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Genre literary theme
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1
- Oberon and Titania
- 1837
2
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
3
- Paradise Lost Sketchbook
- ca. 1793
4
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
5
- Daphnis and Chloe
- undated
6
- Standing Figure, Probably for Lady Macbeth
- undated
7
- Lear Awakened by Cordelia
- between 1774 and 1775
8
- Miranda, Prospero, and Caliban: The Tempest
- undated
9
- Prospero and Miranda
- ca. 1787
10
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
11
- Witches' Cavern: MacBeth's Second Visit
- undated
12
- MacBeth: Banquet Scene
- undated
13
- MacBeth: Banquet Scene
- undated
14
- MacBeth: Banquet Scene
- undated
15
- MacBeth at the Witches' Cave: Second Visit
- undated
16
- MacBeth: Banquet Scene
- undated
17
- Tempest, Version A
- undated
18
- Sketch for Canidia and the Youth
- undated
19
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
20
- Lear Awakened by Cordelia
- ca. 1774
21
- Sketchbook Drawing
- ca. 1793
22
- The Banquet Scene
- ca. 1792
23
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
24
- The Witches' Cavern
- between 1792 and 1793
25
- MacBeth: Banquet Scene
- undated
26
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
27
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
28
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
29
- Unidentified Subjects
- undated
30
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
31
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
32
- John Henderson as Falstaff
- 1780
33
- Birth of Man
- undated
34
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
35
- Witches' Cavern: MacBeth's Second Visit
- undated
36
- Titania's Attendants Chasing Bats
- undated
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- Sketchbook Drawing
- ca. 1793
40
- Sketchbook Drawing
- ca. 1793
41
- Sketchbook Drawing
- ca. 1793
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Sketchbook Drawing
- ca. 1793
46
- Sketchbook Drawing
- ca. 1793
47
- Sketchbook Drawing
- ca. 1793
48
- Sketchbook Drawing
- ca. 1793
49
- Sketchbook Drawing
- ca. 1793
50
- Sketchbook Drawing
- ca. 1793
51
- Sketchbook Drawing
- ca. 1793
52
- Sketchbook Drawing
- ca. 1793
53
- Sketchbook Drawing
- ca. 1793
54
- Sketchbook Drawing
- ca. 1793
55
- Sketchbook Drawing
- ca. 1793
56
- Sketchbook Drawing
- ca. 1793
57
- Sketchbook Drawing
- ca. 1793
58
- Sketchbook Drawing
- ca. 1793
59
- Sketchbook Drawing
- ca. 1793
60
- 'The present moment terminates our sight' (Page 13)
- ca. 1797
61
- 'Emblem of that which shall awake the dead' (Page 19)
- ca. 1797
62
- Night the Second. On Time, Death and Friendship; Title Page
- ca. 1797
63
- 'Like that, the dial speaks; and points to thee' (Page 33)
- ca. 1797
64
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
65
- 'Love, and love only, is the loan for love' (Page 37)
- ca. 1797
66
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
67
- Night the Third. Narcissa; Title Page
- ca. 1797
68
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
69
- The Christian Triumph; Title Page
- ca. 1797
70
- Thel's Motto (Plate 1)
- 1789
71
- Title Page, The Book of Thel (Plate 2)
- 1789
72
- II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)
- 1789
73
- III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)
- 1789
74
- IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)
- 1789
75
- Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)
- 1789
76
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
77
- Songs of Innocence, Frontispiece (Plate 1)
- 1789
78
- Songs of Experience, Frontispiece (Plate 32)
- 1794
79
- Frontispiece (Plate 1)
- 1793
80
- Songs of Innocence, Title Page (Plate 2)
- 1789
81
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
82
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
83
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
84
- Night the First. On Life, Death and Immortality; Title Page
- ca. 1797
85
- 'O treacherous conscience!' (Page 27)
- ca. 1797
86
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
87
- 'Angels should paint it, angels ever there' (Page 40)
- ca. 1797
88
- 'Ungrateful, shall we grieve their hovering shades' (Page 55)
- ca. 1797
89
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
90
- 'Its favours here are trials, not rewards' (Page 12)
- ca. 1797
91
- 'The vale of death! that hush'd cimmerian vale' (Page 54)
- ca. 1797
92
- 'Trembling each gulp, lest death should snatch the bowl' (Page 57)
- ca. 1797
93
- 'This King of Terrors is the Prince of Peace' (Page 63)
- ca. 1797
94
- 'What, though my soul fantastick measures trod' (Page 4)
- ca. 1797
95
- 'Disease invades the chastest temperence' (Page 10)
- ca. 1797
96
- 'Where sense runs savage broke from reason's chain' (Page 46)
- ca. 1797
97
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
98
- Title Page, The First Book of Urizen (Plate 1)
- 1794
99
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
100
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798