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1. Westminster from Near the Terrace of Somerset House

Westminster from Near the Terrace of Somerset House
Creator:
Canaletto, 1697–1768
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Squire's Door

The Squire's Door
Creator:
George Morland, 1763–1804
Date:
ca. 1790
Materials & Techniques:
Oil on canvas
Dimensions:
15 5/16 x 12 7/8 inches (38.9 x 32.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. The City from Near the Terrace of Somerset House

The City from Near the Terrace of Somerset House
Creator:
Canaletto, 1697–1768
Date:
ca. 1750
Materials & Techniques:
Oil on canvas
Dimensions:
Frame: 21 × 34 1/2 inches (53.3 × 87.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The First Stage of Cruelty

The First Stage of Cruelty
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The First Stage of Cruelty: Children Torturing Animals

The First Stage of Cruelty: Children Torturing Animals
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

6. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

7. The Fourth Stage of Cruelty: The Reward of Cruelty

The Fourth Stage of Cruelty: The Reward of Cruelty
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

8. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

9. Study for the Foundlings

Study for the Foundlings
Creator:
William Hogarth, 1697–1764
Date:
ca. 1739
Materials & Techniques:
Pen and black ink with gray wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 4 3/8 × 8 3/8 inches (11.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Queen Elizabeth Gate

The Queen Elizabeth Gate
Creator:
Paul Sandby, 1731–1809
Date:
1767
Materials & Techniques:
Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Old Beau in an Extasy

The Old Beau in an Extasy
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1773
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Sunshine of Love

Sunshine of Love
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1837
Materials & Techniques:
Mezzotint, stipple engraving, and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 x 13 7/8 inches (44.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Interior, Abery

Interior, Abery
Creator:
Print made by N. Hanhart, active 1841–1852
Date:
1856
Materials & Techniques:
Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

14. Labourers

Labourers
Creator:
Richard Earlom, 1743–1822
Date:
1790
Materials & Techniques:
Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Manhattan Excavation

A Manhattan Excavation
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1923
Materials & Techniques:
Drypoint on medium, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/16 x 11 1/8 inches (38.5 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. The Main Tack

The Main Tack
Creator:
Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:
1928
Materials & Techniques:
Etching and drypoint on thin, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 9 5/8 inches (38.8 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

17. A Persian Bazaar

A Persian Bazaar
Creator:
Print made by Charles William Cain, 1893–1962
Date:
undated
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/16 x 20 inches (38.9 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

18. The Discovery

The Discovery
Creator:
Print made by E. J. Dumée, active 1790
Date:
1788
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 11 3/16 inches (39 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Pretty Maid with Her Apron Before the Candle

The Pretty Maid with Her Apron Before the Candle
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 x 11 1/16 inches (38.8 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Nautch Dancers

The Nautch Dancers
Creator:
Print made by Charles William Cain, 1893–1962
Date:
ca. 1925
Materials & Techniques:
Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/16 inches (39.3 x 48.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith Zlotsky

21. Prague

Prague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1847
Materials & Techniques:
Watercolor, pen and black ink, brown ink, red ink, gouache, graphite, and scraping out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 1/4 × 10 15/16 inches (38.7 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. A View from Richmond Hill Up the River

A View from Richmond Hill Up the River
Creator:
Charles Grignion, 1717–1810
Date:
1794
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. High Street at Bushey, Hertfordshire

High Street at Bushey, Hertfordshire
Creator:
Henry Monro, 1791–1814
Date:
1812
Materials & Techniques:
Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:
Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Labourers

Labourers
Creator:
Richard Earlom, 1743–1822
Date:
1790
Materials & Techniques:
Mezzotint, second state, finished proof
Dimensions:
Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Portrait of Boy and Dog

Portrait of Boy and Dog
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/4 x 14 9/16 inches (52.7 x 37 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Le petit joueur de ville

Le petit joueur de ville
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/16 x 10 1/16 inches (39.2 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

27. La petite musicienne

La petite musicienne
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 10 3/8 inches (39 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. Potus Calidæ Theiæ

Potus Calidæ Theiæ
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/16 x 19 1/4 inches (38.9 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. Medicus Alchemista

Medicus Alchemista
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/16 x 19 7/16 inches (38.5 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

30. The Spoiled Child, Scene II

The Spoiled Child, Scene II
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 x 20 3/8 inches (39.1 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Spoiled Child, Scene III

The Spoiled Child, Scene III
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Spoiled Child, Scene I

The Spoiled Child, Scene I
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/8 × 20 1/8 inches (39 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Spoiled Child, Scene IV

The Spoiled Child, Scene IV
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 1/8 inches (39.4 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Traveling Potter Outside a Cottage

Traveling Potter Outside a Cottage
Creator:
Francis Wheatley, 1747–1801
Date:
1798
Materials & Techniques:
Watercolor over graphite with gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 x 19 1/8 inches (38.7 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Solvitur Acris Hyems

Solvitur Acris Hyems
Creator:
John Richard Wequelin, 1849–1927
Date:
undated
Materials & Techniques:
Gray wash, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 9 1/8 inches (39.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

36. The Spoiled Child, Scene V

The Spoiled Child, Scene V
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 19 5/8 inches (39.4 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Dying Hindu Brought to the River Ganges

A Dying Hindu Brought to the River Ganges
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
1788
Materials & Techniques:
Black chalk, red chalk and white chalk on moderately thick, slightly textured, blue laid paper
Dimensions:
Sheet: 10 5/8 x 13 5/8 inches (27 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Portrait of Man

Portrait of Man
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 14 15/16 inches (51.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Portrait of a Boy with a Basket

Portrait of a Boy with a Basket
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/8 x 11 1/2 inches (39.1 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. Portrait of a Boy with a Basket

Portrait of a Boy with a Basket
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 7/16 × 10 13/16 inches (39.2 × 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. L'Enseigne mor

L'Enseigne mor
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 11 3/4 inches (41.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. La fille éveillée

La fille éveillée
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 15 1/16 inches (49.7 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Le jeu de dames

Le jeu de dames
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 9 13/16 inches (39.4 x 25 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Portrait of a Man

Portrait of a Man
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 21 x 15 1/16 inches (53.4 x 38.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Portrait of a Man and Woman

Portrait of a Man and Woman
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 20 9/16 x 14 3/4 inches (52.3 x 37.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

46. La jeune cabarttiere

La jeune cabarttiere
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
early 1750s
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/8 x 11 11/16 inches (40.9 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

47. Portrait of a Woman Holding Fruit

Portrait of a Woman Holding Fruit
Creator:
Print made by Johann Lorenz Haid, 1702–1750
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 13/16 inches (39 × 27.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

48. Le garcon content

Le garcon content
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/8 x 15 1/8 inches (49.8 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

49. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Crossing the Brook

Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 1/2 × 11 3/4 inches (39.4 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 21 5/16 inches (39.3 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

53. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

54. The Haunted House

The Haunted House
Creator:
Print made by Simeon Solomon, 1840–1905
Date:
1858
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James A. Bergquist, Boston

55. A Military Escapade

A Military Escapade
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1794 and 1800
Materials & Techniques:
Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/4 x 10 13/16 inches (38.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Wooded Landscape with Figures

Wooded Landscape with Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1788
Materials & Techniques:
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche

Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, red chalk, and graphite, incised for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Design for a Frontispiece: Bust of a Roman Man

Design for a Frontispiece: Bust of a Roman Man
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Red chalk and graphite, incised for transfer on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 5 1/4 inches (19.1 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Design for a Frontispiece: Allegorical Landscape

Design for a Frontispiece: Allegorical Landscape
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Design for an Engraving: Figures in an Interior

Design for an Engraving: Figures in an Interior
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Design for a Frontispiece: Group of Allegorical Figures

Design for a Frontispiece: Group of Allegorical Figures
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Black chalk on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 15 1/2 × 11 1/8 inches (39.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Butcher

The Butcher
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 1/2 inches (39.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. A Young Girl Holding a Child

A Young Girl Holding a Child
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Black chalk and stumping; verso: black chalk and stumping on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 11 7/8 inches (39.4 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Young Woodcutter

Young Woodcutter
Creator:
Joshua Cristall, 1768–1847
Date:
1818
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, laid on thick, slightly textured, beige card
Dimensions:
Mount: 15 3/8 x 14 3/16 inches (39 x 36.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Lizette et Pierre

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1918
Materials & Techniques:
Etching and drypoint on thick, slightly textured, white wove paper
Dimensions:
Sheet: 15 5/16 x 11 1/8 inches (38.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

66. The Summer Moon

No cover image available
Creator:
William Lee Hankey, 1869–1952
Date:
1905
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 5/16 x 12 13/16 inches (38.9 x 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

67. The Deserter

No cover image available
Creator:
William Dickinson, 1746–1823
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/8 × 19 7/16 inches (39 × 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection