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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
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22
Creator
Cozens, John Robert, 1752–1797
14
Cruikshank, Isaac, 1764–1811
2
Fores, S. W., 1761–1838
2
Arnald, George, 1763–1841
1
Bartolozzi, Francesco, 1727–1815
1
CARTWRIGHT, Joseph, c.1789–1829
1
Girtin, Thomas, 1775–1802
1
Rowlandson, Thomas, 1756–1827
1
Turner, Charles, 1774–1857
1
Unknown artist
1
Witherington, William Frederick, 1785–1865
1
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1630
107
1827
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2002
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1794
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1803
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22
1771
22
1772
22
1789
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1824
22
1748
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1859
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1792
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2003
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5
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
21
Under Certain Circumstances
1
Image Available
Available
12
Unavailable
10
Classification
Prints
20
Drawings & Watercolors
2
Creator Gender
male
21
unknown
1
Collective Title
Studies of Trees
14
Period
18th century
20
18th century-19th century
2
Materials & Techniques
wove paper
16
aquatint
14
soft-ground etching
14
graphite
2
pen
2
watercolor
2
brown ink
1
gray ink
1
laid paper
1
mezzotint
1
stipple engraving
1
Height [cm]
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37
Width [cm]
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Current results range from
15
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133
Work Type
intaglio print
16
drawing
2
watercolor
2
Genre
landscape
16
marine art
2
architectural subject
1
genre subject
1
military art
1
religious and mythological subject
1
Subject Terms
landscape
3
clouds
2
mountains
2
trees
2
architectural subject
1
boats
1
building
1
bushes
1
castle
1
chimney
1
cliff
1
figures
1
fir
1
hill
1
house
1
men
1
oak
1
pine trees
1
rocks (landforms)
1
sails
1
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Subject Terms
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Associated Places
Dover
1
Dover castle
1
England
1
Europe
1
Kent
1
United Kingdom
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
2
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)
1
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
1
Credit Line
Yale Center for British Art, Paul Mellon Fund
15
Yale Center for British Art, Paul Mellon Collection
5
Yale Center for British Art
1
Yale Center for British Art, Yale Art Gallery Collection
1
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Prints and Drawings
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Date
1789
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24
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Masonry
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1
Print made by Charles Turner, 1774–1857
Walzen
undated
2
Joseph Cartwright, c.1789–1829
Single Brig; Sketches of Separate Stern and Rubber
undated
3
Print made by John Robert Cozens, 1752–1797
Oak
1789
4
Print made by John Robert Cozens, 1752–1797
Spruce Fir
1789
5
Print made by John Robert Cozens, 1752–1797
Willow
1789
6
John Robert Cozens, 1752–1797
Elm
1789
7
Print made by John Robert Cozens, 1752–1797
Palm
1789
8
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
9
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
10
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
11
Francesco Bartolozzi, 1728–1815
Cupid and Psyche
1789
12
attributed to Thomas Girtin, 1775–1802
Dover
undated
13
Print made by John Robert Cozens, 1752–1797
Aspin
1789
14
Print made by John Robert Cozens, 1752–1797
Birch
1789
15
Print made by John Robert Cozens, 1752–1797
Hawthorn
1789
16
Print made by John Robert Cozens, 1752–1797
Poplar
1789
17
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
18
Print made by John Robert Cozens, 1752–1797
Weeping Willows
1789
19
Print made by John Robert Cozens, 1752–1797
Cedar
1789
20
Print made by John Robert Cozens, 1752–1797
Italian Pine and Cypress
1789
21
Print made by John Robert Cozens, 1752–1797
Beech
1789
22
unknown artist
Pulpit Extravaganzas - for Modes of Faith let Graceless Zealots Fight, His Can't be Wrong whose Life is in the Right (12 vignettes)
1789