801
206
1832
206
1783
195
1824
194
1807
192
1739
191
1812
190
1828
185
1630
181
1811
179
1814
179
1826
179
1788
178
1837
178
1813
177
1784
170
1810
167
1818
164
1816
163
1831
163
1819
148
1786
142
1850
142
1754
140
1787
140
1805
140
1785
139
1822
135
1806
133
1778
131
1745
126
1817
124
1779
122
1838
122
1815
120
1755
117
1781
117
1859
116
1829
115
1776
113
1770
112
2000
111
1989
110
1750
109
0
104
1771
103
1772
102
1999
101
1900
100
1768
99
1839
96
1765
93
1762
91
1674
88
1751
88
1773
88
1777
88
1876
88
1738
87
1855
86
1896
86
1882
84
1897
83
1769
82
1767
81
1758
79
1907
79
1743
76
On-site Access
Accessible by appointment in the Study Room
416
Image Use
Free to Use
413
Under Certain Circumstances
3
Image Available
Available
387
Unavailable
29
Classification
Prints
[remove]
416
Creator Gender
male
401
unknown
28
female
7
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
Studies of Trees
14
The Book of Thel, Copy R
10
The Book of Thel, Copy B
9
Iconographie Anglaise par Reynolds et Autres
3
Four Seasons
1
Songs of Innocence and of Experience, Copy L
1
The Merchant of Venice
1
Period
18th century
406
18th century-19th century
9
19th century
1
Materials & Techniques
wove paper
76
laid paper
61
stipple engraving
52
etching (printing process)
50
relief etching
50
watercolor
49
ink
26
mezzotint
24
aquatint
18
black ink
17
line engraving
15
soft-ground etching
14
colored ink
6
brown ink
2
engraving (printing process)
1
hand coloring
1
letterpress printing
1
pen
1
wood engraving (process)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
6
to
67
Unknown
190
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Unknown
192
Work Type
intaglio print
114
relief print
51
watercolor
49
drawing
42
ticket
4
frontispiece
2
Genre
literary theme
46
genre subject
31
religious and mythological subject
29
portrait
22
figure study
21
historical subject
21
landscape
19
animal art
7
architectural subject
7
cityscape
6
marine art
2
military art
1
sporting art
1
Subject Terms
text
49
trees
45
children
44
leaf
40
literary theme
39
vines
39
women
37
branches
31
men
29
man
27
woman
21
religious and mythological subject
20
figure study
19
mother
18
historical subject
17
gaze
16
vegetation
16
flowers (plants)
15
hat
15
portrait
15
more
Subject Terms
»
Associated Places
England
4
United Kingdom
4
London
2
Bloomsbury
1
Camden
1
City of Westminster
1
France
1
Greater London
1
Lambeth
1
Paris
1
Queen Square
1
Royal Botanic Gardens, Kew
1
Somerset
1
Somerset House
1
Southwark
1
Vauxhall Gardens
1
Westminster Abbey
1
Île-de-France
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
11
Hamilton, Emma, Lady Hamilton (bap. 1765, d. 1815), social celebrity and artist's model
4
Cephisa
2
Charles-Louis de Secondat, Baron de la Brède et de Montesquieu (1689 - 1755), academic/intellectual
2
Cupid
2
Sleeping Cupid
2
Antonio (character in The Merchant of Venice)
1
Bannister, John (1760–1836), actor
1
Bassiano (character in The Merchant of Venice)
1
Beaufort, Henry [called the Cardinal of England] (1375?–1447), bishop of Winchester and cardinal
1
Blake, Charlotte Sophia Delaval (d. 1823)
1
Bottom (character in A Midsummer Night's Dream)
1
Boydell, John (1720–1804), engraver and printseller
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Cipriani, Giovanni Battista (1727–1785), decorative painter and draughtsman
1
Cordelia (character in King Lear)
1
Duke of Venice (character in The Merchant of Venice)
1
Fool (character in King Lear)
1
Fuseli, Henry [formerly Johann Heinrich Füssli] (1741–1825), painter and writer
1
Garrick, David (1717–1779), actor and playwright
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
14
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
3
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
2
Rembrandt in Eighteenth Century England (Yale Center for British Art, 1983-10-19 - 1983-12-30)
2
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
2
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
2
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
2
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31)
1
Art, Artifact, Artifice (Yale University Art Gallery, 2020-02-14 - 2021-03-15)
1
British Comic Art 1730 - 1830 (Museum of Art and Archaelogy, University of Missouri-Columbia, 1988-10-14 - 1988-12-04)
1
Caribbean - Crossroads of the World (El Museo del Barrio, 2012-06-12 - 2013-01-06)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
367
Yale Center for British Art, Paul Mellon Fund
40
Yale Center for British Art
4
Yale Center for British Art, Gift of Bernard Quaritch Ltd.
1
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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Prints and Drawings
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1789
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1
Print made by George Stubbs, 1724–1806
Labourers
1789
2
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
3
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
4
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
5
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
6
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
7
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
8
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
9
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
10
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
11
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
12
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
13
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
14
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
15
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
16
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
17
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
18
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
19
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
20
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
21
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
22
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
23
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
24
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
25
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
26
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
27
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
28
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
29
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
30
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
31
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
32
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
33
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
34
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
35
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
36
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
37
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
38
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
39
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
40
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
41
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
42
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
43
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
44
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
45
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
46
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
47
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
48
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
49
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
50
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
51
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
52
Prints made by William Blake, 1757–1827
The Book of Thel
1789
53
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
54
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
55
Print made by Francesco Bartolozzi, 1728–1815
Professional Concert 1789, First Night Hanover Square
1789
56
unknown artist
George III's Visit to Portsmouth
ca. 1794
57
Print made by unknown artist
The Restricted Regency
1789
58
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
59
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
60
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
61
unknown artist
The Royal Duel
1789
62
unknown artist
Opening the Sluices or the Secret Expedition
1789
63
unknown artist
View of Tenby Town & Harbour
1789
64
Print made by William Hinton, active 1779–1786
The Rage
ca. 1794
65
James Gillray, 1756–1815
The English Regency
1789
66
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
67
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
68
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
69
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
70
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
71
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
72
Thomas Rowlandson, 1756–1827
A New Speaker - The Wedding Night
1789
73
Print made by Thomas Rowlandson, 1756–1827
Medical Intelligence - Extraordinary - A Coronation in Pall Mall
1789
74
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
75
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
76
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
77
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
78
unknown artist
An Irish Bull Bait in England
1789
79
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
80
unknown artist
A Visit to the Tombs in Westminister Abbey
1789
81
Print made by Isaac Cruikshank, 1764–1811
Le Roi Esclave on Les Sujets Rois Female Patriotism
1789
82
Isaac Cruikshank, 1764–1811
The Freemen Triumphant or the Mare Foald or Here Folly
1789
83
unknown artist
The Rival Candidates
1789
84
Francesco Bartolozzi, 1728–1815
Apollo and the Muses
1789
85
William O'Keefe, active 1794–1807
A-La-Mode
1789
86
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
87
James Sayer, 1748–1823
Barataria
1789
88
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
89
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
90
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
91
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
92
Samuel Collings, active 1784–1795
Essay on Duelling - Anglice Doing = Him!
1789
93
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
94
William Nutter, 1754–1802
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
95
Peter Simon, 1750–1810
Frances Isabella Keir Gordon
1789
96
Francesco Bartolozzi, 1728–1815
Jane, Countess of Harrington, Lord Viscount Petersham and the Honourable Lincoln Stanhope
1789
97
James Newton, 1748–c. 1804
A View of the Ancient Palace called Placentia, in East Greenwich
1789
98
William Birch, 1755–1834
Golders Green
1789
99
Print made by John Chalon, 1738 – 1795
Study
1789-1790
100
John Scott, 1774–1828
Campden House
undated
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