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Sawrey Gilpin Book of drawings of cattle, figures, and horses
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and horses
Sawrey Gilpin Book of drawings of cattle, figures, and horses
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and horses
Sawrey Gilpin Book of drawings of cattle, figures, and horses
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and horses
Sawrey Gilpin Book of drawings of cattle, figures, and figures on horseback
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and figures on horseback
1760
Sawrey Gilpin Book of drawings of cattle, figures, and figures on horseback
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and figures on horseback
1760
Sawrey Gilpin Book of drawings of cattle, figures, and figures on horseback
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and figures on horseback
1760
Sawrey Gilpin Book of drawings of cattle, figures, and figures on horseback
Sawrey Gilpin, 1733–1807
Book of drawings of cattle, figures, and figures on horseback
1760
Rev. William Gilpin Sketchbook of drawings of abbeys, castles, etc.
Rev. William Gilpin, 1724–1804
Sketchbook of drawings of abbeys, castles, etc
1760
Rev. William Gilpin Sketchbook of drawings of abbeys, castles, etc.
Rev. William Gilpin, 1724–1804
Sketchbook of drawings of abbeys, castles, etc
1760
Rev. William Gilpin Sketchbook of drawings of abbeys, castles, etc.
Rev. William Gilpin, 1724–1804
Sketchbook of drawings of abbeys, castles, etc
1760
Rev. William Gilpin Sketchbook of drawings of abbeys, castles, etc.
Rev. William Gilpin, 1724–1804
Sketchbook of drawings of abbeys, castles, etc
1760
Sawrey Gilpin Book of four portraits of the Duke of Cumberland's brood mares
Sawrey Gilpin, 1733–1807
Book of four portraits of the Duke of Cumberland's brood mares
1760
unknown artist Miss Flora MacDonald
Print made by unknown artist
Miss Flora MacDonald
between 1700 and 1750
John Faber the Younger Serenissima Maria D.G. Angl: Scot: Fran: et Hib: Regina
John Faber the Younger, ca. 1695–1756
Serenissima Maria D.G. Angl: Scot: Fran: et Hib: Regina
Gerard Valck Maria D.G. Mag. Brit. Franc. et HIb. Regina & C.
Print made by Gerard Valck, 1651/2–1726
Maria D.G. Mag. Brit. Franc. et HIb. Regina & C
between 1700 and 1725
John Faber the Younger Portraits of Ladies
John Faber the Younger, ca. 1695–1756
Portraits of Ladies
James Watson Caroline Duchess of Marlborogh with Lady Caroline Spencer her Daughter
James Watson, 1740–1790
Caroline Duchess of Marlborogh with Lady Caroline Spencer her Daughter
1768
James McArdell Lady Middleton
James McArdell, ca. 1729–1765
Lady Middleton
John Faber the Younger The Honorable Lady Midelton
John Faber the Younger, ca. 1695–1756
The Honorable Lady Midelton
John Smith, the mezzotinter The Honorable Lady Essex Mostyn
Print made by John Smith, the mezzotinter, 1652–1743
The Honorable Lady Essex Mostyn
1705
James McArdell Miss Fanny Murray
James McArdell, ca. 1729–1765
Miss Fanny Murray
Richard Houston Elisabeth, Countess of Northumberland
Richard Houston, ca. 1721–1775
Elisabeth, Countess of Northumberland
William Dickinson The Egyptian Fortune-teller
William Dickinson, 1746–1823
The Egyptian Fortune-teller
1769
John Faber the Elder Francisca Sidney Comitissa Sussex
John Faber the Elder, ca. 1660–1721
Francisca Sidney Comitissa Sussex
1714
John Faber the Younger Mrs. Winstanley
John Faber the Younger, ca. 1695–1756
Mrs. Winstanley
Thomas Watson Lady Whitmore
Thomas Watson, 1743–1781
Lady Whitmore
1778
John Faber the Younger Mrs. Margaret Woffington
John Faber the Younger, ca. 1695–1756
Mrs. Margaret Woffington
William Dickinson Diana Viscountess Crosbie
William Dickinson, 1746–1823
Diana Viscountess Crosbie
1779
John Jones The Right Honourable Sir James Esdaile
John Jones, ca. 1745–1797
The Right Honourable Sir James Esdaile
1793
John Jones Lady Anne Fitzpatrick as Sylvia
John Jones, ca. 1745–1797
Lady Anne Fitzpatrick as Sylvia
1791
Valentine Green David Garrick Leaning on a bust of William Shakespeare
Valentine Green, 1739–1813
David Garrick Leaning on a bust of William Shakespeare
1769
John Dean Thomas Leland
John Dean, 1754–1798
Thomas Leland
1777
John Spilsbury The Right Honourable Lady Mary Leslie
John Spilsbury, 1730–1795
The Right Honourable Lady Mary Leslie
1766
Joseph Grozer Alexander Wedderburn, 1st Earl of Rosslyn
Joseph Grozer, ca. 1755–1798
Alexander Wedderburn, 1st Earl of Rosslyn
1796
James Watson Henrietta Catherine Cholmley (née Croft)
James Watson, 1740–1790
Henrietta Catherine Cholmley (née Croft)
undated
James Watson Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer
James Watson, 1740–1790
Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer
1768
unknown artist Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer
unknown artist
Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer
1768
Thomas Watson Barbara Villiers Countess of Castlemaine
Thomas Watson, 1743–1781
Barbara Villiers Countess of Castlemaine
1779
Thomas Watson Barbara Villiers Countess of Castlemaine
Thomas Watson, 1743–1781
Barbara Villiers Countess of Castlemaine
1779
Thomas Watson Frances Brooke, Lady Witmore
Thomas Watson, 1743–1781
Frances Brooke, Lady Witmore
1778
Thomas Prattent Trinity House, Tower Hill
Print made by Thomas Prattent, active 1780–1810
Trinity House, Tower Hill
1795
Archibald Robertson Yester House the Seat of the Marquess of Tweedale; page 112 (Volume Three)
Archibald Robertson, 1748–1788
Yester House the Seat of the Marquess of Tweedale; page 112 (Volume Three)
Charles Spooner Miss Nelly O'Brien
Charles Spooner, c.1720–1767
Miss Nelly O'Brien
John Dixon Nelly O'Brien
John Dixon, ca. 1740–1811
Nelly O'Brien
1774
John Smith, the mezzotinter Mrs Ann Roydhouse
Print made by John Smith, the mezzotinter, 1652–1743
Mrs Ann Roydhouse
1701
S. Paul Lady Scarsdale and her son
S. Paul, 18th century
Lady Scarsdale and her son
John Jones Signora Sestini
John Jones, ca. 1745–1797
Signora Sestini
1780
James Watson Bell, Countess of Sefton
James Watson, 1740–1790
Bell, Countess of Sefton
1771
John Faber the Younger Miss Mary Lillias Scott
John Faber the Younger, ca. 1695–1756
Miss Mary Lillias Scott
1748
James McArdell Griselda Countess Stanhope
James McArdell, ca. 1729–1765
Griselda Countess Stanhope
Richard Purcell Lady Stanhope
Richard Purcell, active 1746–1766
Lady Stanhope
John Faber the Younger Mary Tofts of Godelman the pretended Rabbit Breeder
John Faber the Younger, ca. 1695–1756
Mary Tofts of Godelman the pretended Rabbit Breeder
John Faber the Younger The Right Honorable Ethelreda Viscountess Townshend
John Faber the Younger, ca. 1695–1756
The Right Honorable Ethelreda Viscountess Townshend
1742
unknown artist Grace Tosier
Print made by unknown artist
Grace Tosier
between 1710 and 1750
John Finlayson The Right Honorable Gertrude Viscountess Villiers
John Finlayson, 1730–1776
The Right Honorable Gertrude Viscountess Villiers
1773
Richard Purcell A Venetian Lady at Masquerade
Richard Purcell, active 1746–1766
A Venetian Lady at Masquerade
John Murphy Her Royal Highness Princess of Wales
Print made by John Murphy, ca. 1748–1820
Her Royal Highness Princess of Wales
1795
Francis Xavier Vispré Vispré Pinxit et Fecit
Print made by Francis Xavier Vispré, active 1730–1790
Vispré Pinxit et Fecit
1761
unknown artist Miss Charlotte Williams
Print made by unknown artist
Miss Charlotte Williams
1771
John Faber the Younger Mrs. Margaret Woffington
John Faber the Younger, ca. 1695–1756
Mrs. Margaret Woffington
1745
unknown artist Her Royal Highness the Duchess of York
Print made by unknown artist
Her Royal Highness the Duchess of York
1794
John Faber the Younger Madam Wright
John Faber the Younger, ca. 1695–1756
Madam Wright
Edward Fisher Ladies Yorke; Lady Amabel-Grey and Lady Mary Jemima
Edward Fisher, 1722–1785
Ladies Yorke; Lady Amabel-Grey and Lady Mary Jemima
1762
John Finlayson La Signora Zamperini in the Character of Cecchina La Buona Figliuola, Act 2, Scene 3
John Finlayson, 1730–1776
La Signora Zamperini in the Character of Cecchina La Buona Figliuola, Act 2, Scene 3
1769
unknown artist Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)
unknown artist
Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)
Archibald Robertson Raith House; page twenty-three (Volume Three)
Archibald Robertson, 1748–1788
Raith House; page twenty-three (Volume Three)
undated
William Le Petit Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)
William Le Petit, early 1800s
Raby Castle, Durham, The Seat of the Rt. Honble William-Harry Vane, Duke of Cleveland, page twenty-two (Volume Three)
Sparrow Somerford Grange, Hampshire (published by S. Hooper) 94; page 55 (Volume Three)
Sparrow, active 1773–1787
Somerford Grange, Hampshire (published by S. Hooper) 94; page 55 (Volume Three)
1784
Richard Bernard Godfrey Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)
Richard Bernard Godfrey, 1728–op.1794
Titchfield House Hampshire (published by S. Hooper); page 72 (Volume Three)
1784
Pierre Charles Canot Taymouth; page 68 (Volume Three)
Pierre Charles Canot, ca. 1710–1777
Taymouth; page 68 (Volume Three)
Thomas Allen Old Vauxhall Gardens, Ancient Manor House
Thomas Allen, active 1767–1772
Old Vauxhall Gardens, Ancient Manor House
undated
Benjamin Cole A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)
Benjamin Cole, 1697–1783
A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)
undated
Hubert Robert Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)
Hubert Robert, 1733–1808
Wimbledon House, in Surrey, the Seat of Monsieur Calonne (published by H.D. Symonds); page 95 (Volume Three)
1796
Peter Mazell St. Winefred's Well, Moss and Seal; page 98 (Volume Three)
Peter Mazell, active 1761–1797
St. Winefred's Well, Moss and Seal; page 98 (Volume Three)
unknown artist South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
unknown artist Windsor Castle from the Black Road [page not numbered] (Volume Three)
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)
1780
Archibald Robertson Wrythe's Houses; page 110 (Volume Three)
Archibald Robertson, 1748–1788
Wrythe's Houses; page 110 (Volume Three)
undated
Archibald Robertson Springwood Park; page 62 (Volume Three)
Archibald Robertson, 1748–1788
Springwood Park; page 62 (Volume Three)
unknown artist Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)
unknown artist
Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)
1796
Edward Fisher Elizabeth Countess of Northumberland
Edward Fisher, 1722–1785
Elizabeth Countess of Northumberland
Sir David Young Cameron A Venetian Convent
Print made by Sir David Young Cameron, 1865–1945
A Venetian Convent
1895
James McArdell Horace Walpole, Youngest Son of Sir Robert Walpole Earl of Oxford
Print made by James McArdell, ca. 1729–1765
Horace Walpole, Youngest Son of Sir Robert Walpole Earl of Oxford
1757
Robert Thew First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793
John Watts Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
John Watts, active 1766–1786
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
1780
Thomas Watson The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend
Thomas Watson, 1743–1781
The Honourable Mrs. Beresford, Mrs. Gardiner, and The Right Honourable Anne Viscountess Townshend
1776
Paul Sandby Views in the Levant: Entrance of the Acropolis at Athens
Paul Sandby, 1731–1809
Views in the Levant: Entrance of the Acropolis at Athens
ca. 1780
Luigi Balugani Crab
Luigi Balugani, 1737–1770
Crab
undated
Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
Rev. William Gilpin The evening glow now pervades the Landscape strongly (Design for Plate 25)
Rev. William Gilpin, 1724–1804
The evening glow now pervades the Landscape strongly (Design for Plate 25)
undated
Rev. William Gilpin These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
Rev. William Gilpin, 1724–1804
These subjects are all instances of Landscapes under meridian Suns, chastised by different degrees of mist, and cloudy weather (Design for Plate 19)
undated
Rev. William Gilpin The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
Rev. William Gilpin, 1724–1804
The Sun is now set, and the evening closes in, but rather wild, and lowering (Design for Plate 29)
undated
Jonathan Hall The Right Honorable Edward, Lord Hawke
Jonathan Hall
The Right Honorable Edward, Lord Hawke
1795
Rev. William Gilpin The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
Rev. William Gilpin The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
Rev. William Gilpin As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
Rev. William Gilpin The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
Rev. William Gilpin, 1724–1804
The effect here intended, is that of reflection of a bright sky on the water, when the Sun itself is obscured (Design for Plate 11)
undated
Rev. William Gilpin The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated