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Collection Prints and Drawings

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Date 1686

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Sancta Maria Magdalena
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1686 and 1703
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 8 15/16 inches (30.7 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
His Highness the Duke of Glocester [sic]
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
ca. 1691
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 5/8 x 9 3/4in. (34.6 x 24.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King’s Bagnio
Creator:
unknown artist
Date:
1686
Materials & Techniques:
Broadside
Dimensions:
Sheet: 11 x 7in. (27.9 x 17.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lord Burleigh
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1686
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lord Burleigh [as a youth, standing, a gun in his hand and a spaniel at his side]
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
1686
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 5/16 x 9 7/8in. (33.8 x 25.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Quirinal, or Palace of the Pope on Mount Cavallo at Rome
Creator:
Print made by Remi Parr, 1743–after 1750
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
1686
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection