Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Date: 1831

1. Shoreham, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 3 x 4 3/8 inches (7.6 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Knowsley Hall

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Pandemonium

Creator:: Print made by John Martin, 1789–1854
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. At Hellesdon

Creator:: Henry Ninham, 1793–1874
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/8 inches (27.6 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 14 9/16 x 12 1/2in. (37 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

Creator:: Thomas Allom, 1804–1872
Date:: 1831
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/8 x 12 11/16in. (20.6 x 32.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Opening of Waterloo Bridge

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Custom House

Creator:: John Woods, active 1836–1860
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 1/2 x 8 1/8in. (16.5 x 20.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Miss Macdonald

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/8 x 11 1/8 inches (35.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Frank Altschul, Yale BA 1908, PhD (HON.) 1967, transfer from the Yale University Art Gallery

13. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Eton College

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Sessions House, Clerkenwell Green

Creator:: S. Lacey, active 1830s
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 3/8 x 8 3/4in. (18.7 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Mill Stream

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

21. A Lock on the Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 12 1/4 inches (27.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

22. Grecian Frieze Ornament

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: 1831
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 1/16 × 15 inches (30.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1831
Materials & Techniques:: Pen and blue ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 4 3/8 inches (18.4 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Gosport, Entrance to Portsmouth Harbor

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1831
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof
Dimensions:: Plate: 10 x 12in. (25.4 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, 3rd state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Folkestone: Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 9/16 × 21 9/16 inches (39.5 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Marly

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Tower of London

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1831
Materials & Techniques:: Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 3/16 inches (29.5 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper with chine collé
Dimensions:: Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper with chine collé
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Summerland

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

40. Summer Afternoon, After a Shower

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

41. Vignette, Hampstead Heath, Middlesex

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

42. The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

Creator:: unknown artist
Date:: 1831
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Isleworth Ferry

Creator:: William Bernard Cooke, 1778–1855
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Fort Near Montmartre

Creator:: Augustus William Reeve, active 1831–1888
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 8 7/8 inches (10.5 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Portrait of a Child

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Watercolor and graphite on thick, smooth, cream card
Dimensions:: Sheet: 7 3/4 × 6 inches (19.7 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

46. Chelsea Pensioners

Creator:: John Burnet, 1784–1868
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 21 1/2 x 30 1/2in. (54.6 x 77.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Ominum Gatherum, Second Series, No. 5

Creator:: Henry Heath, active 1824–1835
Date:: 1831
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 x 14 7/16 inches (27 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Southwark End of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 7/8 x 16 5/8in. (32.7 x 42.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. An Alcove of Old London Bridge

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 8 1/2 x 10 1/2in. (21.6 x 26.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Opening of London Bridge with the Old Bridge in the Background

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 3/4 x 19 1/8in. (22.2 x 48.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Opening of the New London Bridge

Creator:: Charles E. P. Motte, 1785–1836
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 8 3/8 x 10 1/4in. (21.3 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Coronation of King William IV and Queen Adelaide

Creator:: William Woolnoth, active 1806–1830
Date:: 1831
Materials & Techniques:: Engraving, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

55. Near Millfield, East Cowes, Isle of Wight

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1831
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)

Creator:: S. G. Hughes, active 1832
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 25in. (22.9 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. On the Seine

Creator:: Thomas Shotter Boys, 1803–1874
Date:: 1831
Materials & Techniques:: Watercolor with pen and brown ink over graphite with gum arabic on moderately thick, slightly textured, cream wove paper, mounted to thick, slightly textured, cream wove paper, mounted to thick, slightly textured, beige card
Dimensions:: Mount: 5 3/4 x 8 3/4 inches (14.6 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Part of Old London Bridge, St. Magnus and the Monument

Creator:: Edward William Cooke, 1811–1880
Date:: 1831
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 15 15/16 x 11 11/16in. (40.5 x 29.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Fleet Street

Creator:: Josiah Henshall, 1806–1869
Date:: 1831
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Fraser's Panoramic Plan of London

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Engraving with some hand coloring
Dimensions:: Sheet: 10 3/8 x 17 11/16in. (26.4 x 44.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge

Creator:: William Day, 1764–1807
Date:: 1831
Materials & Techniques:: Hand colored lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 15 3/4 inches (31.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, University Purchase

64. Tynemouth, Northumberland

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1831
Materials & Techniques:: Etching and line engraving, Engraver's proof on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/16 × 14 13/16 inches (28.4 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Folkestone, Harbour, and Coast to Dover, Kent

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1831
Materials & Techniques:: Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Ludlow Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 14 5/8 inches (27 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Autumnal Sunset

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

68. Frontispiece, Artist's Home at East Bergholt, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

69. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 inches (29.5 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

70. Summer Evening

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 17 1/2 inches (29.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

71. A Heath

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 17 1/4in. (29.8 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

72. Versailles

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1837
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/16 inches (13 x 18.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Notre Dame, Paris

Creator:: Thomas Shotter Boys, 1803–1874
Date:: between 1831 and 1845
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. In the Channel

Creator:: Augustus William Reeve, active 1831–1888
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. Raglan Castle, Monmouthshire, Wales: Details of Windows

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/16 inches (27 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. Raglan Castle, Monmouthshire, Wales: East Elevation of Hall

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 15/16 inches (26.4 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Mr Seymour's House, Bricknockshire, South Wales: Elevation and Details of Entrance Gate

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 1/16 inches (26.7 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Raglan Castle, Monmouthshire, Wales: Elevation of Windows in the Barbican Towers

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 x 15 1/8 inches (27.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Raglan Castle, Monmouthshire, Wales: Details of Machicoulis of Entrance Gateway

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 7/8 inches (26.7 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Raglan Castle, Monmouthshire, Wales: Elevations of Windows

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 inches (27 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Raglan Castle, Monmouthshire, Wales: Details of Columns at Entrance Gateway

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and pink ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 inches (27 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Raglan Castle, Monmouthshire, Wales: Plan and Details of Great Window in Ante Room

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and pink ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 10 1/2 inches (37.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Raglan Castle, Monmouthshire, Wales: Elevations of Windows of the Principal Apartments

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and pink ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 1/16 inches (26.7 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Raglan Castle, Monmouthshire, Wales: Plan, Elevation, Section and Details of Window Looking Towards Keep

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and red ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 7/8 x 10 1/2 inches (37.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Raglan Castle, Monmouthshire, Wales: Elevations and Section Great Window in Ante Room

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and pink ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 7/8 inches (26.7 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Raglan Castle, Monmouthshire, Wales: Details of Windows of Principal Apartments

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and pink ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 15 inches (26.4 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Raglan Castle, Monmouthshire, Wales: Stringcourses of Entrance to Staircase

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Raglan Castle, Monmouthshire, Wales: Elevation and Section of Fireplace in Ante Room

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite and pen and red ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 inches (27 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Raglan Castle, Monmouthshire, Wales: Front Elevation

Creator:: unknown artist
Date:: 1831
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 14 15/16 inches (27.3 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. River Stour, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint; printer's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 12 3/4 inches (25.4 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. Mary Elizabeth, Countess Grey, with Her Two Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1831
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 x 13 3/4 inches (43.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, (Completed Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Bedford, Bedfordshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Date 1831

Search Results

1. Shoreham, Kent

2. Cornfield and Church by Moonlight

3. Dawn

4. Knowsley Hall

5. Pandemonium

6. At Hellesdon

7. Marly

8. Steps of New London Bridge, St. Magnus, the Monument and Part of Old Bridge

9. The Ceremony of Opening London Bridge with the Old London Bridge in the Background

10. Opening of Waterloo Bridge

11. Custom House

12. Miss Macdonald

13. The Tower of London

14. Windsor Castle, Berkshire

15. Eton College

16. Pembroke Castle, Wales

17. Bedford, Bedfordshire

18. Gosport, Entrance to Portsmouth Harbor

19. Sessions House, Clerkenwell Green

20. Mill Stream

21. A Lock on the Stour, Suffolk

22. Grecian Frieze Ornament

23. Chelsea Pensioners

24. Florence from the Chiesa al Monte

25. Designs for Gothic Ornamentation

26. Gosport, Entrance to Portsmouth Harbor

27. Windsor Castle, Berkshire

28. Bedford, Bedfordshire

29. Bedford, Bedfordshire

30. Bedford, Bedfordshire

31. Folkestone: Harbour, and Coast to Dover, Kent

32. Folkestone: Harbour, and Coast to Dover, Kent

33. Marly

34. The Tower of London

35. The Tower of London

36. Florence from the Chiesa al Monte

37. Summer Evening

38. Summer Morning

39. A Summerland

40. Summer Afternoon, After a Shower

41. Vignette, Hampstead Heath, Middlesex

42. The Temple 1722; This View of the Temple, as it appeared in 1722, was re-engraved (from a print presented to the honourable society of the Inner Temple) in the year 1831

43. Isleworth Ferry

44. A Fort Near Montmartre

45. Portrait of a Child

46. Chelsea Pensioners

47. Ominum Gatherum, Second Series, No. 5

48. Travelling on the Liverpool & Manchester Railway: A Train of the First Class Carrriages, with the Mail and A Train of the Second Class for Outside Passengers, Plate I (one of a pair)

49. The Ceremony of Opening London Bridge, August 1, 1831

50. The Southwark End of Old London Bridge

51. An Alcove of Old London Bridge

52. The Opening of London Bridge with the Old Bridge in the Background

53. The Opening of the New London Bridge

54. Coronation of King William IV and Queen Adelaide

55. Near Millfield, East Cowes, Isle of Wight

56. Travelling on the Liverpool & Manchester Railway: A Train of Waggons with Goods and A Train of Carriages with Cattle, Plate II (one of a pair)

57. On the Seine

58. Part of Old London Bridge, St. Magnus and the Monument

59. Fleet Street

60. Fraser's Panoramic Plan of London

61. Procession of their Most Gracious Majesties King William and Queen Adelaide to London Bridge

62. Return of their most Gracious Majesties King William and Queen Adelaide to Somerset House after the Opening of London Bridge

63. River Stour, Suffolk

64. Tynemouth, Northumberland

65. Folkestone, Harbour, and Coast to Dover, Kent

66. Ludlow Castle

67. Autumnal Sunset

68. Frontispiece, Artist's Home at East Bergholt, Suffolk

69. Summer Morning

70. Summer Evening

71. A Heath

72. Versailles

73. Notre Dame, Paris