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Work Type watercolor
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1
- Sketch of a Base for the Mill Reef statue, 1972: Base with Statue
- 1972
2
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
3
- Swiss Cottage, Hampstead
- between 1912 and 1913
4
- At Hailsham, Sussex: a Storm Approaching
- 1821
5
- Windsor Castle and Park with Deer
- undated
6
- Man with Horse and Cart Entering a Quarry
- ca. 1797
7
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
8
- Fettered Urizen Weeping (Plate 12)
- 1794
9
- "Repose on me till the morning of the Grave..." (Plate 62)
- 1804 to 1820
10
- "The clouds of Albions Druid Temples..." (Plate 60)
- 1804 to 1820
11
- "By those who drink their blood & the blood of their Covenant..." (Plate 67)
- 1804 to 1820
12
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
13
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
14
- Frontispiece, Europe. A Prophecy
- ca. 1820
15
- "Reuben return'd to his place, in vain..." (Plate 36)
- 1804 to 1820
16
- "With one accord in love sublime..." (Plate 44)
- 1804 to 1820
17
- "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)
- 1804 to 1820
18
- "The secret coverts of Albion & the hidden places of America..." (Plate 49)
- 1804 to 1820
19
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
20
- "Highgates heights & Hampsteads..." (Plate 84)
- 1804 to 1820
21
- "I see thy Form O lovely mild Jerusalem..." (Plate 86)
- 1804 to 1820
22
- "Repelling weeping Enion blind & age-bent..." (Plate 87)
- 1804 to 1820
23
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
24
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
25
- "Then each an Arrow flaming from his Quiver..." (Plate 98)
- 1804 to 1820
26
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
27
- "Albion thy fear has made me tremble..." (Plate 22)
- 1804 to 1820
28
- "And the Two that escaped..." (Plate 30)
- 1804 to 1820
29
- "When those who disregard all Mortal Things..." (Plate 55)
- 1804 to 1820
30
- "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
- 1804 to 1820
31
- "In beauty the Daughters of Albion divide..." (Plate 58)
- 1804 to 1820
32
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
33
- "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
- 1804 to 1820
34
- "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
- 1804 to 1820
35
- "Albion cold lays on his Rock..." (Plate 94)
- 1804 to 1820
36
- "Awake! Awake Jerusalem..." (Plate 97)
- 1804 to 1820
37
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
38
- "Elevate into the Region of Brotherhood..." (Plate 34)
- 1804 to 1820
39
- "In Great Eternity every particular Form..." (Plate 54)
- 1804 to 1820
40
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
41
- Owl: Little Owl
- before 1790
42
- Theatrical Group
- undated
43
- Design for an Egyptian Column
- undated
44
- Lord Penryn's Slate Quarries
- undated
45
- Canadian Figure Studies
- undated
46
- Hog Deer
- after 1813
47
- Jackdaw
- before 1790
48
- Falcon: Hen Krestel
- before 1790
49
- Warbler: Reed Wren
- before 1790
50
- The Amphitheatre at Nîmes
- 1803
51
- Specimens of the Private Houses of Venice
- 1802-1804
52
- Specimens of a Private House in Venice
- 1802-1804
53
- In One of the Churches of Ancona
- 1802-1804
54
- The Plains of Senta
- 1803
55
- Ruins of the Temple of Jupiter on the Plains of Nemea
- 1803
56
- Kalamata, Greece
- 1802-1804
57
- Kalamata, Greece
- 1802-1804
58
- Study of an Older Palace in Venice
- 1802-1804
59
- A Carita - On the Walls of a Hospital or Public School, Venice
- 1802-1804
60
- In the Friedrich's Shape
- 1802-1804
61
- View of the Interior of One of the Churches in Ancona
- 1802-1804
62
- Gateway to a House in Ancona
- 1802-1804
63
- Another Specimen of the Same Style
- 1802-1804
64
- Sketch of a Monument in the Basilica of Saint Anthony of Padua
- 1802-1804
65
- House with Weathercock
- undated
66
- Houses by the Riverside
- undated
67
- Portrait of John Saxby
- undated
68
- Strand Gateway, Winchelsea
- undated
69
- Gateway to Battle Abbey
- after 1819
70
- Portrait of a Lady at a Drawing Table
- undated
71
- Sketch for "Reading the Will"
- before 1820
72
- The Blinding of Elymas
- between 1709 and 1717
73
- The Chapel, Dirleton Castle, Scotland
- 1846
74
- Merrow Downs, Surrey
- undated
75
- Design of Apollo and the Python for a Painted over-door Decoration
- undated
76
- Perspective View of a Fanciful Acropolis Complex
- undated
77
- Design for London Bridge Approach
- between 1827 and 1835
78
- Autumn Trees by a Lake
- undated
79
- Unidentified Office or Stables: Front Elevation
- ca. 1720
80
- Hilly Landscape with River and Cattle
- ca. 1810
81
- Trees and a Rocky Stream
- undated
82
- Rochester
- undated
83
- Duckinfield, Cheshire
- 1772
84
- Winkle Street, Southampton
- 1819
85
- Noble Arab of the Tribe Beni-Koreish of the Family Harb at Beder-Hunein
- undated
86
- A View of Core's Library, Dawlish, Devon
- 1837
87
- Scene from Don Quixote
- undated
88
- Five Vignettes of Scenes from Antiquity
- undated
89
- El Hudderi
- undated
90
- Entrance of the Torre de las dos Hermanas in the Alhambra
- 1775 to 1776
91
- The Great Bath of the Alhambra
- 1775 to 1776
92
- Study of a Kid
- 1796
93
- Syon House
- undated
94
- Syon House: Chapel
- undated
95
- Gateway Alnwick
- 1786
96
- Pass in the Mountains Between Nisa and Villa Velha
- 1809
97
- African Woman Sitting on a Chair
- undated
98
- Devotee in a Green Turban
- ca. 1790
99
- Praying Man
- undated
100
- The Hall, Rugby School
- undated