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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsDate 1783
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1
- Frontispiece (Plate 1)
- ca. 1788
2
- I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
- ca. 1788
3
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
4
- IV. "None could have other than natural or organic thoughts..." (Plate 6)
- ca. 1788
5
- VI. "The desires & perceptions of man untaught..." (Plate 8)
- ca. 1788
6
- "Therefore God becomes as we are..." (Plate 9)
- ca. 1788
7
- II. "Reason or the ratio of all we have already known..." (Plate 11)
- ca. 1788
8
- The Argument. "Man has no notion of moral fitness..." (Plate 2"
- ca. 1788
9
- I. "Man cannot naturally Percieve..."(Plate 3)
- ca. 1788
10
- II. "Man by his reasoning power can only compare..." (Plate 4)
- ca. 1788
11
- V. "Mans desires are limited by his perceptions..." (Plate 7)
- ca. 1788
12
- There is No Natural Religion
- ca. 1788
13
- Lady Clanricarde, Portrait of a Lady
- 1783
14
- Author Reading from a Manuscript to Four Ladies
- undated
15
- A Fashionable Audience
- undated
16
- Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
- after work dated 1783
17
- Shipping on a Stormy Day
- undated
18
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
19
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
20
- Portrait of a Lady
- 1783
21
- George Wolrige of Garlinneck
- undated
22
- Lucan-House
- 1783
23
- Design for an Unidentifued House in the Palladian Style
- undated
24
- Sappho Embracing Love
- 1783
25
- Cornelia, Mother of the Gracchi
- 1783
26
- A Sun Setting in a Fog, With The Old Hanover Hack Descending
- 1783
27
- Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
- 1783
28
- Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
- 1783
29
- The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
- 1783
30
- Jack A Both Sides!
- 1783
31
- A Block for the Wigs - or, The New State Whirligig
- 1783
32
- The True State of the Junction; or Men of Abilities Call'd For
- 1783
33
- Coalition - The Fox & Badger Both in a Hole
- 1783
34
- Tax on Receipts
- 1783
35
- Two New Sliders for the State Magic Lanthern
- 1783
36
- The Siphons or Tale of a Tub
- 1783
37
- The West India Flower Girl
- undated
38
- The Patriot Exalted
- ca. 1788
39
- Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
- 1783
40
- A Transfer of East India Stock
- 1783
41
- The Eclipse at an End - and Political Tilting Discovered
- ca. 1788
42
- All Alive, or the Political Churchyard
- 1783
43
- The Ladies Church Yard
- 1783
44
- Charley Boy Crying for the Loss of his Political Father
- ca. 1788
45
- The Union, - Whom --- Has Join'd, Let No Man put Asunder!
- 1783
46
- John, Lord Cardiff
- 1783
47
- The Inflexible Porter, a Tragedy
- 1783
48
- The Death of Captain Cook
- 1783
49
- A View of Paddington Green
- 1783
50
- Chapel of Henry V at Westminster
- 1783–1799
51
- The Fall of Agandecca
- 1783
52
- Fainasollis, Borbar and Fingal
- 1783
53
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
54
- Mademoiselle Baccelli
- 1783
55
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
56
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
57
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
58
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
59
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
60
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
61
- King Street, Guildhall
- 1783
62
- Sir Harbord Harbord Bart
- 1783
63
- The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
- after 1783
64
- The Society for the Encouragement of the Arts (2 copies)
- after 1783
65
- The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
66
- Front, Side View, and Back Front, of a Modern fine Gentleman
- 1783
67
- Girl in a Brown Dress
- undated
68
- Mrs. Abington As Thalia
- 1783
69
- Cleopatra And Meleagar
- 1783
70
- Polyhemus, Playing The Panpipes For Galatea
- 1783
71
- Paulus Aemelius
- 1783
72
- Diana, The Huntress
- 1783
73
- Chiswick House in Middlesex, the Seat of Duke of Devonshire
- 1783
74
- A Perspective View of the Cities of London & Westminster
- 1783
75
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
76
- The Infant Academy
- 1783
77
- A Peasant of Mount Erix
- between 1783 and 1789
78
- Grandison, Plate XXVIII
- 1783
79
- Hon. Mrs. Stanhope
- 1783
80
- George, Prince of Wales
- 1783
81
- Sir Harbord Harbord
- 1783
82
- The Calling of Samuel
- 1783
83
- John Henderson
- 1783
84
- The Tempest, Act I Sc. 3
- 1783
85
- Sir William James
- 1783
86
- Honorable Mrs. Stanhope
- 1783
87
- Artist Drawing a Woman's Silhouette
- 1783
88
- Lady Amelia Hume
- 1783
89
- The Feathered Fair, Feeding the Feathered Fowl
- 1783
90
- North East View of Mr. Hare's New House
- 1783
91
- Landing a Catch of Mackerel, Hastings
- undated
92
- Dunkerswell Abbey, August 20, 1783
- 1783
93
- Twelve Illustrations of Robinson Crusoe
- 1783
94
- The Three Marys
- 1783
95
- East Side of Mr. Hare's New House
- 1783
96
- S. E. View of Copenhagen House
- 1783
97
- The Battle of Agincourt
- 1783
98
- The Battle of Agincourt
- 1783
99
- The Battle of Agincourt
- 1783
100
- The Elevation of the Brazen Serpent in the Wilderness
- 1783