<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Work Type watercolor

Remove constraint Work Type: watercolor

Search Results

William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Songs of Experience, Title Page (Plate 33)
Print made by William Blake, 1757–1827
Songs of Experience, Title Page (Plate 33)
1794
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake Nurses Song (Plate 37)
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
William Blake The Chimney Sweeper (Plate 45)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
William Blake Title Page, Visions of the Daughters of Albion (Plate 2)
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
William Blake Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Print made by William Blake, 1757–1827
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
1793
William Blake "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
ca. 1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
ca. 1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Ladies in Waiting
George Romney, 1734–1802
Ladies in Waiting
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Learning to Walk
George Romney, 1734–1802
Learning to Walk
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney River God
George Romney, 1734–1802
River God
undated
George Romney Mother and Son
George Romney, 1734–1802
Mother and Son
undated
George Romney Pamela
George Romney, 1734–1802
Pamela
undated
George Romney Iphigenia Kneeling over an Altar
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
George Romney Study of Two Figures
George Romney, 1734–1802
Study of Two Figures
late 1770s
George Romney Children with a Goat and a Dog
George Romney, 1734–1802
Children with a Goat and a Dog
undated
George Romney Classical Male Nude
George Romney, 1734–1802
Classical Male Nude
undated
George Romney Viscountess Bulkeley as Hebe
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
George Romney Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
George Romney Seated Figure
George Romney, 1734–1802
Seated Figure
undated
George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
between 1778 and 1783
George Romney Study for the Portrait of George Spencer, Fourth Duke of Marlborough
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
between 1778 and 1783
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
undated
George Romney Temptation of Christ
George Romney, 1734–1802
Temptation of Christ
undated
George Romney Two Sisters
George Romney, 1734–1802
Two Sisters
undated
George Romney Glade in a Forest
George Romney, 1734–1802
Glade in a Forest
undated
George Romney Prostrate Woman
George Romney, 1734–1802
Prostrate Woman
undated
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
between 1749 and 1802
George Romney Howard Visiting a Prison
George Romney, 1734–1802
Howard Visiting a Prison
between 1790 and 1794
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
George Romney Glade of Trees
George Romney, 1734–1802
Glade of Trees
undated
George Romney Sketch of Trees
George Romney, 1734–1802
Sketch of Trees
undated
George Romney Sketches of a Prostrate Woman
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
John Martin Adam and Eve
attributed to John Martin, 1789–1854
Adam and Eve
undated
John Martin A Tropical Coast, Sunset
John Martin, 1789–1854
A Tropical Coast, Sunset
between 1840 and 1850
John Martin The Rising of the Waters
Attributed to John Martin, 1789–1854
The Rising of the Waters
undated
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
John Martin Fall of a City
Attributed to John Martin, 1789–1854
Fall of a City
undated
John Martin Daniel in the Den of Lions
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
John Martin The Ravens Feeding Elijah
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
John Martin The Release of Saint Peter from Prison
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
John Martin The Conversion of Saul
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
John Martin The Stoning of Saint Stephen
Attributed to John Martin, 1789–1854
The Stoning of Saint Stephen
undated
John Martin The Baptism of Christ
Attributed to John Martin, 1789–1854
The Baptism of Christ
undated
John Martin The Woman at the Well
Attributed to John Martin, 1789–1854
The Woman at the Well
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
John Martin The Pool of Bethesda
Attributed to John Martin, 1789–1854
The Pool of Bethesda
undated
John Martin The Raising of Lazarus
attributed to John Martin, 1789–1854
The Raising of Lazarus
undated
John Malchair Christ Church, Oxford
John Malchair, 1730–1812
Christ Church, Oxford
undated
James Malton The North Foreland Lighthouse, Kent
James Malton, 1761–1803
The North Foreland Lighthouse, Kent
1791
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
John Preston Neale Addington Place, Surrey
John Preston Neale, 1771/80–1847
Addington Place, Surrey
1813