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Collection
Prints and Drawings
[remove]
1,382
Creator
Reynolds, Joshua, Sir, 1723–1792
312
Romney, George, 1734–1802
245
Unknown artist
120
Smith, John Raphael, 1752–1812
64
Sayer, Robert, 1725–1794
63
Haid, Johann Jacobus, 1704–1767
59
Watson, James, 1740–1790
49
Green, Valentine, 1739–1813
42
McArdell, James, ca. 1729–1765
38
Hoppner, John, 1758–1810
37
Mercier, Philippe, 1689 or 1691–1760
35
Dickinson, William, 1746–1823
34
Faber, John the Younger, ca. 1695–1756
31
Boydell, John, 1720–1804
30
Haid, Johann Lorenz, 1702–1750
30
Leopold, Johann Christian, 1699–1755
30
Piazzetta, Giovanni Battista, 1682–1754
30
Watson, Thomas, 1743–1781
30
Bowles, Carington, 1724–1793
26
Jones, John, ca. 1745–1797
26
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Date
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0
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1827
Unknown
40
On-site Access
Accessible by appointment in the Study Room
1,382
Image Use
Free to Use
1,367
Under Certain Circumstances
15
Image Available
Available
1,151
Unavailable
231
Classification
Prints
1,034
Drawings & Watercolors
213
Drawings & Watercolors-Sketchbooks
129
Drawing & Watercolors-Architectural
4
Drawings & Watercolors-Miniatures
2
Creator Gender
male
1,336
unknown
120
female
26
Collective Title
Italian Sketchbook
129
Album of Original Sketches by Sir Joshua Reynolds
76
Studies of Trees
14
The Vicar of Wakefield
9
Rural Life
7
The Tragedy of Macbeth
2
Caricatures
1
Hamlet
1
Her Grace Mary, Duchess of Ancaster and Kesteven
1
Houghton Gallery
1
Macklin's British Poets
1
Picturesque Views on the Upper, or Warwickshire Avon
1
Scenery at Richmond House
1
The Alchemist
1
The Countess of Pembroke's Arcadia
1
The Merchant of Venice
1
Period
18th century
[remove]
1,382
Materials & Techniques
laid paper
1,086
mezzotint
784
graphite
271
brown ink
205
wove paper
157
black ink
150
etching (printing process)
108
stipple engraving
95
pen
62
watercolor
31
aquatint
27
line engraving
21
soft-ground etching
18
black chalk
17
gouache
14
brown wash
11
gray wash
10
white chalk
7
hand coloring
6
red chalk
6
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Materials & Techniques
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Height [cm]
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118
Unknown
11
Width [cm]
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Current results range from
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118
Unknown
11
Work Type
intaglio print
928
drawing
349
watercolor
41
relief print
3
miniature
2
frontispiece
1
planographic print
1
Genre
portrait
518
genre subject
426
figure study
188
religious and mythological subject
125
literary theme
99
landscape
47
animal art
43
historical subject
35
cityscape
30
architectural subject
19
military art
17
marine art
10
sporting art
6
still life
6
botanical subject
1
Subject Terms
genre subject
237
portrait
181
figure study
170
woman
148
religious and mythological subject
119
man
105
curls
84
trees
72
costume
71
gaze
59
men
59
child
58
literary theme
58
dress
56
landscape
49
cloak
47
hat
46
posing
45
Christianity
42
boy
41
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Subject Terms
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Associated Places
Rome
22
United Kingdom
13
Europe
12
England
10
Italy
4
Scotland
4
London
3
Greater London
2
India
2
Ariccia
1
Avon
1
Berkshire
1
Berwick
1
Box Hill
1
Boxley
1
Buckinghamshire
1
Church of Santa Maria dell'Assunzione
1
Covent Garden
1
Devon
1
Egypt
1
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Associated Places
»
Associated People
Shakespeare, William (1564–1616), playwright and poet
78
Cupid
11
saint
11
Garrick, David (1717–1779), actor and playwright
7
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE)
7
The Virgin Mary
7
Hamilton, Emma, Lady Hamilton (bap. 1765, d. 1815), social celebrity and artist's model
5
Cavendish [née Spencer], Georgiana, duchess of Devonshire (1757–1806), political hostess
4
Hebe
4
Jesus
4
Joseph
4
Juno
4
Peter, the Apostle, St. (ca. 1 BC - ca. 68 AD)
4
Diana
3
Farren, Elizabeth (1759x62–1829), actress
3
Fitzpatrick, Lady Gertrude (1774–1841)
3
God
3
John the Baptist (c. 6 BC–c. AD 36)
3
Montagu (née Robinson), Elizabeth (1718–1800), author and literary hostess
3
O'Brien, Mary, 3rd Countess of Orkney (1755–1831)
3
more
Associated People
»
Exhibition History
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22)
32
Rembrandt in Eighteenth Century England (Yale Center for British Art, 1983-10-19 - 1983-12-30)
18
The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)
10
A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)
7
The Art of Paul Sandby (Yale Center for British Art, 1985-04-10 - 1985-06-23)
6
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
6
Two Extraordinary Women : The Lives and Art of Maria Cosway (1760-1838) and Mary Darby Robinson (1757-1800) (The Fralin Museum of Art, University of Virginia, 2016-01-29 - 2016-05-01)
6
Fancy Pieces - Genre Mezzotints by Robert Robinson & His Contemporaries (Yale Center for British Art, 1994-11-19 - 1995-01-29)
5
Francis Hayman (Kenwood House, 1987-06-24 - 1987-09-30)
5
Francis Hayman (Yale Center for British Art, 1987-04-01 - 1987-05-31)
5
Shakespeare and British Art (Yale Center for British Art, 1981-04-23 - 1981-07-05)
5
Three Centuries of Comic Art-Eighteenth Century Satire: John Collet (Museum of Art and Archaelogy, University of Missouri-Columbia, 1998-06-06 - 1998-08-23)
5
Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17)
4
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (National Gallery of Scotland, 2009-11-07 - 2010-02-07)
4
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Nottingham Castle Museum and Art Gallery, 2009-07-25 - 2009-10-18)
4
Picturing Britain - Paul Sandby (1731-1809) - A Bicentenary Exhibition (Royal Academy of Arts, 2010-03-13 - 2010-06-13)
4
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29)
4
Rubenism (Bell Art Gallery, 1975-01-30 - 1975-02-23)
4
The Creative Printmaker (Joseph and Margaret Muscarelle Museum of Art, 1986-03-05 - 1986-04-20)
4
The Creative Printmaker (Yale Center for British Art, 1985-07-09 - 1985-09-01)
4
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Fund
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1,382
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Prints and Drawings
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Yale Center for British Art, Paul Mellon Fund
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1
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
2
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
3
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
4
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
5
George Romney, 1734–1802
Figure Study 1
undated
6
George Romney, 1734–1802
Figure Study 7
undated
7
George Romney, 1734–1802
Figure Composition Study 18
undated
8
George Romney, 1734–1802
Figure Study 9
undated
9
George Romney, 1734–1802
Figure Composition Study 21 with a Face
undated
10
George Romney, 1734–1802
Figure Composition Study 22
undated
11
George Romney, 1734–1802
Study of Three Women
undated
12
George Romney, 1734–1802
Figure Composition Study 35
undated
13
George Romney, 1734–1802
Study of Two Seated Figures
undated
14
George Romney, 1734–1802
Figure Study 4
undated
15
George Romney, 1734–1802
Figure Composition Study 48
1793
16
George Romney, 1734–1802
Figure Composition Study 49
undated
17
George Romney, 1734–1802
Figure Composition Study 50
undated
18
George Romney, 1734–1802
Figure Study Twelve
undated
19
George Romney, 1734–1802
Figure Study Eleven
undated
20
George Romney, 1734–1802
Figure Study Thirteen
undated
21
George Romney, 1734–1802
Figure Composition Study 50
undated
22
George Romney, 1734–1802
Figure Study 5
undated
23
George Romney, 1734–1802
Figure Study 6
undated
24
George Romney, 1734–1802
Figure Composition Study 2
undated
25
George Romney, 1734–1802
Figure Composition Study 4
1793
26
George Romney, 1734–1802
Figure Composition Study 7
undated
27
George Romney, 1734–1802
Figure Composition Study 9
undated
28
George Romney, 1734–1802
Figure Composition Study 11
undated
29
George Romney, 1734–1802
Figure Composition Study 12
undated
30
George Romney, 1734–1802
Study of a Horse's Hooves
undated
31
George Romney, 1734–1802
Figure Composition Study 13
undated
32
George Romney, 1734–1802
Figure Composition Study 14
undated
33
George Romney, 1734–1802
Figure Composition Study 23
undated
34
George Romney, 1734–1802
Leaves 1
undated
35
George Romney, 1734–1802
Study of a Cow
undated
36
George Romney, 1734–1802
Figure Composition Study 29
undated
37
George Romney, 1734–1802
Figure Composition Study 37
undated
38
George Romney, 1734–1802
Figure Composition Study 38
undated
39
George Romney, 1734–1802
Figure Composition Study 39
undated
40
George Romney, 1734–1802
Male Head 2
undated
41
George Romney, 1734–1802
Figure Composition Study 36
undated
42
George Romney, 1734–1802
Figure Composition Study 41
undated
43
George Romney, 1734–1802
Figure Composition Study 42
undated
44
George Romney, 1734–1802
Figure Composition Study 44
undated
45
George Romney, 1734–1802
Figure Composition Study 45
undated
46
George Romney, 1734–1802
Composition of Two Figures
undated
47
George Romney, 1734–1802
Figure Composition Study 3
undated
48
George Romney, 1734–1802
Figure Composition Study 5
undated
49
George Romney, 1734–1802
Figure Composition Study 6
undated
50
George Romney, 1734–1802
Figure Composition Study 8
undated
51
George Romney, 1734–1802
Figure Study 8
undated
52
George Romney, 1734–1802
Male Head 1
undated
53
George Romney, 1734–1802
Figure Composition Study 16
undated
54
George Romney, 1734–1802
Figure Composition Study 17
undated
55
George Romney, 1734–1802
Figure Composition Study 20
undated
56
George Romney, 1734–1802
Figure Study 2
undated
57
George Romney, 1734–1802
Figure Composition Study 24
undated
58
George Romney, 1734–1802
Landscape
undated
59
George Romney, 1734–1802
Figure Composition Study 25
undated
60
George Romney, 1734–1802
Figure Composition Study 26
undated
61
George Romney, 1734–1802
Figure Composition Study 27
undated
62
George Romney, 1734–1802
Figure Study 3
undated
63
George Romney, 1734–1802
Figure Composition Study 28
undated
64
George Romney, 1734–1802
Figure Composition Study 30
undated
65
George Romney, 1734–1802
Figure Composition Study 31
undated
66
George Romney, 1734–1802
Figure Composition Study 32
undated
67
George Romney, 1734–1802
Figure Composition Study 33
undated
68
George Romney, 1734–1802
Study of Leaves 2
undated
69
George Romney, 1734–1802
Figure Composition Study 34
undated
70
George Romney, 1734–1802
Study of a Male Figure
undated
71
George Romney, 1734–1802
Figure Composition Study 40
undated
72
George Romney, 1734–1802
Study of a Standing Figure
undated
73
George Romney, 1734–1802
Figure Composition Study 43
undated
74
George Romney, 1734–1802
Figure Composition Study 46
undated
75
George Romney, 1734–1802
Figure Composition Study 47
undated
76
George Romney, 1734–1802
Study of Two Figures and a Face
undated
77
George Romney, 1734–1802
Study of a Seated Woman
undated
78
George Romney, 1734–1802
Figure Composition Study 1
1794
79
George Romney, 1734–1802
Figure Study 10
undated
80
George Romney, 1734–1802
Figure Study of a Woman
undated
81
George Romney, 1734–1802
Female Figure
undated
82
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
83
George Romney, 1734–1802
Manuscript Notes
1773
84
George Romney, 1734–1802
Manuscript Notes
1773
85
George Romney, 1734–1802
Manuscript Notes
1773
86
George Romney, 1734–1802
Manuscript Notes
1773
87
George Romney, 1734–1802
Manuscript Notes
1773
88
George Romney, 1734–1802
Manuscript Notes
1773
89
George Romney, 1734–1802
Manuscript Notes
1773
90
George Romney, 1734–1802
Manuscript Notes
1773
91
George Romney, 1734–1802
Manuscript Notes
1773
92
George Romney, 1734–1802
Manuscript Notes
1773
93
George Romney, 1734–1802
Manuscript Notes
1773
94
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
95
Angelica Kauffmann, 1741–1807
Seated Woman
1780
96
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
97
Gavin Hamilton, 1723–1798
Classical Composition
undated
98
Gavin Hamilton, 1723–1798
Classical Composition
undated
99
Print made by unknown artist
Jockey and Jenny
1782
100
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
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