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Work Type watercolor
Remove constraint Work Type: watercolorSubject Terms grass
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1
- Over the Bank, Exmoor
- ca. 1895
2
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
3
- Corfu
- ca. 1856
4
- Nice from the Genoa Road
- 1865
5
- A Dry Halfeh Grass
- 1867
6
- Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
- 1867
7
- Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)
- 1867
8
- Mqabba, Qrendi
- 1866
9
- Harb. Gozo
- 1866
10
- Corpo di Cava, 28 June 1838
- 1838
11
- On the Road, Two Hours from Tepelene, 19 April 1857
- 1857
12
- Albenga
- 1864
13
- Kurayim
- 1867
14
- Pettenasco, Lago d'Orta
- 1867
15
- Gozo, near Malta
- 1866
16
- A View of the Pine Woods Above Cannes
- 1869
17
- Albania
- between 1848 and 1849
18
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
19
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
20
- Spring (Plate 12)
- 1789
21
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
22
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
23
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
24
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
25
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
26
- 'The thunder if in that the Almighty dwells' (Page 80)
- ca. 1797
27
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
28
- 'Oft bursts my song beyond the bounds of life' (Page 16)
- 1797
29
- 'Behold him, when past by; what then is seen' (Page 25)
- 1797
30
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- 1797
31
- 'The thunder, if in that the Almighty dwells' (Page 80)
- 1797
32
- 'But for the blessing wrestle not with heaven' (Page 88)
- 1797
33
- The Purple Year awaking from the Roots of Nature (Design 3)
- between 1797 and 1798
34
- The Beginning of Poesy. The Blind Begging Bard (Design 41)
- between 1797 and 1798
35
- The Lamb (Plate 18)
- 1789
36
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- 1797
37
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
38
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
39
- 'Love, and love only, is the loan for love' (Page 37)
- 1797
40
- 'Its favours here are trials, not rewards' (Page 12)
- 1797
41
- The Tyger (Plate 42)
- 1794
42
- Spring (Plate 26)
- 1789
43
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
44
- 'Behold him, when past by; what then is seen' (Page 25)
- ca. 1797
45
- The Back of a Farm House
- undated
46
- Reading Gate-Way
- undated
47
- Windsor Castle, Berkshire
- ca. 1823
48
- Hartwell, Buckinghamshire
- 1833
49
- Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
- ca. 1822
50
- Aldenham Church
- ca. 1817
51
- Llanberis, North Wales
- 1813
52
- Nîmes from the Tour Magne
- ca. 1765
53
- Classical Landscape
- undated
54
- High Tor, Matlock
- undated
55
- St. Thomas' Church, Winchelsea
- undated
56
- Barnes Common, June 1836
- 1836
57
- Wanstead House
- undated
58
- Eragrostis Tef
- 1775
59
- Bolton Abbey
- undated
60
- Remains of Purton Hall, Staffordshire
- 1820
61
- The Trees and River in the Park at Coleorton Hall, Leicestershire
- undated
62
- The Ruins of the College of Lincluden, Near Dumfries
- ca. 1778
63
- Two Donkeys in a Landscape
- undated
64
- Terraced Cottages with Fallen Trees
- undated
65
- Mountainous Landscape with Cows
- undated
66
- From Hampstead
- 1730
67
- River Landscape
- undated
68
- Temple of Venus and Rome from the Colosseum
- 1781
69
- The Eel Catcher
- undated
70
- Horse Fair in East Anglia
- 1899
71
- A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848
- 1848
72
- "Some Do and Some Don't: It is All a Notion:" Getting a Fall
- between 1848 and 1851
73
- "Doing the Thing: and the Thing Done:" Doing it Somehow
- 1818
74
- "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
- between 1848 and 1851
75
- The Sporting Lady
- undated
76
- The Canterbury-Dover Coach Passing Vanbrugh Castle
- between 1795 and 1800
77
- Partridge Shooting
- undated
78
- Snipe Shooting
- undated
79
- Grouse Shooting
- undated
80
- The St. Leger, Doncaster: Preparing to Start
- undated
81
- Tarbert Castle
- undated
82
- Hoar Frost, Misty Morning: Glen Lyon
- undated
83
- "Hark": Startled Horse and Alert Rider
- undated
84
- Wild Duck Shooting
- undated
85
- Rider on a Brown Horse About to Jump a Rail Fence to the Right
- undated
86
- View of Rochester
- 1791
87
- Tynemouth Priory, Northumberland
- ca. 1793
88
- Pluscardine Abbey, Elgin
- ca. 1793
89
- Lichfield Cathedral, Staffordshire
- 1794
90
- Pevensey Castle, Sussex
- ca. 1795
91
- View of Winchelsea, Sussex
- ca. 1795
92
- Jedburgh Abbey, Roxburghshire
- ca. 1793
93
- A Devonshire Farm
- ca. 1798
94
- Chapel Church, Surrey
- ca. 1799
95
- Romantic Landscape
- ca. 1801
96
- Glasgow Cathedral
- between 1794 and 1795
97
- Tempio d' Antonio e Faustina
- between 1798 and 1799
98
- Grouse Shooting: The Right Sort
- undated
99
- Some Have Greatness Thrust Upon Them
- undated
100
- Grouse Shooting: The Wrong Sort
- undated