Search Constraints
You searched for:
Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
301
- Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
- 1795 to 1806
302
- Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
- 1795 to 1806
303
- Tiger Body, Lateral View
- 1795 to 1806
304
- Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
- 1795 to 1806
305
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
306
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
307
- Tiger Body, Lateral View
- 1795 to 1806
308
- Tiger Body, Lateral View
- 1795 to 1806
309
- Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
- 1795 to 1806
310
- Tiger Body, Lateral View (Probably made as the basis for a key figure)
- 1795 to 1806
311
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
312
- Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
- 1795 to 1806
313
- Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
- 1795 to 1806
314
- Tiger Body, Recumbent, Viewed Ventrally
- 1795 to 1806
315
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
316
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton)
- 1795 to 1806
317
- Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving of Table XV)
- 1795 to 1806
318
- Monkey Standing, Anterior View
- 1795 to 1806
319
- Owl Standing, Anterior View
- 1795 to 1806
320
- Horses Fighting
- undated
321
- Grotesque Female Head
- undated
322
- Grotesque Male Head
- undated
323
- Grotesque Female Head
- undated
324
- Grotesque Male Head
- undated
325
- Grotesque Male Head
- undated
326
- Grotesque Male Head
- undated
327
- Grotesque Male Head
- undated
328
- Grotesque Female Head
- undated
329
- Grotesque Female Head
- undated
330
- Grotesque Male Head
- undated
331
- The First Stage of Cruelty
- ca. 1750
332
- Grotesque Male Head
- undated
333
- Grotesque Male Head
- undated
334
- Grotesque Male Head
- undated
335
- Grotesque Male Head
- undated
336
- Grotesque Female Head
- undated
337
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
338
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
339
- Fair Scene
- 1733
340
- The Four Times of Day, Plate I: Morning
- 1738
341
- The Four Times of Day, Plate II: Noon
- 1738
342
- The Four Times of Day, Plate IV: Night
- 1738
343
- William Hogarth
- 1764
344
- Gulielmus Hogarth
- 1749
345
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
346
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
347
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
348
- Analysis of Beauty, Plate II: A Country Dance
- 1753
349
- The Invasion, Plate II: England
- 1756
350
- The Polling, Plate III
- 1758
351
- The Cockpit
- 1759
352
- The Bench
- 1758
353
- The Laughing Audience
- 1733
354
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
355
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
356
- A Midnight Modern Conversation
- 1733
357
- A Rake's Progress, Plate III: He Revels
- 1735
358
- Southwark Fair
- 1733
359
- A Rake's Progress, Plate IV: Goes to Court
- 1735
360
- A Rake's Progress, Plate V: He Marries
- 1735
361
- A Rake's Progress, Plate VI: He Gambles
- 1735
362
- Scholars at a Lecture (A Chorus of Singers)
- 1736
363
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
364
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
365
- A Consultation of Physicians
- 1736
366
- Strolling Actresses Dressing in a Barn
- 1738
367
- The Enraged Musician
- 1741
368
- The Distrest(ed) Poet
- 1740
369
- Simon Lord Lovat
- 1746
370
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
371
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
372
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
373
- The Invasion, Plate I: France
- 1756
374
- Chairing the Members, Plate IV
- 1758
375
- An Election Entertainment, Plate I
- 1755-58
376
- Hogarth Painting the Comic Muse
- 1764
377
- A Rake's Progress, Plate II: His Levee
- 1735
378
- A Rake's Progress, Plate I: He Takes Possession
- 1735
379
- The Sleeping Congregation
- 1736
380
- Colombus breaking the Egg
- 1753
381
- The Stage Coach; Or Country Inn Yard
- 1747
382
- Prospectus print "Crown & Mitre"
- 1754
383
- Benjamin Read
- ca. 1757
384
- Hymen
- ca. 1748
385
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
386
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
387
- Gabriel Hunt
- undated
388
- Study of a Female Nude
- undated
389
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
390
- Study for the Foundlings
- ca. 1739
391
- Frontispiece to the 'Liber Studiorum'
- 1812
392
- Bridge and Cows
- 1807
393
- Bridge and Cows
- 1807
394
- Jason
- 1807
395
- Holy Island Cathedral
- 1808
396
- Ships in a Breeze
- 1808
397
- Lake of Thun, Switzerland
- 1808
398
- Lake of Thun, Switzerland
- 1808
399
- Dunstanborough Castle
- 1808
400
- Pembury Mill, Kent
- 1808