Creator Gender: male / Width [cm]: 36 / Subject Terms: mountains

1. A Cloud Study, Sunset

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 6 x 9 1/2 inches (15.2 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Pylons at Karnak, the Theban Mountains in the Distance

Creator:: Edward William Cooke, 1811–1880
Date:: 1873 or 1874
Materials & Techniques:: Oil on paper on board
Dimensions:: 5 11/16 x 14 3/16 inches (14.4 x 36 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Brahmin Committing his Daughter Coraly to the Care of Blandford

Creator:: Thomas Kirk, 1765–1797
Date:: ca. 1793
Materials & Techniques:: Oil on canvas
Dimensions:: 17 5/8 x 14 1/8 inches (44.8 x 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Anonymous Gift in Appreciation of Paul Mellon
On View:: Not on view

4. Burial Ground in the South Seas

Creator:: John Webber, 1752–1793
Date:: ca. 1777
Materials & Techniques:: Oil on paper on panel
Dimensions:: 9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 inches (26.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. St. Giulio, Orta, 26 September 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite with stumping and white gouache on moderately thick, moderately textured, gray-green wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Balgrate. 14. October. 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. La Cava, 20 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray-green wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Classical Landscape

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Gray and brown wash and graphite; verso: gray wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 16 3/4in. (32.1 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Situazione Di Ceramo

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 x 21 7/16 inches (38.1 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. View of the Source of the Lycus River (Nahr el-Kelb)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1751
Materials & Techniques:: Gray wash black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View of the Valley of Laodicea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Dinant [Belgian Set: No. 9]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

16. Castello di Smirna

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 9/16 x 21 1/4 inches (37 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. View of the Valley of Hierapolis (now Pamukkale)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 3/8 inches (38.2 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Mausolio d'Haliatte in Faccia a Sardes

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 7/16 inches (38.3 x 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. View of Artaki (now Erduk)

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 21 15/16 inches (38.2 x 55.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Wallenstadt from Wesen, Switzerland

Creator:: William Callow, 1812–1908
Date:: 1838
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. A Valley

Creator:: Alexander Cozens, 1717–1786
Date:: between 1775 and 1780
Materials & Techniques:: Brushed black ink, graphite, brown wash and gray wash on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Romantic Landscape with Distant Mountains

Creator:: John Varley, 1778–1842
Date:: 1842
Materials & Techniques:: Watercolor, gum, white gouache, graphite and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 14 inches (19.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Admiral House, Simon's Town, Cape of Good Hope

Creator:: Lt. Humphrey John Julian, active 1842–1849
Date:: 1844
Materials & Techniques:: Watercolor, gouache, and graphite, with scraping on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Convent at Vietri, near Salerno

Creator:: John Warwick Smith, 1749–1831
Date:: 1808
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 x 14 inches (24.8 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. La Montaneta de Las Arenas

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Miss Morris as 'Hope Nursing Love'

Creator:: Print made by Edward Fisher, 1722–1785
Date:: 1771
Materials & Techniques:: Mezzotint ( 2nd state ) on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 19 1/4 inches (67.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. The Falls at Tivoli

Creator:: Richard Wilson, 1713/4–1782
Date:: between 1752 and 1757
Materials & Techniques:: Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 9 1/4 x 14 1/8 inches (23.5 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Near Ryacotta

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 7/8 × 14 1/8 inches (22.5 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

29. Achiltibuie, Ross-Shire

Creator:: Sir William Russell Flint, 1880–1969
Date:: undated
Materials & Techniques:: Watercolor on very thick, smooth, cream card
Dimensions:: Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

30. The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Kenmare Road Tunnel, Killarney

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Part of the Killarney Lake between the Upper and Lower Lakes

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. From Above the Tunnel on the Kenmare Road, 4 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Lower Lake from Lord Kenmare's, Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Purple Mountains, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Bull Mountain and the Hare's Bridge

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Augur's Lake, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Augur's Lake, Gap of Dunloh

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Augur's Lake, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Turnpike, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite; verso: graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Commencement of the Rapids Taken from the Bridge, September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Black Stream Bridge, Gap of Dunlow, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Taken From the Dunloh Road, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Looking South From the Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Gowland's Cascade, Gap of Dunloh, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Looking North from Black Stream Bridge, 6 September 1841

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1841
Materials & Techniques:: Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Upon the Aare between Unterseen and the Lake of Brientz

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Lake of Geneva from the Canton of Berne

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Watercolor, gray wash, brown wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 14 inches (24.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Blind pony in field

Creator:: Bruce Davidson, born 1933
Date:: 1965
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

55. The Glade

Creator:: Alexander Cozens, 1717–1786
Date:: ca. 1750
Materials & Techniques:: Brushed black ink and orange-brown ground on medium, slightly textured, cream laid paper, mounted on thick, moderately textured, wove paper
Dimensions:: Sheet: 5 5/8 x 7 7/8 inches (14.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Road in a Mountain Landscape with Trees to the Right

Creator:: pupil of Alexander Cozens, 1717–1786
Date:: ca. 1780
Materials & Techniques:: Brushed black ink, gray wash and brown ground on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 14 1/8 inches (28.9 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Between Chamonix and Martigny

Creator:: John Robert Cozens, 1752–1797
Date:: 1776
Materials & Techniques:: Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Hills of Rannoch

Creator:: Joseph Gray, 1890–1962
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream Asian paper
Dimensions:: Sheet: 13 7/16 x 14 inches (34.1 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Creator Gender male

Width [cm] 36

Subject Terms mountains

Search Results

1. A Cloud Study, Sunset

2. Pylons at Karnak, the Theban Mountains in the Distance

3. The Brahmin Committing his Daughter Coraly to the Care of Blandford

4. Burial Ground in the South Seas

5. The Bellman

6. The Bellman

7. St. Giulio, Orta, 26 September 1837

8. Balgrate. 14. October. 1837

9. La Cava, 20 July 1838

10. Genezzano, 17 May 1838

11. Classical Landscape

12. Situazione Di Ceramo

13. View of the Source of the Lycus River (Nahr el-Kelb)

14. View of the Valley of Laodicea

15. Dinant [Belgian Set: No. 9]

16. Castello di Smirna

17. View of the Valley of Hierapolis (now Pamukkale)

18. Mausolio d'Haliatte in Faccia a Sardes

19. View of Artaki (now Erduk)

20. Wallenstadt from Wesen, Switzerland

21. A Valley

22. Romantic Landscape with Distant Mountains

23. The Admiral House, Simon's Town, Cape of Good Hope

24. Convent at Vietri, near Salerno

25. La Montaneta de Las Arenas

26. Miss Morris as 'Hope Nursing Love'

27. The Falls at Tivoli

28. Near Ryacotta

29. Achiltibuie, Ross-Shire

30. The Lower Lake from Lord Kenmare's Ground, Killarney, 4 September 1841

31. Kenmare Road Tunnel, Killarney

32. Part of the Killarney Lake between the Upper and Lower Lakes

33. From Above the Tunnel on the Kenmare Road, 4 September 1841

34. The Lower Lake from Lord Kenmare's, Killarney, September 1841

35. On the Road Between Aghadoe and Dunloh, Killarney, September 1841

36. First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

37. Entrance to the Gap of Dunloh, Killarney, 6 September 1841

38. The Purple Mountains, 6 September 1841

39. Bull Mountain and the Hare's Bridge

40. Augur's Lake, September 1841

41. Bull Mountain and Ash Valley Lake in the Gap of Dunloh, September 1841

42. Augur's Lake, Gap of Dunloh

43. Augur's Lake, Gap of Dunloh, 6 September 1841

44. The Turnpike, 6 September 1841

45. Commencement of the Rapids Taken from the Bridge, September 1841

46. Black Stream Bridge, Gap of Dunlow, 6 September 1841

47. Taken From the Dunloh Road, 6 September 1841

48. Looking South From the Black Stream Bridge, 6 September 1841

49. Gowland's Cascade, Gap of Dunloh, 6 September 1841

50. Black Stream Bridge, 6 September 1841

51. Looking North from Black Stream Bridge, 6 September 1841

52. Upon the Aare between Unterseen and the Lake of Brientz

53. The Lake of Geneva from the Canton of Berne

54. Blind pony in field

55. The Glade

56. A Road in a Mountain Landscape with Trees to the Right

57. Between Chamonix and Martigny

58. The Hills of Rannoch

59. The Soul Hovering over the Body reluctantly Parting with Life