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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Frames
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3
Creator
Adam, Robert, 1728–1792
2
Allwood, Thomas, ca. 1750–ca.1800
1
Date
1725
5
1730
5
1750
4
1775
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3
1625
1
1700
1
1767
1
1770
1
1870
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1900
1
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3
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Available
3
Classification
Frames
3
Creator Gender
male
3
Period
18th century
3
Materials & Techniques
gold leaf
3
water gilding
3
wood
3
burnishing (polishing)
2
original gilding
2
burnishing
1
oil gilding
1
Work Type
frame
3
Subject Terms
frame alteration: no alteration
3
frame feature: Exceptional quality carving
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3
frame feature: Exceptionally well-preserved gilding
3
frame status: Original
3
frame cross-section: Architrave with oval inlay
2
frame feature: Emblematic ornament
2
frame feature: One of a pair
2
frame feature: Oval inlay
2
frame ornament: Beading; fluted frieze; paterae; beading; spandrels with ribbon-tied foliate garlands of myrtle and ivy
2
frame style: Neoclassical
2
frame cross-section: Concave with applied ogee
1
frame feature: Frame associated with artist
1
frame ornament: Egg-&-leaf; gadrooning enriched with leaves & bellflowers; centred ribbon-&-stave; acanthus-&-shell applied ogee; ovolo chain near sight edge
1
frame style: 'Carlo Maratta' frame
1
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Yale Center for British Art
3
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Frames
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Date
1775
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Subject Terms
frame feature: Exceptional quality carving
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1
attributed to Thomas Allwood, ca. 1750–ca.1800
British, 'Carlo Maratta' frame
4th quarter of 18th century
2
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century
3
workshop of Robert Adam, 1728–1792
British, Neoclassical frame
4th quarter of 18th century