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William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
ca. 1797
William Blake Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
Print made by William Blake, 1757–1827
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake The Bard Singing Owen's Praise (Design 89)
William Blake, 1757–1827
The Bard Singing Owen's Praise (Design 89)
between 1797 and 1798
William Blake The Mourner at the Tomb (Design 103)
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
William Mulready Study for a Girl Reading
William Mulready, 1786–1863
Study for a Girl Reading
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
Thomas Stothard Solicitude: A Man Supporting a Fainting Woman
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
Michael "Angelo" Rooker The Gate at Blenheim
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
unknown artist Brighton Town and Church
unknown artist
Brighton Town and Church
ca. 1780
Thomas Stothard Girl, Full Length, Facing Right
Thomas Stothard, 1755–1834
Girl, Full Length, Facing Right
undated
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
James Miller Figure Study of a Lady (back view)
James Miller, active 1773–1814
Figure Study of a Lady (back view)
undated
James Miller Figure Study of a Seated Lady
James Miller, active 1773–1814
Figure Study of a Seated Lady
undated
James Miller Figure Study of a Lady
James Miller, active 1773–1814
Figure Study of a Lady
undated
John Downman Portrait of Lady Marjorie Jenkins
John Downman, 1750–1824
Portrait of Lady Marjorie Jenkins
1798
Richard Cosway Time raising Truth, after Rubens’s “The Triumph of Truth”
Attributed to Richard Cosway, 1742–1821
Time raising Truth, after Rubens’s “The Triumph of Truth”
undated
Edward Dayes Queen Square, London
Edward Dayes, 1763–1804
Queen Square, London
1786
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
John Downman Portrait of a Girl Holding a Garland
attributed to John Downman, 1750–1824
Portrait of a Girl Holding a Garland
undated
John Smart Portrait of a Woman taken from life, facing right
John Smart, 1741–1811
Portrait of a Woman taken from life, facing right
undated
John Smart Portrait of Mrs. Wilks of Madras
John Smart, 1741–1811
Portrait of Mrs. Wilks of Madras
1793
John Downman Portrait of a Lady, Facing Left
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
Richard Dadd Portrait of Maria Elizabeth Dadd, the Artist's Sister
Richard Dadd, 1817–1886
Portrait of Maria Elizabeth Dadd, the Artist's Sister
1839
William Alexander Lady Macartney's Villa at Chiswick
William Alexander, 1767–1816
Lady Macartney's Villa at Chiswick
after 1808
Francois Theodore Rochard Teresa, Comtess Gamba-Guicioli
Francois Theodore Rochard, 1798–1858
Teresa, Comtess Gamba-Guicioli
undated
Francois Theodore Rochard Catherine Lamb
Francois Theodore Rochard, 1798–1858
Catherine Lamb
undated
George Perfect Harding Lady Mary Dudley
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated