<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Image Available Available

Remove constraint Image Available: Available

Height [cm] 45

Remove constraint Height [cm]: 45

Search Results

John Constable Hampstead Heath
John Constable, 1776–1837
Hampstead Heath
between 1820 and 1830
Not on view
George Stubbs Lion and Lioness
George Stubbs, 1724–1806
Lion and Lioness
1770
Not on view
James McNeill Whistler Nocturne in Blue and Silver
James McNeill Whistler, 1834–1903
Nocturne in Blue and Silver
1872 to 1878, butterfly added ca. 1885
On view at YUAG
Sir John Everett Millais L'Enfant du Régiment
Sir John Everett Millais, 1829–1896
L'Enfant du Régiment
1854 to 1855
On view at YUAG
Joseph Mallord William Turner Stormy Sea Breaking on a Shore
Joseph Mallord William Turner, 1775–1851
Stormy Sea Breaking on a Shore
between 1840 and 1845
Not on view
Joseph Mallord William Turner Off the Nore
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
Joseph Highmore A Family Conversation Piece
Joseph Highmore, 1692–1780
A Family Conversation Piece
1730 to 1735
Not on view
Robert Smirke The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
Robert Smirke, 1752–1845
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
Richard Wilson Lago d'Agnano with Vesuvius in the distance
Richard Wilson, 1713/4–1782
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
James Paterson Castlefairn
James Paterson, 1854–1932
Castlefairn
between 1890 and 1895
Not on view
Richard Wilson Lago d'Agnano with the Grotta del Cane
Richard Wilson, 1713/4–1782
Lago d'Agnano with the Grotta del Cane
between 1770 and 1775
Not on view
James Stephanoff Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
Joseph Wright of Derby Philosopher Giving a Lecture on the Orrery
Joseph Wright of Derby, 1734–1797
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
James Ward Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
James Ward, 1769–1859
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801
Evening
1799
Not on view
Francis Wheatley Night
Francis Wheatley, 1747–1801
Night
1799
Not on view
Jan Griffier the Elder A view of Greenwich from the River with many Boats
Jan Griffier the Elder, ca. 1645–1718
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
Francis Wheatley Noon
Francis Wheatley, 1747–1801
Noon
1799
Not on view
Francis Wheatley Morning
Francis Wheatley, 1747–1801
Morning
1799
Not on view
Sir Alfred J. Munnings Newmarket Again
Sir Alfred J. Munnings, 1878–1959
Newmarket Again
ca. 1952
Not on view
Sir Alfred J. Munnings Southern Hero and Black Speck, the property of J. V. Rank
Sir Alfred J. Munnings, 1878–1959
Southern Hero and Black Speck, the property of J. V. Rank
1940
Not on view
Marcellus Laroon the Younger The Barber
Marcellus Laroon the Younger, 1679–1772
The Barber
between 1760 and 1769
Not on view
Thomas Kirk The Brahmin Committing his Daughter Coraly to the Care of Blandford
Thomas Kirk, 1765–1797
The Brahmin Committing his Daughter Coraly to the Care of Blandford
ca. 1793
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822
Grinding Corn
between 1792 and 1795
Not on view
William Bell Scott Ailsa Craig
William Bell Scott, 1811–1890
Ailsa Craig
1860
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812
The Angel Binding Satan
ca. 1797
Not on view
George Clint Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
George Clint, 1770–1854
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
William Hogarth Strolling Actresses Dressing in a Barn
Print made by William Hogarth, 1697–1764
Strolling Actresses Dressing in a Barn
1738
William Blake Night the First. On Life, Death and Immortality; Title Page
Print made by William Blake, 1757–1827
Night the First. On Life, Death and Immortality; Title Page
1797
William Blake 'Behold him, when past by; what then is seen' (Page 25)
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Tis greatly wise to talk with our past hours' (Page 31)
Print made by William Blake, 1757–1827
'Tis greatly wise to talk with our past hours' (Page 31)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Swift on his downy pinion flies from woe' (Page 1)
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake 'One radiant mark, – the death-bed of the just' (Page 41)
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
William Blake Night the Third. Narcissa; Title Page
Print made by William Blake, 1757–1827
Night the Third. Narcissa; Title Page
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Till death, that mighty hunter, earths them all' (Page 70)
Print made by William Blake, 1757–1827
'Till death, that mighty hunter, earths them all' (Page 70)
1797
William Blake The Christian Triumph; Title Page
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'But for the blessing wrestle not with heaven' (Page 88)
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
William Blake 'That touch, with charm celestial heals the soul' (Page 90)
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
William Blake 'When faith is virtue, reason makes it so' (Page 92)
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)
Print made by William Blake, 1757–1827
'Till at Death's toll, whose restless iron tongue' (Page 7)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Its favours here are trials, not rewards' (Page 12)
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
William Blake 'The present moment terminates our sight' (Page 13)
Print made by William Blake, 1757–1827
'The present moment terminates our sight' (Page 13)
1797
William Blake 'The longest night though longer far, would fail' (Page 15)
Print made by William Blake, 1757–1827
'The longest night though longer far, would fail' (Page 15)
1797
William Blake 'Angels should paint it, angels ever there' (Page 40)
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
1797
William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
William Blake 'What, though my soul fantastick measures trod' (Page 4)
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'Is lost in love! thou great Philanthropist' (Page 87)
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)
Print made by William Blake, 1757–1827
'Death! great proprietor of all! 'tis thine' (Page 8)
1797
William Blake 'The goddess bursts in thunder and in flame' (Page 95)
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
William Blake 'Disease invades the chastest temperence' (Page 10)
Print made by William Blake, 1757–1827
'Disease invades the chastest temperence' (Page 10)
1797
William Blake Study for a Destroying Deity
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802
Classical Male Nude with a Rearing Horse
undated
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849
St. Donat's Castle, Glamorganshire
undated
Sir Richard Colt Hoare View at Valmontone. November 1790
Sir Richard Colt Hoare, 1758–1838
View at Valmontone. November 1790
1790
James Duffield Harding Cascades de Thiers, Auvergne
James Duffield Harding, 1798–1863
Cascades de Thiers, Auvergne
undated
Sir Howard Hodgkin "For John Constable"
Sir Howard Hodgkin, 1932–2017
"For John Constable"
1976
Henry Richard Greville third Earl of Warwick Landscape with Old Trees by Water
Print made by Henry Richard Greville third Earl of Warwick, 1779–1853
Landscape with Old Trees by Water
1803, published 1807
William Havell Study of Trees and Shrubs with Seated Figure
Print made by William Havell, 1782–1857
Study of Trees and Shrubs with Seated Figure
1804, published 1806
Thomas Vivares Design of a Ruineous Bridge for the Garden at Sion
Thomas Vivares, c.1735–c.1790
Design of a Ruineous Bridge for the Garden at Sion
1778
James Caldwall Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
Edward Rooker Perspective View of the Bridge at Sion
Edward Rooker, 1724–1774
Perspective View of the Bridge at Sion
1768
James Parker Fainasollis, Borbar and Fingal
James Parker, 1750–1805
Fainasollis, Borbar and Fingal
1783
Robert Smirke The Gem for 1830
Robert Smirke, 1752–1845
The Gem for 1830
William Ward The Romps
William Ward, 1766–1826
The Romps
1796
Luigi Balugani Seyali Hindu (Acacia)
Luigi Balugani, 1737–1770
Seyali Hindu (Acacia)
undated
Edward Rooker The Magicians Marching off After the Success of their Incantations
Edward Rooker, 1724–1774
The Magicians Marching off After the Success of their Incantations
ca. 1763
Edward Rooker A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
Edward Rooker, 1724–1774
A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River
ca. 1763
William Bernard Cooke Neptune's Trident
Print made by William Bernard Cooke, 1778–1855
Neptune's Trident
1824 to 1825
John Bluck The New Buildings on the West Front of Lancaster Castle
John Bluck, active 1791–1831
The New Buildings on the West Front of Lancaster Castle
Luigi Balugani A Fish from the Red Sea
Luigi Balugani, 1737–1770
A Fish from the Red Sea
undated
J. P. Quilley The Deluge
Print made by J. P. Quilley, active 1828
The Deluge
1828
David Hockney Ossie Seated
David Hockney, born 1937
Ossie Seated
1966
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812
Bellsane and Parcival under the Enchantment of Urma
1782
Alfred Gomersal Vickers Shipping Scene in the Harbor of Dunkerque
Alfred Gomersal Vickers, 1810–1837
Shipping Scene in the Harbor of Dunkerque
undated
William Woollett [Shooting] The Spanish Pointer
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768