A French Physician with His Retinue Going to Visit His Patients
1771
16
Print made by James Bretherton, ca. 1730–1806
The Houndsditch Macaroni
1772
17
Print made by James Bretherton, ca. 1730–1806
A Modern Spread Eagle
1782
18
Print made by James Bretherton, ca. 1730–1806
Man with a Walking Stick in a Landscape
1773
19
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
20
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
21
Print made by Henry Heath, active 1824–1835
Extravaganza's of 1827
1827
22
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
23
James Gillray, 1756–1815
Le Coup de Maitre
1797
24
James Gillray, 1756–1815
The Death of the Great Wolf
1795
25
James Gillray, 1756–1815
Presages of the Millenium
1795
26
Print made by Henry Heath, active 1824–1835
Miss-Ann-Thropy
undated
27
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
28
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
29
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
30
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
31
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
32
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
33
Print made by John Doyle ('H.B.'), 1797–1868
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
1847
34
Print made by John Doyle ('H.B.'), 1797–1868
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
1847
35
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
36
Print made by John Doyle ('H.B.'), 1797–1868
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division
1848
37
Print made by John Doyle ('H.B.'), 1797–1868
The Harpies Attacking the Daughters of Pandarus
1848
38
Print made by John Doyle ('H.B.'), 1797–1868
The (Modern) Deluge
1848
39
Print made by John Doyle ('H.B.'), 1797–1868
The Rivals: Extremes Meet
1848
40
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
41
Print made by John Doyle ('H.B.'), 1797–1868
A Strong Case for Shortening the Hours of Labour
1848
42
Print made by John Doyle ('H.B.'), 1797–1868
A Parliamentary "Souvenir"
1848
43
Print made by John Doyle ('H.B.'), 1797–1868
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
44
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
45
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
46
Print made by John Doyle ('H.B.'), 1797–1868
New Illustration of Hudibras
1851
47
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
48
Print made by John Doyle ('H.B.'), 1797–1868
A Lecture on Elocution, the Professor Enforcing his Precepts by Example
1847
49
Print made by John Doyle ('H.B.'), 1797–1868
Perseus Flying to the Rescue of Andromeda
1847
50
Print made by John Doyle ('H.B.'), 1797–1868
The Fates
1847
51
Print made by John Doyle ('H.B.'), 1797–1868
Rather a Dangerous Kind of Hug
1847
52
Print made by James Bretherton, ca. 1730–1806
Damn Mambrino
1799
53
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
54
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
55
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
56
Print made by James Bretherton, ca. 1730–1806
I Will Pay No More Debts of Her Contracting
1772
57
Print made by James Bretherton, ca. 1730–1806
Inimitable Mr. James Moss
1773
58
Print made by James Bretherton, ca. 1730–1806
The Fish-Street Macaroni
1772
59
Print made by James Bretherton, ca. 1730–1806
The Slumbers of Ragotin Interrupted
1773
60
Henry Heath, active 1824–1835
Omnium Gatherum, No. 7
undated
61
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
62
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 3
undated
63
Print made by John Doyle ('H.B.'), 1797–1868
Barnaby Rudge and his Raven
1841
64
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
65
Print made by John Doyle ('H.B.'), 1797–1868
Jack in Office
1835
66
James Bretherton, ca. 1730–1806
Dancing Bear with Its Keeper, Piper, and Audience of One