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Collection
Prints and Drawings
[remove]
540
Creator
Bruce, James, 1730–1794
149
Heath, James, 1757–1834
146
Blake, William, 1757–1827
54
CARTWRIGHT, Joseph, c.1789–1829
42
Bartolozzi, Francesco, 1727–1815
34
Unknown artist
32
Chalon, John, 1738 – 1795
22
Rijn, Rembrandt van, 1606–1669
22
Rowlandson, Thomas, 1756–1827
16
Cozens, John Robert, 1752–1797
15
Girtin, Thomas, 1775–1802
14
Morland, George, 1763–1804
13
Wyatt, James, 1746–1813
13
Reynolds, Joshua, Sir, 1723–1792
12
Gillray, James, 1756–1815
11
Chinnery, George, 1774–1852
10
Webber, John, 1752–1793
10
Cipriani, Giovanni Battista, 1727–1785
7
Ward, William, 1766–1826
7
Dayes, Edward, 1763–1804
6
more
Creator
»
Date
1800
1,551
1791
1,175
1802
1,063
1834
721
1796
641
1745
621
1795
612
1749
569
1793
547
1827
546
1789
[remove]
540
1771
516
1792
510
1804
510
1832
507
1775
506
1799
489
1790
484
1700
480
1826
470
1835
470
1825
453
1830
450
0
449
1794
444
1797
443
2004
443
1803
442
1784
433
1772
429
1820
426
1836
423
1808
411
1814
407
1782
373
1833
372
1780
357
1801
356
1823
355
1867
355
1785
343
1818
332
1812
329
1807
320
1768
312
1960
311
1798
309
1767
296
1821
296
1853
286
1811
281
1748
278
1788
277
1813
275
1783
274
1809
274
1787
267
1764
264
1828
264
1839
264
1805
261
1810
257
1815
257
1752
255
1817
254
1770
252
1773
251
1831
250
1546
247
1819
243
1739
240
1837
238
1786
233
1824
233
1778
232
1840
227
1855
227
1755
224
1806
207
1816
207
1822
203
1870
203
1758
201
1781
199
1829
198
1945
193
1777
189
1765
188
1877
185
1630
184
1738
180
1838
180
1850
179
1754
173
1776
173
1762
169
1779
169
2006
168
1763
164
1742
163
On-site Access
Accessible by appointment in the Study Room
540
Image Use
Free to Use
536
Under Certain Circumstances
4
Image Available
Available
510
Unavailable
30
Classification
Prints
416
Drawings & Watercolors
105
Drawing & Watercolors-Architectural
15
Drawings & Watercolors-Miniatures
4
Creator Gender
male
525
unknown
32
female
7
Collective Title
Songs of Innocence and of Experience, Copy F
17
Songs of Innocence, Copy G
17
Studies of Trees
14
The Book of Thel, Copy R
10
The Book of Thel, Copy B
9
Views in the South Seas 1776-1780
6
Iconographie Anglaise par Reynolds et Autres
3
Four Seasons
1
Songs of Innocence and of Experience, Copy L
1
The Merchant of Venice
1
Period
18th century
459
18th century-19th century
76
19th century
4
Materials & Techniques
wove paper
158
laid paper
113
watercolor
112
graphite
104
pen
70
black ink
64
stipple engraving
52
etching (printing process)
50
relief etching
50
brown ink
40
ink
26
mezzotint
24
gray ink
23
aquatint
18
gray wash
18
line engraving
15
soft-ground etching
14
brown wash
10
colored ink
6
gouache
6
more
Materials & Techniques
»
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
5
to
67
Unknown
190
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
0
to
133
Unknown
192
Work Type
drawing
163
watercolor
120
intaglio print
114
relief print
51
ticket
4
miniature
3
frontispiece
2
Genre
landscape
55
genre subject
49
literary theme
46
marine art
43
architectural subject
38
figure study
30
portrait
30
religious and mythological subject
29
military art
27
historical subject
22
animal art
11
cityscape
8
sporting art
5
Subject Terms
trees
61
text
49
children
47
leaf
40
literary theme
39
men
39
vines
39
women
38
architectural subject
36
landscape
36
man
34
branches
31
woman
27
genre subject
24
figure study
23
portrait
22
religious and mythological subject
20
mother
18
historical subject
17
gaze
16
more
Subject Terms
»
Associated Places
United Kingdom
34
England
32
Europe
17
Kent
14
Cobham
12
Cobham Hall
12
London
5
City of Westminster
3
Berkshire
2
Campagna
2
Devon
2
France
2
Greater London
2
Italy
2
Middlesex
2
Paris
2
Windsor
2
Île-de-France
2
Aberconwy and Colwyn
1
Appleby
1
more
Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
12
Hamilton, Emma, Lady Hamilton (bap. 1765, d. 1815), social celebrity and artist's model
4
Cephisa
2
Charles-Louis de Secondat, Baron de la Brède et de Montesquieu (1689 - 1755), academic/intellectual
2
Cupid
2
Sleeping Cupid
2
Antonio (character in The Merchant of Venice)
1
Bannister, John (1760–1836), actor
1
Bassiano (character in The Merchant of Venice)
1
Beaufort, Henry [called the Cardinal of England] (1375?–1447), bishop of Winchester and cardinal
1
Blake, Charlotte Sophia Delaval (d. 1823)
1
Bottom (character in A Midsummer Night's Dream)
1
Boydell, John (1720–1804), engraver and printseller
1
Charlotte (1744–1818), queen of the United Kingdom of Great Britain and Ireland, and queen of Hanover, consort of George III
1
Cipriani, Giovanni Battista (1727–1785), decorative painter and draughtsman
1
Cordelia (character in King Lear)
1
Duke of Venice (character in The Merchant of Venice)
1
Fool (character in King Lear)
1
Fuseli, Henry [formerly Johann Heinrich Füssli] (1741–1825), painter and writer
1
Garrick, David (1717–1779), actor and playwright
1
more
Associated People
»
Exhibition History
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
18
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
18
William Blake (Tate Britain, 2000-11-02 - 2001-02-04)
14
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
11
Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)
8
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)
5
John Webber, R. A. (1752-1793) (Kunstmuseum Bern, 1996-03-26 - 1996-05-27)
4
John Webber, R. A. (1752-1793) (Whitworth Art Gallery, 1996-07-04 - 1996-09-15)
4
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
4
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
4
English Portrait Drawings & Miniatures (Yale Center for British Art, 1979-12-05 - 1980-02-17)
3
Past Time - Geology in European and American Art (Frances Lehman Loeb Art Center, 2018-09-21 - 2018-12-09)
3
Past Time - Geology in European and American Art (Herbert F. Johnson Museum of Art, 2019-02-16 - 2019-05-12)
3
William Blake (The Metropolitan Museum of Art, 2000-03-26 - 2000-07-05)
3
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)
2
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)
2
English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
2
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)
2
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
2
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
442
Yale Center for British Art, Yale Art Gallery Collection
42
Yale Center for British Art, Paul Mellon Fund
41
Yale Center for British Art
4
Yale Center for British Art, Gift of William Lamson Warren, class of 1935
2
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
1
Yale Center for British Art, Gift of Ann and Kenneth Rapoport
1
Yale Center for British Art, Gift of Bernard Quaritch Ltd.
1
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W
1
Yale Center for British Art, Gift of Frederick W. Hilles
1
Yale Center for British Art, Gift of Lowell Libson in honor of Kasha Jenkinson
1
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
1
Yale Center for British Art, Yale University Art Gallery Collection
1
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1
Print made by George Stubbs, 1724–1806
Labourers
1789
2
Joseph Mallord William Turner, 1775–1851
Villa in a Valley near Vietri sul Mare
ca. 1794
3
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
4
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
5
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
6
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
7
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
8
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
9
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
10
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
11
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
12
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
13
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
14
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
15
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
16
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
17
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
18
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
19
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
20
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
21
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
22
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
23
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
24
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
25
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
26
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
27
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
28
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
29
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
30
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
31
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
32
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
33
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
34
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
35
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
36
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
37
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
38
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
39
Print made by William Blake, 1757–1827
Songs of Innocence, Title Page (Plate 2)
1789
40
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
41
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
42
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
43
Print made by William Blake, 1757–1827
Thel's Motto (Plate 1)
1789
44
Print made by William Blake, 1757–1827
Title Page, The Book of Thel (Plate 2)
1789
45
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
46
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
47
Print made by William Blake, 1757–1827
IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
1789
48
Print made by William Blake, 1757–1827
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
1789
49
Print made by William Blake, 1757–1827
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
1789
50
Print made by William Blake, 1757–1827
III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
1789
51
Print made by William Blake, 1757–1827
III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
1789
52
William Blake, 1757–1827
Original Wrapper to The Book of Thel
1789
53
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
54
Prints made by William Blake, 1757–1827
The Book of Thel
1789
55
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
56
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
57
George Romney, 1734–1802
Group of Four Women Embracing
between 1789 and 1790
58
George Holmes, active 1789–1802
Study of a Girl with Two Children at a Stile
undated
59
George Chinnery, 1774–1852
Portrait of a Gentleman Called Michael Thomas Sadler
undated
60
Charles Heathcote Tatham, 1772–1842
Furniture Designs
undated
61
Print made by Francesco Bartolozzi, 1728–1815
Professional Concert 1789, First Night Hanover Square
1789
62
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
63
unknown artist
George III's Visit to Portsmouth
ca. 1794
64
Print made by unknown artist
The Restricted Regency
1789
65
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
66
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
67
Print made by Isaac Cruikshank, 1764–1811
Les Sacrefices Forces
1789
68
unknown artist
The Royal Duel
1789
69
unknown artist
Opening the Sluices or the Secret Expedition
1789
70
unknown artist
View of Tenby Town & Harbour
1789
71
Print made by William Hinton, active 1779–1786
The Rage
ca. 1794
72
James Gillray, 1756–1815
The English Regency
1789
73
Print made by Isaac Cruikshank, 1764–1811
The New Birth
1789
74
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
75
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
76
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
77
Thomas Rowlandson, 1756–1827
The Minister Casting Up His Accounts
1789
78
Thomas Rowlandson, 1756–1827
Britannia's Support or the Conspirators Defeated - The Hospital for Lunatics
1789
79
Thomas Rowlandson, 1756–1827
A New Speaker - The Wedding Night
1789
80
Print made by Thomas Rowlandson, 1756–1827
Medical Intelligence - Extraordinary - A Coronation in Pall Mall
1789
81
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
82
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
83
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
84
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
85
unknown artist
An Irish Bull Bait in England
1789
86
Print made by unknown artist
Plan of Mud Island, off the Kingdom of Corsica
ca. 1794
87
unknown artist
A Visit to the Tombs in Westminister Abbey
1789
88
Print made by Isaac Cruikshank, 1764–1811
Le Roi Esclave on Les Sujets Rois Female Patriotism
1789
89
Isaac Cruikshank, 1764–1811
The Freemen Triumphant or the Mare Foald or Here Folly
1789
90
unknown artist
The Rival Candidates
1789
91
Francesco Bartolozzi, 1728–1815
Apollo and the Muses
1789
92
William O'Keefe, active 1794–1807
A-La-Mode
1789
93
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
94
James Sayer, 1748–1823
Barataria
1789
95
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
96
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
97
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
98
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
99
Samuel Collings, active 1784–1795
Essay on Duelling - Anglice Doing = Him!
1789
100
John Kay, 1742–1826
"Why, Sir John, my face does you no harm..."
1789
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