Hinton St. George, Somerset: Plan of the Dressing Room
1801
6
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
7
James Wyatt, 1746–1813
Goodwood, West Sussex: Ceiling Design
undated
8
Robert Adam, 1728–1792
Headfort House, Ireland: Lady's Room Ceiling
1772
9
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
10
Robert Marris, 1750–1827
Lynmouth Quay
undated
11
Thomas Anburey, 1759–1840
View Within the Southern Entrance of Gundecotta Pass (1 of 6)
ca. 1792
12
James Bruce, 1730–1794
No. 28 drawings of ornamental details of columns arches etc
undated
13
James Bruce, 1730–1794
No. 29 sketch of temple remains at Baalbec or Palmyra
undated
14
James Bruce, 1730–1794
Right Corinthian Temple at Suttetula Modern Sheitla
undated
15
Richard Wilson, 1713/4–1782
The Arbra Sacra on the Banks of Lake Nemi
between 1754 and 1756
16
James Holland, 1799–1870
View of Valetta, Malta
undated
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Dairy
1795
18
John Linnell, 1792–1882
Pike Pool, Beresford Hall, Derbyshire
1814
19
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the Ceiling of the Dairy
1795
20
James Wyatt, 1746–1813
Cobham Hall, Kent: Section Through the Offices
1798
21
Francis David Soiron, Born 1764
St. James's Park
1790
22
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
23
Thomas Anburey, 1759–1840
The Northern Entrance of Gundecotta Pass
ca. 1792
24
Willem van de Velde the Younger, 1633–1707
An English Man-of-War, Port View from the Stern
ca. 1675
25
Print made by John Landseer, 1769–1852
Cowes
1799
26
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
27
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
28
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
29
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
30
Print made by James Tibbits Willmore, 1800–1863
Kilgarren Castle, Pembroke
1827-1838
31
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
32
Print made by John Landseer, 1769–1852
Shanklin Castle
1799
33
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
34
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
35
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
36
Jan Wyck, ca. 1645–1700
A Hunting Party
undated
37
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
38
James Seymour, 1702–1752
Two Saddled Horses in Stalls in a Stable
undated
39
Morton, active 1767
Elevation of the Front for the Register Offices in Scotland
1767
40
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
41
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
42
Sir John Dean Paul, 1775–1852
Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ..
1825
43
George Morland, 1763–1804
Smugglers
1793
44
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
45
Robert Pollard, 1755–1838
Edwin and Angelina
1785
46
Edward Rooker, 1724–1774
Covent Garden Piazza
1777
47
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
48
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
49
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
50
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
51
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
52
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
53
R. Martin, active 1823–1840
A View of London Bridge, 1616
54
R. Martin, active 1823–1840
A View of the East Side of London Bridge in 1827
1827
55
Edward Rooker, 1724–1774
Covent Garden, Piazza
1777
56
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
57
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
58
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
59
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
60
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
61
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
1770
62
unknown artist
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
63
unknown artist
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
1769-1770
64
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
65
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
66
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
67
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
68
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
69
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
70
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
71
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
72
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
73
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
74
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
75
Joshua Cristall, 1768–1847
Open Landscape with Cathedral in Distance
undated
76
John Raphael Smith, 1752–1812
[Shooting] The Sportsman's Repast
1801
77
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
78
John Raphael Smith, 1752–1812
[Shooting] Enamour'd Sportsman
1801
79
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
80
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
81
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
82
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Full Cry
1820-1821
83
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Tree-ing the Fox
1820-1821
84
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Breaking Cover
1820-1821
85
Thomas Sutherland, ca. 1785–1838
[Fox-hunting] Going to Cover
1820-1821
86
Print made by Charles West Cope, 1811–1890
W. Mulready RA
1863
87
Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
88
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
89
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
90
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
91
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
92
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
93
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
94
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
95
Richard Earlom, 1743–1822
The Inside of the Pantheon in Oxford Road
1772
96
Wilson Lowry, 1762–1824
The Inside of a Smelting House at Broseley, Shopshire
1788
97
Francois Vivares, 1709–1780
A View of Stour Head in the County of Wiltshire, The Seat of Henry Hoare Esq. [The Temple of Flora]
1777
98
Victor Marie Picot, 1744–1805
Winter
1794
99
George Morland, 1763–1804
Fishermen
1793
100
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565