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Associated Places Alps

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1. Bonneville, Savoy

Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Mer de Glace, Valley of Chamouni, Savoy

Mer de Glace, Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 7/8 inches (25.4 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Bonneville, Savoy

Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Mer de Glace, Valley of Chamouni, Savoy

Mer de Glace, Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Mer de Glace, Valley of Chamouni, Savoy

Mer de Glace, Valley of Chamouni, Savoy
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 3/8 inches (27 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Bonneville, Savoy

Bonneville, Savoy
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 7/8 inches (19.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1803
Materials & Techniques:
Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:
Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Chamonix, Mer de Glace

Chamonix, Mer de Glace
Creator:
Charles Gore, 1729–1807
Date:
between 1778 and 1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper
Dimensions:
Sheet: 10 1/16 x 16 13/16in. (25.6 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. A Chaisse passing Through the Alps

A Chaisse passing Through the Alps
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, white chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 13 1/2in. (47.6 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Little Devil's Bridge

Little Devil's Bridge
Creator:
Print made by unknown artist
Date:
between 1816 and 1820
Materials & Techniques:
Etching with graphite; touched engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828 to 1837
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Alpine Scene

Alpine Scene
Creator:
John Warwick Smith, 1749–1831
Date:
1781
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 13/16 x 9 1/2 inches (17.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Bonneville, Savoy

Bonneville, Savoy
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1887
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 17 1/4 inches (32.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell

15. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/16 inches (44.5 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Turin, from the Portico of the Superga Church

Turin, from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Etching and line engraving; 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Mer de Glace

Mer de Glace
Creator:
Henry Moore, 1831–1895
Date:
1856
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 x 14 9/16in. (26.4 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy
Creator:
Elijah Walton, 1832–1880
Date:
undated
Materials & Techniques:
Gouache on verry thick, smooth, cream wove paper
Dimensions:
Sheet: 4 15/16 × 6 7/8 inches (12.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria

Mountain View: Terglon Alps seen from near Lengenfeld Carniola, Austria
Creator:
Elijah Walton, 1832–1880
Date:
undated
Materials & Techniques:
Gouache on very thick, smooth, cream wove card
Dimensions:
Sheet: 4 7/8 × 6 7/8 inches (12.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Lake Maggiore

Lake Maggiore
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Watercolor with gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 19 1/8 inches (17.7 × 48.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Visp or Viege, near Brig

Visp or Viege, near Brig
Creator:
Samuel Prout, 1783–1852
Date:
after 1815
Materials & Techniques:
Graphite and white chalk, with stumping on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 10 1/2 × 14 3/4 inches (26.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Alpine Landscape, possibly the Matterhorn

Alpine Landscape, possibly the Matterhorn
Creator:
William James Muller, 1812–1845
Date:
ca. 1834
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 11 1/2 inches (15.2 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828-1837
Materials & Techniques:
Line engraving, first published state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Bonneville, Savoy

Bonneville, Savoy
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (c) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/16 × 11 3/4 inches (43.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; with graphite and scraping out; touched engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 9/16 × 12 3/16 inches (44.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Interlaken

Interlaken
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, brown wash, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Between Chamonix and Martigny

Between Chamonix and Martigny
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Pen and black ink, watercolor, graphite, gray wash and brown wash on medium, slightly textured, cream laid paper mounted on moderately thick, smooth, cream wove paper
Dimensions:
Mount: 12 15/16 x 17 11/16 inches (32.8 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Como

Como
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and gouache, with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 5/8 inches (26.3 × 37.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Innsbruck via Harwich Twice a Day

Innsbruck via Harwich Twice a Day
Creator:
Print made by Austin Cooper, 1890–1964
Date:
between 1923 and 1947
Materials & Techniques:
Lithograph
Dimensions:
Sheet: 40 x 50 1/8 inches (101.6 x 127.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

35. Bonneville, Savoy

No cover image available
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1887
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell