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John Constable Osmington Village
John Constable, 1776–1837
Osmington Village
1816 to 1817
Not on view
John Constable Study of an Ash Tree
John Constable, 1776–1837
Study of an Ash Tree
between 1801 and 1803 or between 1810 and 1830
Not on view
George Stubbs Horse Attacked by a Lion (Episode C)
George Stubbs, 1724–1806
Horse Attacked by a Lion (Episode C)
between 1768 and 1769
Not on view
Richard Parkes Bonington Calais Jetty, France
Richard Parkes Bonington, 1802–1828
Calais Jetty, France
ca. 1824
On view at YUAG
Edward Lear Zagori, Greece
Edward Lear, 1812–1888
Zagori, Greece
1860
Not on view
Lionel Edwards Taking out the Hounds
Lionel Edwards, 1878–1966
Taking out the Hounds
undated
Not on view
John Inigo Richards The Colosseum
John Inigo Richards, 1730/31?–1810
The Colosseum
1776
Not on view
John Inigo Richards Castel Sant'Angelo, Rome
John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome
1776
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
George Morland The Squire's Door
George Morland, 1763–1804
The Squire's Door
ca. 1790
Not on view
George Vincent A Harbor Scene in the Isle of Wight, Looking Towards the Needles
George Vincent, 1796–1832
A Harbor Scene in the Isle of Wight, Looking Towards the Needles
1824
Not on view
Richard Banks Harraden Procession of Boats on the River Cam below Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Procession of Boats on the River Cam below Clare College, Cambridge
early 19th century
Not on view
Bryan Wynter Two Menhirs
Bryan Wynter, 1915–1975
Two Menhirs
ca. 1950
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
George Richmond Self-Portrait
George Richmond, 1809–1896
Self-Portrait
ca. 1830s
Not on view
Lionel Constable Study of an Ash Tree
Lionel Constable, 1828–1887
Study of an Ash Tree
ca. 1851
Not on view
William Watson Peploe Portrait of a Young Man with Long Hair
William Watson Peploe, 1869–1933
Portrait of a Young Man with Long Hair
ca. 1915
Not on view
Norman Black Brick Wall
Norman Black, 1920–1999
Brick Wall
undated
Not on view
Lionel Constable Landscape with Wheatfield
Lionel Constable, 1828–1887
Landscape with Wheatfield
ca. 1850s
Not on view
George Chinnery George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
Related to George Chinnery, 1774–1852
George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
1801
Not on view
Phillip King Brick Piece 1
Phillip King, 1934–2021
Brick Piece 1
1974
Not on view
Bernard Meadows Running Bird
Bernard Meadows, 1915–2005
Running Bird
1958
Not on view
George Stubbs Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
George Stubbs Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
George Stubbs Owl Standing, Anterior View
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
George Stubbs Tiger Body, Lateral View (Outline drawing for a key figure)
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline drawing for a key figure)
1795 to 1806
William Hogarth John Wilkes, Esq.
William Hogarth, 1697–1764
John Wilkes, Esq
1763
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
William Hogarth The First Stage of Cruelty: First, Children Torturing Animals
William Hogarth, 1697–1764
The First Stage of Cruelty: First, Children Torturing Animals
1751
William Hogarth The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
William Hogarth, 1697–1764
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
1751
William Hogarth Marriage à la Mode, Plate 6
Print made by William Hogarth, 1697–1764
Marriage à la Mode, Plate 6
1745
William Hogarth Simon Lord Lovat
Print made by William Hogarth, 1697–1764
Simon Lord Lovat
1746
William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Hogarth The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
William Hogarth The Fourth Stage of Cruelty: The Reward of Cruelty
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
William Hogarth The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Winchelsea, Sussex
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond
Joseph Mallord William Turner, 1775–1851
Ship Aground, Brighton, with the Chain Pier Beyond
1830
Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
Joseph Mallord William Turner Weymouth
Joseph Mallord William Turner, 1775–1851
Weymouth
ca. 1811
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake Frontispiece, The Ancient of Days (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece, The Ancient of Days (Plate 1)
1794
William Blake Title Page, Europe a Prophecy (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Europe a Prophecy (Plate 2)
1794
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Print made by William Blake, 1757–1827
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
1827
William Blake The Serpent Attacking Buoso Donati (Plate 5)
Print made by William Blake, 1757–1827
The Serpent Attacking Buoso Donati (Plate 5)
1827
William Blake Dante Striking against Bocca Degli Abati (Plate 7)
Print made by William Blake, 1757–1827
Dante Striking against Bocca Degli Abati (Plate 7)
1827
William Blake Ciampolo the Barrator Tormented by the Devils (Plate 2)
Print made by William Blake, 1757–1827
Ciampolo the Barrator Tormented by the Devils (Plate 2)
1827
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
ca. 1797
William Blake Title Page, Illustrations of The Book of Job
Print made by William Blake, 1757–1827
Title Page, Illustrations of The Book of Job
1825
William Blake Job and His Family
Print made by William Blake, 1757–1827
Job and His Family
1825
William Blake Job and His Family Restored to Prosperity
Print made by William Blake, 1757–1827
Job and His Family Restored to Prosperity
1825
William Blake Satan Smiting Job with Sore Boils
Print made by William Blake, 1757–1827
Satan Smiting Job with Sore Boils
1825
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
ca. 1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
ca. 1797
William Blake 'Swift on His Downy Pinion Flies from Woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on His Downy Pinion Flies from Woe' (Page 1)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
William Blake Europe. A Prophecy
Print made by William Blake, 1757–1827
Europe. A Prophecy
1793, printed 1795
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
George Romney Miranda, Prospero, and Caliban: The Tempest
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
Sir Robert Smirke the younger Architectural Drawing of the Temple of Sunias Minerva
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
William Wilkins East Front Elevation of a Proposed Design for Cambridge Colleges
William Wilkins, 1778–1839
East Front Elevation of a Proposed Design for Cambridge Colleges
undated
John Copley Sheep in Twilight
Print made by John Copley, 1875–1950
Sheep in Twilight
1922
John Faber the Younger Sir Richard Steele
John Faber the Younger, ca. 1695–1756
Sir Richard Steele
1733
Augustus Welby Northmore Pugin Tribunal House, Glastonbury, Somerset: Ground Floor Plan
Augustus Welby Northmore Pugin, 1812–1852
Tribunal House, Glastonbury, Somerset: Ground Floor Plan
1832
James McArdell Lieutenant Colonel Henry Townshend
James McArdell, ca. 1729–1765
Lieutenant Colonel Henry Townshend
undated
Samuel William Reynolds Samuel Whitbread Esq.
Samuel William Reynolds, 1773–1835
Samuel Whitbread Esq
1806
William Whiston Barney Lieutenant General William Wynyard
Print made by William Whiston Barney, active 1805–1817
Lieutenant General William Wynyard
1809
William Dickinson John Mudge M.D.
William Dickinson, 1746–1823
John Mudge M.D
ca. 1780
John Copley A Figure in Distress
Print made by John Copley, 1875–1950
A Figure in Distress
1944
Paulus Pontius Paulus Pontius
Print made by Paulus Pontius, 1603–1658
Paulus Pontius
ca. 1635
James McArdell Thomas Secker, Lord Bishop of Oxford
James McArdell, ca. 1729–1765
Thomas Secker, Lord Bishop of Oxford
1747
Samuel William Reynolds Vice Admiral Lord Hugh Seymour
Samuel William Reynolds, 1773–1835
Vice Admiral Lord Hugh Seymour
1802
James Watson Caroline Curzon (née Colyear), Lady Scarsdale, and Her Son, Honourable John Curzon
James Watson, 1740–1790
Caroline Curzon (née Colyear), Lady Scarsdale, and Her Son, Honourable John Curzon
1760
Thomas Watson Elizabeth Ann Sheridan (née Linley) as St. Cecilia
Thomas Watson, 1743–1781
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
Francesco Bartolozzi Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
Francesco Bartolozzi, 1728–1815
Lady Charlotte Smith and her Children; George Henry, Louisa and Charlotte
1789
John Copley Two Figures
Print made by John Copley, 1875–1950
Two Figures
1950
Paul Sandby The Queen Elizabeth Gate
Paul Sandby, 1731–1809
The Queen Elizabeth Gate
1767
James Wyatt Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for a Border for the Ceiling of the Vesibule
ca. 1790
James Wyatt Cobham Hall, Kent: Drawing for Wall Decoration
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing for Wall Decoration
ca. 1790