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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1774

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John Thomas Serres Southampton Water
John Thomas Serres, 1759–1825
Southampton Water
undated
William Augustus Barron Broom House, Fulham, London
William Augustus Barron, active 1777
Broom House, Fulham, London
1774
John Thomas Serres Italian Peasants
John Thomas Serres, 1759–1825
Italian Peasants
undated
Dr. Thomas Monro The Edge of the Lake
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
John Thomas Serres Ram Head, North by West (2 miles distance)
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
John Thomas Serres Old Harry, Swanage Bay
John Thomas Serres, 1759–1825
Old Harry, Swanage Bay
undated
John Thomas Serres Rochester
John Thomas Serres, 1759–1825
Rochester
undated
Dr. Thomas Monro Composition: Marshland Landscape
Dr. Thomas Monro, 1759–1833
Composition: Marshland Landscape
undated
Dr. Thomas Monro Landscape with Trees and two Figures
Dr. Thomas Monro, 1759–1833
Landscape with Trees and two Figures
undated
Dr. Thomas Monro Portrait of John Laporte
Dr. Thomas Monro, 1759–1833
Portrait of John Laporte
undated
Dr. Thomas Monro Composition of Rocks and Pine Trees
Dr. Thomas Monro, 1759–1833
Composition of Rocks and Pine Trees
undated
Charles Robertson Portrait of a Gentleman
Charles Robertson, 1759–1821
Portrait of a Gentleman
undated
Dr. Thomas Monro Composition inspired by Richard Wilson's Paintings of Cader Idris
Dr. Thomas Monro, 1759–1833
Composition inspired by Richard Wilson's Paintings of Cader Idris
undated
Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
Dr. Thomas Monro Thomas Hearne Sketching at a Table
Dr. Thomas Monro, 1759–1833
Thomas Hearne Sketching at a Table
undated
Dr. Thomas Monro Seashore with Sand Dunes
Dr. Thomas Monro, 1759–1833
Seashore with Sand Dunes
undated
Charles Gore Lisbon from the Convent of St. Francis da Citadel
Charles Gore, 1729–1807
Lisbon from the Convent of St. Francis da Citadel
1774
Julius Caesar Ibbetson Sailors Carousing and Frying Watches
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
Julius Caesar Ibbetson Title page for "The Guardian"
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
John Thomas Serres The Start Point, North East by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Start Point, North East by North (one of five drawings on one mount)
undated
John Thomas Serres Dunmose, West by North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dunmose, West by North (one of five drawings on one mount)
undated
John Thomas Serres The Bolt Head, West North West (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Bolt Head, West North West (one of five drawings on one mount)
undated
John Thomas Serres The North Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The North Foreland (one of three drawings on one mount)
undated
John Thomas Serres The South Foreland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland (one of three drawings on one mount)
undated
John Thomas Serres The Ram Head (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Ram Head (one of five drawings on one mount)
undated
John Thomas Serres The Bill of Portland (one of three drawings on one mount)
John Thomas Serres, 1759–1825
The Bill of Portland (one of three drawings on one mount)
undated
John Thomas Serres Piveral Point (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Piveral Point (one of five drawings on one mount)
undated
Dr. Thomas Monro Composition: Italian Seascape Effect
Dr. Thomas Monro, 1759–1833
Composition: Italian Seascape Effect
undated
Dr. Thomas Monro Composition: The Edge of a Wood
Dr. Thomas Monro, 1759–1833
Composition: The Edge of a Wood
undated
Dr. Thomas Monro Cottage amongst Trees
Dr. Thomas Monro, 1759–1833
Cottage amongst Trees
undated
John Thomas Serres Plymouth Roads
John Thomas Serres, 1759–1825
Plymouth Roads
undated
Francesco Bartolozzi Omai, A Native Of Ulaietea
Francesco Bartolozzi, 1728–1815
Omai, A Native Of Ulaietea
1774
Johann Elias Haid West, Geschichts mahler
Johann Elias Haid, 1739–1809
West, Geschichts mahler
1774
John Raphael Smith Hon / ble. Mrs. Damer
John Raphael Smith, 1752–1812
Hon / ble. Mrs. Damer
1774
William Dickinson Sir Robert Fletcher
William Dickinson, 1746–1823
Sir Robert Fletcher
1774
William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
John Dixon Nelly O'Brien (Lady Mary O'Brien)
John Dixon, ca. 1740–1811
Nelly O'Brien (Lady Mary O'Brien)
1774
Edward Fisher Charles Marquis of Rockingham Earl of Malton
Edward Fisher, 1722–1785
Charles Marquis of Rockingham Earl of Malton
1774
Julius Caesar Ibbetson Crossing the Line Ceremony on Board the Ship, "Vestal"
Julius Caesar Ibbetson, 1759–1817
Crossing the Line Ceremony on Board the Ship, "Vestal"
undated
James Bretherton Two Monks
Print made by James Bretherton, ca. 1730–1806
Two Monks
1774
James Bretherton A Maid
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
John Raphael Smith A Priestess of Bacchus (Anne Catley)
John Raphael Smith, 1752–1812
A Priestess of Bacchus (Anne Catley)
ca. 1779
William Dickinson Lady Harriot Grosvenor
Print made by William Dickinson, 1746–1823
Lady Harriot Grosvenor
1774
William Baillie James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
Print made by William Baillie, 1723–1810
James Scott, 1st Duke of Monmouth, 1st Duke of Buccleuch
1774
John Dixon Lady Mary O'Brien
John Dixon, ca. 1740–1811
Lady Mary O'Brien
1774
William Dickinson Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
William Dickinson, 1746–1823
Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
1774
Louis Marin Bonnet Head of a Young Girl turned toward the Left
Print made by Louis Marin Bonnet, 1736–1793
Head of a Young Girl turned toward the Left
1774
Johan Fredrik Martin The Captive
Print made by Johan Fredrik Martin, 1755–1816
The Captive
ca. 1779
Alexander Runciman Perseus and Medusa
Alexander Runciman, 1736–1785
Perseus and Medusa
1774
Richard Bernard Godfrey View of Richmond Hill and Palace
Richard Bernard Godfrey, 1728–op.1794
View of Richmond Hill and Palace
1774
John Dixon Count Ugolino della Gherardesca and His Sons in Prison
Print made by John Dixon, ca. 1740–1811
Count Ugolino della Gherardesca and His Sons in Prison
1774
John Renton Lake and Mountains
Attributed to John Renton, 1774–c.1841
Lake and Mountains
undated
Sir John Soane Detail of Scrolled Acanthus Molding
Sir John Soane, 1753–1837
Detail of Scrolled Acanthus Molding
ca. 1779
Sir John Soane Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
Sir John Soane, 1753–1837
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
ca. 1779
John Thomas Serres Gibraltar, South West by West
John Thomas Serres, 1759–1825
Gibraltar, South West by West
undated
John Thomas Serres Gibraltar, The Signal House
John Thomas Serres, 1759–1825
Gibraltar, The Signal House
undated
John Thomas Serres St. Maws Castle, Falmouth, East South East
John Thomas Serres, 1759–1825
St. Maws Castle, Falmouth, East South East
undated
John Thomas Serres The Start, West North West
John Thomas Serres, 1759–1825
The Start, West North West
undated
John Thomas Serres Bolt Head, South East, 1/2 South (4 or 5 miles)
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
John Thomas Serres The High Land of Dungarven, West by North
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
John Thomas Serres The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
John Thomas Serres Dover Castle, North East, 1/2 North (one of five drawings on one mount)
John Thomas Serres, 1759–1825
Dover Castle, North East, 1/2 North (one of five drawings on one mount)
undated
John Thomas Serres The Needles Bearing East (one of five drawings on one mount)
John Thomas Serres, 1759–1825
The Needles Bearing East (one of five drawings on one mount)
undated
Samuel Davis View of Shershah's Tomb at Sasaram in Bihar
Samuel Davis, 1760–1819
View of Shershah's Tomb at Sasaram in Bihar
ca. 1779
Julius Caesar Ibbetson Study of a Woman Seated on a Horse
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
Julius Caesar Ibbetson Woodcutter and His Family
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
James Bretherton Fille d'Auberge
Print made by James Bretherton, ca. 1730–1806
Fille d'Auberge
1774
Sparrow Dudley Priory, Worcestershire (Pl. I)
after Sparrow, active 1773–1787
Dudley Priory, Worcestershire (Pl. I)
1774
Julius Caesar Ibbetson Concealing Charles II
Julius Caesar Ibbetson, 1759–1817
Concealing Charles II
undated
Julius Caesar Ibbetson Shelter for Cattle
Julius Caesar Ibbetson, 1759–1817
Shelter for Cattle
undated
Julius Caesar Ibbetson Acorn Strength
Julius Caesar Ibbetson, 1759–1817
Acorn Strength
undated
Julius Caesar Ibbetson Making into Charcoal
Julius Caesar Ibbetson, 1759–1817
Making into Charcoal
undated
Julius Caesar Ibbetson Squared
Julius Caesar Ibbetson, 1759–1817
Squared
undated
Julius Caesar Ibbetson Sawed into Planks
Julius Caesar Ibbetson, 1759–1817
Sawed into Planks
undated
Julius Caesar Ibbetson Blazing on the Hearth, The Father Recounting the History to His Children
Julius Caesar Ibbetson, 1759–1817
Blazing on the Hearth, The Father Recounting the History to His Children
undated
James Scouler Portrait of a Cleric
James Scouler, 1741–1812
Portrait of a Cleric
1774
Julius Caesar Ibbetson Supported by a Bramble
Julius Caesar Ibbetson, 1759–1817
Supported by a Bramble
undated
Julius Caesar Ibbetson Forming the Civic Crown
Julius Caesar Ibbetson, 1759–1817
Forming the Civic Crown
undated
Julius Caesar Ibbetson Cutting Mistletoe from it by the Druids
Julius Caesar Ibbetson, 1759–1817
Cutting Mistletoe from it by the Druids
undated
Julius Caesar Ibbetson Split with Wedge and Beetel
Julius Caesar Ibbetson, 1759–1817
Split with Wedge and Beetel
undated
Julius Caesar Ibbetson Washing with Ashes
Julius Caesar Ibbetson, 1759–1817
Washing with Ashes
undated
James Mason South East View of Netley Abbey near Southampton
Print made by James Mason, 1710–1783
South East View of Netley Abbey near Southampton
1774
Thomas Watson His Royal Highness Henry Frederick, Duke of Cumberland
Thomas Watson, 1743–1781
His Royal Highness Henry Frederick, Duke of Cumberland
1774
Elizabeth Bridgetta Gulston Collection of Prints by Notable Dilettanti
Print made by Elizabeth Bridgetta Gulston, 1749–1779
Collection of Prints by Notable Dilettanti
1774
Julius Caesar Ibbetson A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Julius Caesar Ibbetson, 1759–1817
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
undated
Paul Sandby A Carriage and Pair, with Coachman
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
1774
Julius Caesar Ibbetson Salmon Spearing
Julius Caesar Ibbetson, 1759–1817
Salmon Spearing
undated
Julius Caesar Ibbetson Rider on a Galloping Horse
Julius Caesar Ibbetson, 1759–1817
Rider on a Galloping Horse
undated
Julius Caesar Ibbetson Galloping Rider With Whip Under His Arm
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
Francesco Bartolozzi St. Cicilia
Francesco Bartolozzi, 1728–1815
St. Cicilia
1774
John Sanders Inside of the Chapel of the Foundling Hospital
John Sanders, 1768–1826
Inside of the Chapel of the Foundling Hospital
1774
Francesco Bartolozzi Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
Print made by Francesco Bartolozzi, 1728–1815
Si Giacerebbe Inutile Per Terra Deserta Senza Frutto, E Senza Onore
1774
James Bretherton Coaching: 1.Postilion, wearing broad-brimmed hat, facing left
James Bretherton, ca. 1730–1806
Coaching: 1.Postilion, wearing broad-brimmed hat, facing left
1774
James Bretherton Coaching: 3. Postilion facing right, a horse in background
James Bretherton, ca. 1730–1806
Coaching: 3. Postilion facing right, a horse in background
1774
James Bretherton Coaching: 4. Back view of a postilion, distant village in background
James Bretherton, ca. 1730–1806
Coaching: 4. Back view of a postilion, distant village in background
1774
James Bretherton Coaching: 2.Postilion, wearing tricorne hat and pigtail, facing right
James Bretherton, ca. 1730–1806
Coaching: 2.Postilion, wearing tricorne hat and pigtail, facing right
1774
James Bretherton Coaching: 5. A postilion facing right with hands extended
James Bretherton, ca. 1730–1806
Coaching: 5. A postilion facing right with hands extended
1774
Robert Hills The Shearing
Robert Hills, 1769–1844
The Shearing
undated
John Robert Cozens Near Chiavenna in the Grisons
John Robert Cozens, 1752–1797
Near Chiavenna in the Grisons
ca. 1779