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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms grass
Remove constraint Subject Terms: grassSearch Results
1
- Over the Bank, Exmoor
- ca. 1895
2
- Found!
- 1898-1899
3
- The Flying Pack
- 1898-1899
4
- Who-o-p!
- 1898-1899
5
- The Meet
- 1898-1899
6
- Jason
- 1807
7
- Wady Feiran, Peninsula of Mt. Sinai
- ca. 1880
8
- A View of the Pine Woods Above Cannes
- 1869
9
- Gozo, near Malta
- 1866
10
- Albania
- between 1848 and 1849
11
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
12
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
13
- Spring (Plate 12)
- 1789
14
- The Lamb (Plate 18)
- 1789
15
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
16
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
17
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
18
- The Tyger (Plate 42)
- 1794
19
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
20
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
21
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
22
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
23
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
24
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
25
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
26
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
27
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
28
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
29
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
30
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
31
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
32
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
33
- Spring (Plate 26)
- 1789
34
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
35
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
36
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
37
- Alas! (Plate 9)
- 1793
38
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
39
- Alas! (Plate 9)
- 1826
40
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
41
- Hunting a Hog-Deer: plate 24 for "Oriental Field Sports"
- 1805
42
- The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
- 1807
43
- Tempio d' Antonio e Faustina
- between 1798 and 1799
44
- Chapel Church, Surrey
- ca. 1799
45
- Bolton Abbey, Yorkshire
- ca. 1801
46
- Romantic Landscape
- ca. 1801
47
- Glasgow Cathedral
- between 1794 and 1795
48
- London from Highgate Hill
- 1792
49
- The New Walk, York
- ca. 1798
50
- Guisborough Priory
- undated
51
- The Watermill Above the Bridge at Charenton
- undated
52
- A Devonshire Farm
- ca. 1798
53
- Country House
- ca. 1797
54
- Warkworth Castle, Northumberland
- ca. 1796
55
- A Village in a Wood
- ca. 1796
56
- Kirkstall Abbey from the N.W
- ca. 1792
57
- Tynemouth Priory, Northumberland
- ca. 1793
58
- Pevensey Castle, Sussex
- ca. 1795
59
- View of Winchelsea, Sussex
- ca. 1795
60
- Saltwood Castle, Kent
- ca. 1795
61
- View of Rochester
- 1791
62
- Jedburgh Abbey, Roxburghshire
- ca. 1793
63
- Pluscardine Abbey, Elgin
- ca. 1793
64
- Lichfield Cathedral, Staffordshire
- 1794
65
- Carlisle Cathedral, Cumberland, from the South-west
- ca. 1795
66
- Tolleshunt-Beckingham, Essex
- ca. 1795
67
- Rievaulx Abbey, Yorkshire
- ca. 1796
68
- Melville Castle, Midlothian
- ca. 1796
69
- A Water-Wheel Driving a Transporter
- undated
70
- Valley of the Conway
- ca. 1800
71
- Classical Composition
- 1798 to 1799
72
- Rochester, Kent: from the North
- ca. 1790
73
- Clare Hall
- 1814
74
- Two Greyhounds Lying under a Tree
- undated
75
- Trees near Hastings
- 1807
76
- Landscape with Water Cart and Clothesline
- undated
77
- The Ruins of the College of Lincluden, near Dumfries
- ca. 1806
78
- Tree Study with Stags (Landscape)
- undated
79
- Gundulf's Tower, Rochester Cathedral, Kent
- undated
80
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
81
- Figures on a Bank, Kensington Gravel Pits
- 1812
82
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
83
- Trees in Ashtead Park, Surrey
- undated
84
- Cows From Various Angles
- undated
85
- A Woodland Pool with Rocks and Plants
- between 1765 and 1770
86
- Open Landscape with Horsemen and Covered Cart
- between 1780 and 1788
87
- Wooded Landscape with Herdsman and Cows
- undated
88
- Landscape with Trees
- undated
89
- Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
- 1780
90
- Wooded Landscape with Shepherd and Sheep
- between 1765 and 1770
91
- Group of Figures Round a Distant Bonfire in a Wood
- ca. 1832
92
- Wooded Landscape Overlooking an Estuary
- undated
93
- The Meeting of the Rivers Severn and Wye, near Chepstow
- 1795
94
- Part of Regent's Park
- 1805
95
- Nîmes from the Tour Magne
- ca. 1765
96
- High Tor, Matlock
- undated
97
- Landscape with Cottage and Figures on Horseback
- 1793
98
- A Study for the Pilkington Crest, a mower with a scythe
- undated
99
- Aldenham Church
- ca. 1817
100
- Llanberis, North Wales
- 1813