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Lord Westminster's Cardinal Puff, with Sam Darling Up, Winning the Tradesman's Plate, Chester
Creator:
William Tasker, 1808–1852
Date:
ca. 1839
Materials & Techniques:
Oil on canvas
Dimensions:
19 1/2 x 29 5/8 inches (49.5 x 75.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bachelor's Hall: Breaking Cover
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1835 to 1836
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 19 inches (35.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bachelor's Hall: The Death
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1835 to 1836
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 19 inches (35.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Berkeley Hunt, 1842: The Meet
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 24 inches (40.6 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Berkeley Hunt, 1842: The Chase
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 24 inches (40.6 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Berkeley Hunt, 1842: Full Cry
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 24 inches (40.6 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Berkeley Hunt, 1842: The Death
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1842
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 24 inches (40.6 x 61 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Liverpool and National Steeplechase at Aintree, 1843
Creator:
William Tasker, 1808–1852
Date:
ca. 1843
Materials & Techniques:
Oil on canvas
Dimensions:
34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Euphrates
Creator:
William Webb, ca. 1780–1845
Date:
1825
Materials & Techniques:
Oil on canvas
Dimensions:
33 1/4 x 42 inches (84.5 x 106.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
Creator:
Benjamin Marshall, 1768–1835
Date:
between 1806 and 1807
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Scenes from a steeplechase: Near the Finish
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1845
Materials & Techniques:
Oil on canvas
Dimensions:
10 x 14 inches (25.4 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Scene on the Road in France
Creator:
Charles Cooper Henderson, 1803–1877
Date:
1835
Materials & Techniques:
Oil on canvas
Dimensions:
8 1/2 x 12 inches (21.6 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Extravaganza's of 1827
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 x 15 11/16 inches (28 x 39.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monstrosities of 1827
Creator:
Print made by Robert Isaac Cruikshank, 1789–1856
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/8 × 14 5/8 inches (25.1 × 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred
Creator:
Print made by George Baxter, 1804–1867
Date:
1841
Materials & Techniques:
Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
Creator:
Print made by Thomas Goldsworth Dutton, 1819/20–1891
Date:
1843
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card
Dimensions:
Sheet: 15 1/16 x 17 11/16 inches (38.2 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's from Ludgate Hill
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
A Morning Ride
Creator:
James Gillray, 1756–1815
Date:
1804
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle
View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Market Square, Bury St. Edmunds
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Men and Women Promenading
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 5/8 inches (11.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches of Towns People
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Street Activity
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 9/16 inches (11.1 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fashionable Men and Women Conversing
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches of Peasants and Work-Horses
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with pen and ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 1/2 inches (15.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bathing Tents on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 5/16 inches (9 × 16.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cloisters of Worcester Cathedral
Creator:
John Greig, active 1803–1853
Date:
1807
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 13/16 inches (9.8 × 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stone Bow, Lincoln
Creator:
Frederick James Havell, 1801–1840
Date:
1836
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Lincoln Cathedral
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1837
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 13/16 × 8 5/8 inches (14.8 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rivals: Extremes Meet
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 15/16 inches (30.8 x 45.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (30.9 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
Creator:
John Linnell, 1792–1882
Date:
1830
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Group of Four Seated Men
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 1 9/16 × 2 1/2 inches (4 × 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of the Fox
Creator:
Print made by Thomas Burford, ca. 1710–after 1774
Date:
1794
Materials & Techniques:
Mezzotint on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 11 x 15 9/16 inches (27.9 x 39.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Grouse Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 20 7/8 inches (37.2 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Snipe Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pheasant Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/16 x 20 13/16 inches (38.5 x 52.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Partridge Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arrest of Lord Edward Fitzgerald
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Sagittarius - The Archer (Not "Venus' Son Divine.")
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 4 3/16 × 6 5/8 inches (10.7 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
Studies of Peasants, Diligences, and Hay Wagons
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/8 × 5 7/8 inches (10.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dover, from Shakespears Cliff
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Nash's Castle
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North Foreland Light House
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Sherness

Sherness
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Torbay, Devon
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Brighton

Brighton
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Insult to Injury
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Photoreproduction of a watercolor painting in colored ink on thick, smooth, beige card
Dimensions:
Sheet: 10 3/16 × 7 5/16 inches (25.9 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clapham Manor-House, Surry
Creator:
John Hassell, 1767–1825
Date:
between 1804 and 1822
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Creator:
Hablot Knight Browne, 1815–1882
Date:
Undated
Materials & Techniques:
Black chalk and watercolor on moderately thick, moderately textured, gray laid paper
Dimensions:
Sheet: 21 1/2 x 28 7/8 inches (54.6 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eton, The Road to Montem
Creator:
Canon G. R. Winter
Materials & Techniques:
Colored chalk on thick, moderately textured, brown wove paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View between the Roofs of King's College Chapel
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1836
Materials & Techniques:
Etching on moderately thick, textured, brown wove paper
Dimensions:
Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
Opening Week of Coaching Season at Hyde Park, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 2 × 3 inches (5.1 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe
Opening Week of Coaching Season, London
Creator:
Emil Otto Hoppé, 1878–1972
Date:
1933
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 3 × 2 inches (7.6 × 5.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Graham Howe
War !!! Commencement of Hostilities --Combined movement of the Allied Powers.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 17 1/8 inches (30.3 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie
Leap Frog, Down Constitution Hill
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 1/16 inches (30.5 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie
A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1831
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery