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1. A View along the Thames towards Chelsea Old Church

A View along the Thames towards Chelsea Old Church
Creator:
John Varley, 1778–1842
Date:
between 1810 and 1815
Materials & Techniques:
Oil on canvas
Dimensions:
8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Opposite my House at Barnes

Opposite my House at Barnes
Creator:
Edward William Cooke, 1811–1880
Date:
1862
Materials & Techniques:
Oil on panel
Dimensions:
11 15/16 x 18 15/16 inches (30.3 x 48.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Study of a Cottage Interior

Study of a Cottage Interior
Creator:
John Henry Mole, 1814–1886
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Shipwreck

Shipwreck
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 7/8 inches (30.2 × 40.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Ship in Distress

A Ship in Distress
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 x 21 13/16 inches (37.8 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Credulity

Credulity
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Pluscardine Abbey, Elgin

Pluscardine Abbey, Elgin
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Turver's Farm, Wimbish, Essex

Turver's Farm, Wimbish, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Northern Boundary of St. Bride's Bay

The Northern Boundary of St. Bride's Bay
Creator:
John Warwick Smith, 1749–1831
Date:
1792
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Cattle Watering by a Stream

Cattle Watering by a Stream
Creator:
imitator of Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection