Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
4
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
5
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
6
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
7
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
8
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
9
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
10
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
11
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
12
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
13
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
14
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
15
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
16
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
17
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
18
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
19
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
20
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
21
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
22
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
23
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
24
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
25
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
26
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
27
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
28
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
29
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
30
Print made by William Miller, 1796–1882
A Garden
1834
31
Print made by Edward Goodall, 1795–1870
Keswick Lake
1834
32
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
33
Print made by Edward Goodall, 1795–1870
The Gipsy
1834
34
Print made by Edward Goodall, 1795–1870
A Village – Evening
1834
35
Print made by Edward Goodall, 1795–1870
Leaving Home
1834
36
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
37
Print made by Edward Goodall, 1795–1870
Valombre
1834
38
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
39
Print made by Edward Goodall, 1795–1870
Shipbuilding (An Old Oak Dead)
1833
40
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
41
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
42
Print made by Edward Goodall, 1795–1870
Columbus Setting Sail
1834
43
Print made by Edward Goodall, 1795–1870
St. Pierre's Cottage
1834
44
Print made by Edward Goodall, 1795–1870
An Old Oak
1834
45
Print made by Edward Goodall, 1795–1870
Captivity
1834
46
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
47
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. II
1834
48
Print made by William Miller, 1796–1882
Loch Lomond
1834
49
Print made by Edward Goodall, 1795–1870
The Vision of Columbus
1834
50
Print made by Edward Goodall, 1795–1870
Land Discovered by Columbus
1832-1834
51
Print made by Edward Goodall, 1795–1870
Captivity
1834
52
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
53
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
54
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
55
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
56
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
57
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
58
Print made by Anker Smith, 1759–1819
Vortigern & Rowena
1816
59
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
60
Print made by Edward Goodall, 1795–1870
Traitor's Gate, Tower of London
1834
61
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
63
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
64
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
65
Print made by William Miller, 1796–1882
An Old Manor House
1834
66
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
67
Print made by Edward Goodall, 1795–1870
A Hurricane in the Desert
1834
68
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
69
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
70
Print made by Robert Wallis, 1794–1878
Tornaro
1834
71
Print made by Edward Goodall, 1795–1870
Traitor's Gate, Tower of London
1834
72
Print made by Edward Goodall, 1795–1870
St. Anne's Hill, No. I
1834
73
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
74
Print made by Edward Goodall, 1795–1870
A Tempest – Voyage of Columbus
1834
75
Print made by Edward Goodall, 1795–1870
Cortes and Pizarro
1834
76
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
77
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808, published 1813
78
Print made by Edward Fisher, 1722–1785
Edwin
1776
79
Print made by Thomas Watson, 1743–1781
Maria
1796
80
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
81
Print made by William Miller, 1796–1882
An Old Manor House
1834
82
Print made by Edward Goodall, 1795–1870
Greenwich Hospital
1834
83
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
84
Print made by Edward Goodall, 1795–1870
The Alps at Daybreak
1834
85
Print made by Edward Goodall, 1795–1870
Carlisle
1834
86
Print made by Robert Brandard, 1805–1862
Jedburgh Abbey
1834
87
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
88
Print made by Edward Goodall, 1795–1870
Caerlaverock Castle
1834
89
Print made by William Miller, 1796–1882
Melrose
1834
90
Print made by William Miller, 1796–1882
Edinburgh from Blackford Hill
1834
91
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
92
Print made by William Miller, 1796–1882
Skiddaw
1834
93
Print made by William Miller, 1796–1882
Berwick-upon-Tweed
1834
94
Print made by Robert Wallis, 1794–1878
Kelso
1834
95
Print made by Robert Wallis, 1794–1878
Kelso
1834
96
William Faithorne the Younger, ca. 1669–1703
John Smith, Writing Master in London
undated
97
George White, ca.1684–1732
Sir Richard Blackmore
undated
98
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
99
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
100
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1