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A new drawing book engrav'd from the curious designs of that great master M. Poilly :
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
Hayter, Charles, 1761-1835. An introduction to perspective, drawing, and painting :
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
Lairesse, Gérard de, 1640-1711. The principles of design :
Lairesse, Gérard de, 1640–1711
The principles of design
1777
Payne, John. The art of painting in miniature, on ivory,
Payne, John
The art of painting in miniature, on ivory,
1812
Roberts, James, 1753-approximately 1809. Introductory lessons with familiar examples in landscape :
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
The excellency of the pen and pencil,
The excellency of the pen and pencil,
1668
Laurie, Richard Holmes. The art of painting in oil colours :
Laurie, Richard Holmes
The art of painting in oil colours
1840
[Claude glass].
[Claude glass]
[ca. 1860-1870?]
Perkins, Elizabeth Steele, author. Elements of drawing and flower painting :
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1834
Claude glass.
Claude glass
ca. [1900?]
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints :
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
Burgess, John Cart, 1798-1863. Useful hints on drawing and painting;
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
Massoul, Constant de. A treatise on the art of painting,
Massoul, Constant de
A treatise on the art of painting,
1797
[Claude glass].
[Claude glass]
[ca. 1780?]
[Claude glass].
[Claude glass]
[ca. 1880?]
Browne, Alexander, active 1660-1677. Ars pictoria; or, An academy treating of drawing, painting, limning, and etching.
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
Chapman, J. G. (John Gadsby), 1808-1889, author. The American drawing-book :
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
Whittock, N. (Nathaniel), 1791-1860. The art of drawing and colouring from nature :
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
Sillett, James, 1764-1840. Grammar to flower-painting :
Sillett, James, 1764–1840
Grammar to flower-painting
1826
Williams, W. Transparency painting on linen :
Williams, W
Transparency painting on linen
1856
Gandee, B. F. The artist, or, Young ladies' instructor in ornamental painting,
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
Williams, W., author. Transparency painting on linen :
Williams, W.
Transparency painting on linen
1855
Art's master-piece:
Art's master-piece
[171-?]
Bardwell, Thomas, 1704-1767. The practice of painting and perspective made easy:
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
Norgate, Edward, d. 1650. Miniatura; or, The art of limning,
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints :
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
Lloyds, F. Practical guide to scene painting and painting in distemper :
Lloyds, F
Practical guide to scene painting and painting in distemper
[1875]
Field, George, 1777?-1854. Field's chromatography.
Field, George, 1777?-1854
Field's chromatography
1885
Hayter, Charles, 1761-1835. An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children :
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
A book of drawing, limning, washing or colouring of maps and prints :
A book of drawing, limning, washing or colouring of maps and prints
1660
Prout, Samuel, 1783-1852. Hints on light and shadow, composition, etc. :
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
Letter to Anthony Abbott on the mixing and use of paint colors.
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
Pinnock, William, 1782-1843, author. A catechism on the practice of painting in oil :
Pinnock, William, 1782–1843
A catechism on the practice of painting in oil
1821 [i.e. 1823]
Field, George, 1777?-1854. Chromatography, or, A treatise on colours and pigments :
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
Everard, Anne. Flowers from nature :
Everard, Anne
Flowers from nature
1835
Robertson, Hannah. The young ladies school of arts :
Robertson, Hannah
The young ladies school of arts
1777
Art's masterpiece.
Art's masterpiece
1697
Fielding, T. H. (Theodore Henry), 1781-1851. On painting in oil and water colours, for landscape and portraits :
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
Osborn, Laughton, 1809-1878. Handbook of young artists and amateurs in oil painting,
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
Experienced artist. The painter's primer :
Experienced artist
The painter's primer
1810
Field, George, 1777?-1854. Rudiments of the painters' art;
Field, George, 1777?-1854
Rudiments of the painters' art;
1850
Phillips, G. F. (Giles Firman), 1780-1867. Principles of effect and colour :
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
Daniell, William, 1769-1837. A familiar treatise on perspective :
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
Merritt, Henry, 1822-1877. Dirt and pictures separated,
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
Field, George, 1777?-1854. Chromatography :
Field, George, 1777?-1854
Chromatography
[ca. 1840]
Tyrwhitt, R. St. John (Richard St. John), 1827-1895. A handbook of pictorial art /
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
[Claude glass].
[Claude glass]
[ca. 1850?]
Burnet, John, 1784-1868. Practical hints on colour in painting :
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
Fielding, T. H. (Theodore Henry), 1781-1851. On the theory of painting :
Fielding, T. H. (Theodore Henry), 1781–1851
On the theory of painting
1836
Cawse, John, 1779-1862. Introduction to the art of painting in oil colours /
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
Cousin, Jehan, ca. 1522-ca. 1593. L'art de dessiner /
Cousin, Jehan, ca. 1522–ca. 1593
L'art de dessiner
MDCCLXXVIII [1778]
Mérimée, J.-F.-L. (Jean-François-Léonor), 1757-1836. The art of painting in oil, and in fresco :
Mérimée, J.-F.-L. (Jean-François-Léonor), 1757–1836
The art of painting in oil, and in fresco
1839
Smith, John, fl. 1673-1680.. The art of painting in oil :
Smith, John, fl. 1673–1680.
The art of painting in oil
1788
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ... :
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
Busby, T. L. (Thomas Lord). The elements of flower and fruit painting /
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
The bee, or, The exhibition exhibited in a new light :
The bee, or, The exhibition exhibited in a new light
1788
Charles Roberson & Co. [Claude glass].
Charles Roberson & Co
[Claude glass]
[ca. 1850?]
Kingston, William. The Kingstonian system of painting in dry colours after the ancient Grecian method;
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ...
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
Chinnery, George, 1774-1852. Notebook.
Chinnery, George, 1774–1852
Notebook
1814-1821
Art's masterpiece:
Art's masterpiece
[170-?]
Peacham, Henry, 1576?-1643? The gentlemans exercise, or, An exquisite practise :
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts :
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
Prout, Samuel, 1783-1852. Sketches at home and abroad :
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
Arts companion, or A new assistant for the ingenious,
Arts companion, or A new assistant for the ingenious,
1749
P. L. The English academy :
P. L
The English academy
1672
Cawse, John, 1779-1862. Introduction to the art of painting in oil colours.
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
Burnet, John, 1784-1868. Practical hints on portrait painting :
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
Payne, John. The art of painting in miniature on ivory :
Payne, John
The art of painting in miniature on ivory
1848
Gilbert, B. W. A treatise on the art of mezzotinto pencilling :
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
Genlis, Stéphanie Félicité, comtesse de, 1746-1830. Neues und fassliches Lehrbuch zum Zeichnen und Mahlen nach richtigen Grundfässen.
Genlis, Stéphanie Félicité, comtesse de, 1746–1830
Neues und fassliches Lehrbuch zum Zeichnen und Mahlen nach richtigen Grundfässen
1805
Burnet, John, 1784-1868. Practical hints on composition in painting.
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
Peacham, Henry, approximately 1576-approximately 1643. The first booke of drawing & limning.
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
Hayter, Charles, 1761-1835. An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children :
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
The manual of oil-painting, for young artists and amateurs :
The manual of oil-painting, for young artists and amateurs
1847
Prout, Samuel, 1783-1852. Hints on light and shadow, composition, etc. :
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1838
Principles and practice of harmonious colouring :
Principles and practice of harmonious colouring
1886
Burnet, John, 1784-1868. Practical hints on colour in painting.
Burnet, John, 1784–1868
Practical hints on colour in painting
ix p., 1 leaf, 64 p
Bickham, George, 1706?-1771. General rures [sic] for painting in oil and water-colours;
Bickham, George, 1706?-1771
General rures [sic] for painting in oil and water-colours;
1747
Leonardo, da Vinci, 1452-1519. A treatise on painting /
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
La Cave, P. (Peter), ill. Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c. :
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
Dagley, Richard, d. 1841. A compendium of the theory and practice of drawing and painting :
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
A very proper treatise :
A very proper treatise
1588
Cennini, Cennino, active 15th century. Di Cennino Cennini trattato della pittura
Cennini, Cennino, active 15th century
Di Cennino Cennini trattato della pittura
1821
Sanderson, William, Sir, 1586?-1676. Graphice :
Sanderson, William, Sir, 1586?-1676
Graphice
1658
Ibbetson, Julius, 1759-1817. An accidence, or gamut, of painting in oil and water colours.
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil and water colours
1803
[Claude Lorrain filters].
[Claude Lorrain filters]
[mid-19th century?]
Hundertpfund, Liberat, 1805-1878. The art of painting restored to its simplest and surest principles.
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
Ibbetson, Julius, 1759-1817. An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson.
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
Hayter, Charles, 1761-1835. Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John.
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
The excellency of the pen and pencil,
The excellency of the pen and pencil,
1688
The art of painting in miniature ...
The art of painting in miniature ..
1752
Burnet, John, 1784-1868. Practical hints on composition in painting :
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
Whittock, N. (Nathaniel), 1791-1860. The art of drawing and colouring from nature :
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1830
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever.
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... also the art of etching, and that of japanning ... to which is added, a method of casting amber in any form whatever
1763
Shuttleworth, M. H. Remarks on landscape painting in water colours /
Shuttleworth, M. H
Remarks on landscape painting in water colours
1845
Art's master-piece:
Art's master-piece
[1710?]
Chevreul, M. E. (Michel Eugène), 1786-1889 De la loi du contraste simultané des couleurs :
Chevreul, M. E. (Michel Eugène), 1786–1889
De la loi du contraste simultané des couleurs
1839
The complete guide to the fine arts :
The complete guide to the fine arts
1841
Millar, Andrew, creator. Scumbling & colour glazing :
Millar, Andrew
Scumbling & colour glazing
1909