View of Oxford from the South Side of Heddington Hill
1808
5
Print made by John Landseer, 1769–1852
Orchard Bay
1799
6
Print made by John Landseer, 1769–1852
Alum Bay and the Needles
1799
7
Print made by Samuel Rawle, 1771–1860
Gibside, County of Durham
1819
8
Print made by John Landseer, 1769–1852
Alum Bay, Isle of Wight
1799
9
Print made by John Landseer, 1769–1852
Cowes
1799
10
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
11
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Theatrum Sive Coliseum Romanum
1538
12
George Morland, 1763–1804
Fishermen
1793
13
George Morland, 1763–1804
Smugglers
1793
14
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
15
Print made by John Young, 1755–1825
The Setting Sun
1790
16
Print made by Henry Le Keux, 1787–1868
Simmer Lake, near Askrig
1822
17
Print made by Charles Heath, 1785–1848
Ingleborough, from Hornby Castle Terrace
1818-1823
18
Print made by James Tibbits Willmore, 1800–1863
Kilgarren Castle, Pembroke
1827-1838
19
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
20
Print made by James C. Allen, active 1821–1831
Ehrenbreitstein, During the Demolition of the Fortress in 1817
1824
21
Print made by James C. Allen, active 1821–1831
Aldborough
ca. 1830
22
Sir Muirhead Bone, 1876–1953
Piccadilly Circus
1915
23
Morton, active 1767
Elevation of the Front for the Register Offices in Scotland
1767
24
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
25
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
26
George Vertue, 1684–1756
Mary, Queen of France / Charles Brandon, Duke of Suffolk
1748
27
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
28
Robert Pollard, 1755–1838
View of Grosvenor Square
1789
29
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
30
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
31
William Sherwin, 1645–1711
Barbara Duchess of Cleaveland as a Shepherdess
1670
32
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
33
George Townly Stubbs, 1748–1815
[Lion and Horse]
1770
34
Benjamin Green, ca. 1736–ca. 1800
The Lion and Stag
1770
35
Benjamin Green, ca. 1736–ca. 1800
The Right Honourable Lord Pigot, Governor of Madras
1769
36
William Say, 1768–1834
Mrs. Siddons
1810
37
Print made by William Henry Boucher, 1842–1906
Over the Nuts and Wine!
1889
38
William Woollett, 1735–1785
The Rural Cott
1797
39
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
40
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
41
Victor Marie Picot, 1744–1805
Winter
1794
42
John Raphael Smith, 1752–1812
"William and Margaret"
1802
43
Print made by Charles West Cope, 1811–1890
W. Mulready RA
1863
44
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
45
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
46
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
47
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
48
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
49
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
50
Print made by James Basire, 1730–1802
Plate XI: St Stephen's Chapel
1795
51
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
52
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
53
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
54
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
55
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
56
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
57
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
58
Print made by Thomas Talbot Bury, 1811–1877
Elevation of the River Front
ca. 1835
59
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
60
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
61
Print made by Sir Francis Seymour Haden, 1818–1910
The Breaking Up of the Agamemnon, no. 2
after 1880
62
Sir Francis Seymour Haden, 1818–1910
The Breaking Up of the Agamemnon, no. 2
after 1880
63
Print made by Thomas Goff Lupton, 1791–1873
Plymouth
1828 to 1856
64
Print made by William Strang, 1859–1921
The Sieve Mender
1884
65
William Walker, 1791–1867
A Literary Party at Sir Joshua Reynolds
1848
66
William Woollett, 1735–1785
Dido and Aeneas
1787
67
Etched by Thomas Rowlandson, 1756–1827
English Barracks
1791
68
John Raphael Smith, 1752–1812
The Silver Age
1778
69
James Mason, 1710–1783
The Lodge and Stables, &c. at Windsor Great Park
1772
70
Abraham Raimbach, 1784–1868
The Parish Beadle
1834
71
William Woollett, 1735–1785
Ceyx and Alcyone
1769
72
Print made by William Woollett, 1735–1785
Solitude
1778
73
James Ward, 1769–1859
Rustic Felicity
undated
74
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
75
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
76
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
77
Richard Earlom, 1743–1822
The Inside of the Pantheon in Oxford Road
1772
78
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
79
Print made by William Say, 1768–1834
The Cottar's Door
1802
80
Print made by Richard Earlom, 1743–1822
Thomas King and Mrs. Baddeley
1772
81
Print made by Henri Emile Lefort, 1852–1916
Benjamin Franklin
1896
82
Johannes Tangena, active 1687–1692
William of Orange Leaving Hellevoetsluis for England
1688
83
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
84
Print made by Thomas Goff Lupton, 1791–1873
Falmouth
1828 to 1856
85
William Ward, 1766–1826
Sailors Conversation
1802
86
Thomas Malton the Younger, 1748–1804
The Great Court and Chapel of Trinity College in the University of Cambridge
1798
87
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
88
Print made by Pierre Charles Canot, ca. 1710–1777
Morning
1745
89
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
90
James Mason, 1710–1783
A View of Plymouth Fort and St. Nicholas Island
1755
91
Robert Pollard, 1755–1838
Edwin and Angelina
1785
92
Robert Pollard, 1755–1838
The Hermitage of Warkworth
1787
93
Thomas Malton the Younger, 1748–1804
Cambridge University: Emmanuel College
1799
94
James Mason, 1710–1783
View of Mount Edgecumbe from the Blockhouse
1755
95
William Ward, 1766–1826
Sailors Conversation
1802
96
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge