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Marriage à la Mode, Plate 6
Creator:
Print made by William Hogarth, 1697–1764
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Simon Lord Lovat
Creator:
Print made by William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 9 3/8 inches (38.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
John Wilkes, Esq.
Creator:
William Hogarth, 1697–1764
Date:
1763
Materials & Techniques:
Etching and engraving
Dimensions:
Sheet: 15 1/2 x 10 1/4in. (39.4 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A.
The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The First Stage of Cruelty: First, Children Torturing Animals
Creator:
William Hogarth, 1697–1764
Date:
1751
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/8 x 12 3/4in. (39.1 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell
Winchelsea, Sussex
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 10 1/2 inches (39.4 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
'Behold him, when past by; what then is seen' (Page 25)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job and His Family Restored to Prosperity
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Satan Smiting Job with Sore Boils
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Job and His Family
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page, Illustrations of The Book of Job
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 3/4 inches (38.7 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'Swift on His Downy Pinion Flies from Woe' (Page 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Christian Triumph; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'If angels tremble, 'tis at such a sight' (Page 93)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Enitharmon slept. ..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"In thoughts perturb'd they rose..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Arise 'O Rintrah eldest born..." (Plate 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dante Striking against Bocca Degli Abati (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The vale of death! that hush'd cimmerian vale' (Page 54)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ciampolo the Barrator Tormented by the Devils (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Serpent Attacking Buoso Donati (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Engraving on medium, slightly textured, cream wove India proof paper
Dimensions:
Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'His hand the good man fastens on the skies' (Page 86)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Night the First. On Life, Death and Immortality; Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'We censure nature for a span too short' (Page 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The thunder, if in that the Almighty dwells' (Page 80)
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Frontispiece, The Ancient of Days (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Albions Angel rose upon the Stone of Night..." (Plate 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plague (Plate 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Shot from the heights of Enitharmon..." (Plate 17)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Now comes the night of Enitharmons joy!..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Title Page, Europe a Prophecy (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Prophecy. "The deep of winter came..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"The shrill winds wake!..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Famine (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy
Creator:
Print made by William Blake, 1757–1827
Date:
1793, printed 1795
Materials & Techniques:
Bound volume of 17 relief etchings printed in dark brown ink, with watercolor and oil paint added posthumously, on 17 leaves
Dimensions:
Spine: 15 3/8in. (39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Satan before the Throne of God
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Engraving
Dimensions:
Overall: 15 1/2 × 10 3/8 inches (39.4 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946
Marriage à la Mode, Plate 1
Creator:
Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Marriage à la Mode, Plate 4
Creator:
Print made by Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Etching with line engraving
Dimensions:
Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
The Haunted House
Creator:
Print made by Simeon Solomon, 1840–1905
Date:
1858
Materials & Techniques:
Etching with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James A. Bergquist, Boston
Creeping Buttercup
Creator:
Michael Landy, Born 1963
Date:
2002
Materials & Techniques:
Etching on 350gsm Hahnemühle Roll Bright white wove paper
Dimensions:
Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund
Itteringham | Nov. 12th 1841
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 16 1/2 inches (56.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Devil's Tower, Norwich Oct. 1841
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 18 7/8 inches (39.4 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florida Suite: Chair
Creator:
Allen Jones, born 1937
Date:
1971
Materials & Techniques:
Photolithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 25 1/8 × 17 13/16 inches (63.8 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner
Hurstmonceux Castle
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/4 inches (38.7 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Weathercote Cave when Half Filled with Water
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1821
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 3/8 inches (39.1 × 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake, near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1818-1823
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 15/16 inches (39.4 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1818-1823
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh from Leith Harbour
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Genoa

Genoa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edinburgh Castle
Creator:
Print made by George Cooke, 1781–1834
Date:
1826
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vale of Ashburnham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 21 1/2 inches (38.7 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Archbishop of Canterbury
Creator:
Edward Fisher, 1722–1785
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 3/16 inches (38.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Erskine, 1st Baron Erskine
Creator:
Charles Turner, 1774–1857
Date:
1815
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 3/4 inches (38.6 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Isabella Molyneux (née Stanhope), Countess of Sefton
Creator:
James Watson, 1740–1790
Date:
1770
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 15/16 inches (39.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Nemi

Nemi
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1840
Materials & Techniques:
Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 21 inches (39.1 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Carthage - The Embarcation of Regulus
Creator:
Print made by Daniel Wilson, 1816–1892
Date:
1840
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 1/8 × 31 1/8 inches (63.8 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grand Canal, Venice
Creator:
Print made by William Miller, 1796–1882
Date:
1838
Materials & Techniques:
Etching with chine collé; engraver's proof, open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 inches (39.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieutenant General Thomas Talmash
Creator:
Jacobus Houbraken, 1698–1780
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 9 15/16 inches (39.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Samuel Whitbread Esq.
Creator:
Samuel William Reynolds, 1773–1835
Date:
1806
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieutenant General William Wynyard
Creator:
Print made by William Whiston Barney, active 1805–1817
Date:
1809
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/16 × 11 15/16 inches (40.8 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mausolei Ab Augusto Imp
Creator:
Print made by Etienne Dupérac, ca. 1535–1604
Date:
1575
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 12 1/8 inches (47 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lieutenant Colonel Henry Townshend
Creator:
James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 17 1/4 × 12 1/2 inches (43.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henricus Sacheverell
Creator:
John Smith, the mezzotinter, 1652–1743
Date:
1710
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/4 × 11 3/16 inches (38.7 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Nemi

Nemi
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1838-1852
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richard Robinson, Bishop of Kildare
Creator:
Richard Houston, ca. 1721–1775
Date:
1764
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 11 13/16 inches (41.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Mudge M.D.
Creator:
William Dickinson, 1746–1823
Date:
ca. 1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/16 × 11 3/4 inches (41.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abraham Lincoln
Creator:
Print made by Otto J. Schneider, 1875–1946
Date:
1906
Materials & Techniques:
Etching and dry point on vellum
Dimensions:
Sheet: 21 3/8 × 17 3/8 inches (54.3 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sal Dab giving Monsieur a Receipt in Full
Creator:
Print made by unknown artist
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Bottle Companions
Creator:
Print made by unknown artist
Date:
1775
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 inches (38.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sigismonda
Creator:
Print made by John Blackmore, active 1740–1780
Date:
between 1769 and 1771
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Old Beau in an Extasy
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1773
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Roguish Boy
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 × 10 13/16 inches (38.9 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Boy Playing a Flute
Creator:
Print made by Johann Simon Negges, 1726–1792
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 5/8 inches (39.4 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Saberna, or the Effects of Falshood
Creator:
Print made by Thomas Park, ca. 1760–1834
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/4 inches (39.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Insula Tiberina
Creator:
Print made by Etienne Dupérac, ca. 1535–1604
Date:
1582
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/4 × 21 3/4 inches (41.3 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Insula Tiberina
Creator:
Print made by Ambrogio Brambilla, active ca. 1579–1599
Date:
1582
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 19 1/2 inches (39.1 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Primum Tenplum Iovis in Capitolio
Creator:
Print made by Agostino Veneziano, active 1509–1536
Date:
between 1514 and 1536
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 12 1/4 inches (39.4 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poet, "A Midsummer Night's Dream", Act V, Scene I
Creator:
John Hamilton Mortimer, 1740–1779
Date:
1775
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/2 x 12 7/16in. (39.4 x 31.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Frederick Ponsonby, Viscount Duncannon, 3rd Earl of Bessborough
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1786
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 16 5/16 × 11 15/16 inches (41.4 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Honorable Richard Lord Edgcumbe, 1st Baron Edgcumbe
Creator:
William Dickinson, 1746–1823
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/4 × 14 3/4 inches (48.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mausolei Ab Augusto Imp
Creator:
Print made by Etienne Dupérac, ca. 1535–1604
Date:
1575
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 22 × 15 7/8 inches (55.9 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Davidson of Muirhouse
Creator:
John Jones, ca. 1745–1797
Date:
1793
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 5/16 × 11 1/4 inches (38.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lionel Cranfield Sackville, 1st Duke of Dorset
Creator:
George Vertue, 1684–1756
Date:
1732
Materials & Techniques:
Stipple and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 5/16 × 10 7/8 inches (38.9 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas Fairfax, 3rd Lord Fairfax of Cameron
Creator:
Jacobus Houbraken, 1698–1780
Date:
1738
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 10 1/16 inches (39.4 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir Ronald Craufurd Ferguson, M.P.
Creator:
Anthony Cardon, 1772–1813
Date:
1810
Materials & Techniques:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 11 3/8 inches (39.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Martin Folkes Esq.
Creator:
John Faber the Younger, ca. 1695–1756
Date:
1737
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/4 inches (39.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Charles Grey, 2nd Earl Grey
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 10 13/16 inches (39.4 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection