Three Studies of Colored Glass in St. Pierre, Chartres, on One Paper
703
Robert H. Burden, fl.1850–1890
Three Sketches of Capitals at Mantes and South Andre
1862
704
Robert H. Burden, fl.1850–1890
West Front of St. Andre, Chartres
1862
705
Robert H. Burden, fl.1850–1890
Four Sketches of Towers, on Three Pieces of Paper
706
Robert H. Burden, fl.1850–1890
The House of Baron Morgan (?), Rue Conde
1862
707
Robert H. Burden, fl.1850–1890
The Belfry, Amiens
1862
708
Robert H. Burden, fl.1850–1890
North East View of St. Brice, near Chartres
1862
709
Robert H. Burden, fl.1850–1890
Tower of St. Leu, Amiens
1862
710
Robert H. Burden, fl.1850–1890
Four Sketches of Panels and Bases at Notre Dame, Amiens
1862
711
Robert H. Burden, fl.1850–1890
Tower of St. Germain, Amiens
1862
712
Robert H. Burden, fl.1850–1890
Chapter House at Amiens Cathedral
1862
713
Robert H. Burden, fl.1850–1890
Studies of Candle Holders, Amiens
714
George Cruikshank, 1792–1878
Drawings for Announcement of Ainsworth's Magazine
715
Robert H. Burden, fl.1850–1890
Three Studies of Arcading and Vaulting, Amiens
716
Robert H. Burden, fl.1850–1890
Drawing of Carved Tomb, Amiens
717
George Cruikshank, 1792–1878
Studies of Boar's Head
718
George Cruikshank, 1792–1878
Studies of 2 Men in Profile
719
George Cruikshank, 1792–1878
The Family Cock
720
George Cruikshank, 1792–1878
Harbour Scene
721
Nathaniel Dance, 1735–1811
Corpulent Bride and Groom, with Arms Linked
722
Nathaniel Dance, 1735–1811
Man Peering Over the Edge of a Cliff
723
Nathaniel Dance, 1735–1811
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
724
Nathaniel Dance, 1735–1811
Scene Between Two Men, One Pulling the Other's Ear
725
Nathaniel Dance, 1735–1811
Man with Protruding Jaws and Tiny Nose, Facing Left
726
Nathaniel Dance, 1735–1811
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
727
Nathaniel Dance, 1735–1811
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
728
Nathaniel Dance, 1735–1811
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
729
Nathaniel Dance, 1735–1811
Man Leaping Over a Hedge with Stile Nearby
730
Nathaniel Dance, 1735–1811
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
731
Nathaniel Dance, 1735–1811
Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
732
Nathaniel Dance, 1735–1811
Three Men Lounging on Chairs and Settee
733
Nathaniel Dance, 1735–1811
Man Holding Whip, Following Dog into A Stone Building
734
Nathaniel Dance, 1735–1811
A Man and a Goose Standing Erect, Looking at One Another
735
Thomas D. W. Dearn, 1777–1853
Cottage near Cranbrook, N.E
736
Thomas D. W. Dearn, 1777–1853
Cottage in the Town of Worsley
1832
737
Thomas Patch, 1725–1782
Mi Fo Chiamare il Cav
1768
738
Thomas D. W. Dearn, 1777–1853
Thatched Cottage with an Old Man in the Yard
1829
739
Thomas D. W. Dearn, 1777–1853
Two Small Cottages
1830
740
Thomas D. W. Dearn, 1777–1853
Cottage near Calvert
741
Thomas D. W. Dearn, 1777–1853
Two Men on a Dock with a Castle in the Distance
1832
742
Thomas D. W. Dearn, 1777–1853
Two Thatched Cottages, One with a Bird Cage Hanging beside the Front Door
743
Thomas D. W. Dearn, 1777–1853
Woman by a Fence outside a Thatched Cottage
1827
744
Thomas D. W. Dearn, 1777–1853
Cottage with Sawhorse in the Front Yard
745
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
746
Thomas Beilby, 1747–1826
View on the River Tyne above Newcastle
1773
747
Thomas Beilby, 1747–1826
View in the West Valley above Sheffield
1777
748
Thomas Beilby, 1747–1826
Canklow, belonging to Mr. Taylor
1778
749
Thomas Beilby, 1747–1826
The Lyn near Newbrough
1778
750
Thomas Beilby, 1747–1826
Habes Bridge near Kendall
1780
751
Thomas Beilby, 1747–1826
South East View of Page Hall, near Sheffield
1778
752
Thomas Beilby, 1747–1826
North Gate at Roche Abbey
1778
753
Thomas Beilby, 1747–1826
Lumley Castle
1778
754
Thomas Beilby, 1747–1826
Sprotbrough, the Seat of Sir Joshua Copley, Baronet
1778
755
Thomas Beilby, 1747–1826
The Lake by Roche Abbey
1778
756
Robert H. Burden, fl.1850–1890
Sketch of a Tower
757
Thomas Beilby, 1747–1826
Hardwick Hall Country Park
ca. 1775
758
Robert H. Burden, fl.1850–1890
Sketch of a Tower and a Window
759
Attributed to Gideon Yates, active 1825–1837
Fishmonger's Hall and London Bridge
1832
760
Thomas Picken, 1815–1870
Sebastopol from the sea, sketched from the deck of H.M.S. Sidon, Feb. 1855
1855
761
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
762
Nicholas Pocock, 1740–1821
Ships and Boats on the River Avon
1786
763
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
764
W. A. Glynn
Western Tour: [one from] An Album of 66 drawings of landscapes, seascapes and marine views of places around Cornwall, Devon
765
Augustus Hare, 1834–1903
[One of] Album of 84 original drawings
1853-1860
766
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
767
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
768
Henry Phillip Hope, active 1799–1818
Mariage Grec
undated
769
Henry Phillip Hope, active 1799–1818
Arabes
undated
770
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
771
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
772
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
773
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
774
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
775
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
776
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
777
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
778
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
779
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
780
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
781
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
782
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
783
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
784
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
785
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison ou est ne le General Rapp a Colmar
undated
786
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Maison dans laquelle le General Rapp a ete place comme Apprenti Epicier a Colmar
undated
787
unknown artist
Colmar, Chateau Wildenstein, Rue Plumer: Tombeau de General Rapp a Colmar