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Richard Gilson Reeve, 1803–1889

Plate 2. Hounds coursing a hare

1807

Richard Gilson Reeve, 1803–1889

Plate 3. Sportsmen with hare

1807

Charles Hunt, 1803–1877

Set of four: Steeple Chasing Illustrations

Richard Gilson Reeve, 1803–1889

Plate 4. The kill

1807

Charles Hunt, 1803–1877

Set of four: Steeple Chasing Illustrations

Richard Gilson Reeve, 1803–1889

Set of four: Steeple Chasing Illustrations

Richard Gilson Reeve, 1803–1889

Coursing Plate 2: The First Turn

1836

Richard Gilson Reeve, 1803–1889

Plate 2. Partridge Shooting, September

1836

Richard Gilson Reeve, 1803–1889

Plate 3. Pheasant Shooting, October

1836

Richard Gilson Reeve, 1803–1889

Plate 4. Snipe Shooting, November

1836

Richard Gilson Reeve, 1803–1889

Plate 5. Woodcock Shooting, December

1836

Frederick Landseer Maur Griggs, 1876–1938

Beacon Hill

undated

Sir Frank William Brangwyn, 1867–1956

North East Coast Industries (proof)

1927

Sir Frank William Brangwyn, 1867–1956

North East Coast Industries (published poster)

1927

Gerald Spencer Pryse, 1882–1956

British Empire Exhibition 1924, Scenes of Empire Series, No. P36

1924

Fred Taylor, 1875–1963

Scarborough

between 1923 and 1948

Septimus Edwin Scott, 1879–1962

Sunny Rhyl

ca. 1930

David George Thompson, active 1852–died 1870

Shooting: 4. Grouse

1852

Joseph Gray, 1890–1962

Scottish Landscape

1928

David George Thompson, active 1852–died 1870

Shooting: 6. Pheasant

1852

Print made by Sir Lionel Lindsay, 1874–1961

The Convent at Huelgas, Spain

1927

Print made by Douglas Percy Bliss, 1900–1984

Anglers

ca. 1925

David Blackburn, 1939–2016

Untitled

1981

Print made by James McBey, 1883–1959

Jerusalem from Olivet

1921

Henry Thomas Alken, 1785–1851

Set of four: Sporting Illustrations. 4. The Field

1837

Henry Thomas Alken, 1785–1851

Set of six: The High Mettled Racer

1821

Henry Thomas Alken, 1785–1851

Set of six: The High Mettled Racer

1821

Henry Thomas Alken, 1785–1851

Set of six: The High Mettled Racer

1821

Thomas Sutherland, ca. 1785–1838

Set of four: 2. Starting

1824

Henry Bernard Chalon, 1771–1849

Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

1826

Henry Bernard Chalon, 1771–1849

Passions of the Horse an entirely New Work described in Six subjects. 4. Affection. Each plate dedicated to George IV

1827

Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.

Henry Bernard Chalon, 1771–1849

Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV

1827

Henry Bernard Chalon, 1771–1849

Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV

1827

Henry Bernard Chalon, 1771–1849

Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV

1827

Edward Duncan, 1803–1882

Set of four: 2. Woodcock Shooting

1825

Edward Duncan, 1803–1882

Set of four: 3. Pheasant Shooting

1825

Edward Duncan, 1803–1882

Set of four: 4. Wild Duck Shooting

1825

Drawn by Samuel Thomas Gill, 1818–1880

Set of three: Kangaroo Hunting. No 2. The Chase

1858

Drawn by Samuel Thomas Gill, 1818–1880

Set of three: Kangaroo Hunting. No 3. The Death

1858

Charles Hunt, 1803–1877

Fox Hunting [set of four]: 3. Full Cry

1838

Henry Pyall, 1795–1833

Set of four: 3. Woodcock Shooting

undated

Henry Pyall, 1795–1833

Set of four: 4. Duck Shooting

undated

James Pollard, 1792–1867

Coursing [a pair]: 2. Coursing, a View in Hatfield Park

1824

James Pollard, 1792–1867

Shooting [set of four]: 2. Shooters Refreshing

1822

James Pollard, 1792–1867

Shooting [set of four]: 1. Pheasant Shooting

1822

Charles Hunt, 1803–1877

Racing [set of six]: Epsom. 6. Settling day at Tattersall's

1836

Charles Hunt, 1803–1877

Racing [set of six]: Epsom. 4. The Grand Stand

1836

Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."

Charles Hunt, 1803–1877

[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."

1835

Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."

Charles Hunt, 1803–1877

[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."

1835

Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."

Thomas Fairland, 1804–1852

[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."

ca. 1835

Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."

Thomas Fairland, 1804–1852

[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."

ca. 1835

Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."

Thomas Fairland, 1804–1852

[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."

ca. 1835

Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."

Newton Limbird Smith Fielding, 1799–1856

[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."

1836

Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."

Thomas Fairland, 1804–1852

[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."

ca. 1835

Francesco Bartolozzi, 1728–1815

Elements of Drawing

Terence Tenison Cuneo, 1907–1996

Derby Locomotive Works: An Engine is Wheeled

after 1948

Patrick Procktor, 1936–2003

Charles Newington, Printer

1976

Peter Sedgley, born 1930

Blue Green Modulation

1964

Peter Sedgley, born 1930

Counterpoint

1977

John Crome, 1768–1821